Catalogue of Italian Sculpture in the Detroit Institute of Arts: Eighth to sixteenth century

Catalogue of Italian Sculpture in the Detroit Institute of Arts: Eighth to sixteenth century

Author: Detroit Institute of Arts

Publisher: Harvey Miller

Published: 2002

Total Pages: 300

ISBN-13:

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The collection of post-antique Italian sculpture in the Detroit Institute of Arts is considered among the three finest and most comprehensive outside Europe; however, this large and distinguished collection, whose formation began a century ago, has never been published in its entirety as a museum catalogue. Ranging from early medieval, pre-Romanesque stone carvings of the eighth and ninth centuries to works created more than a millennium later, the collection numbers over 350 pieces of Italian sculpture in wood, stone, terracotta, stucco, porcelain and bronze. More than half of the collection consists of sculpture from the fifteenth and sixteenth centuries (or the Early, High and Late Italian Renaissance), and approximately one-fifth dates from the thirteenth and fourteenth centuries (roughly, Italian Gothic sculpture). Although the remainder is more or less equally balanced in number between the eighth to the twelfth centuries, and those pieces from the seventeenth to the early twentieth centuries, the latter group of Italian baroque to nineteenth-century sculpture contains some of the most important and most recently acquired Italian works of art in the collection.


Italian Fifteenth- to Seventeenth-century Drawings

Italian Fifteenth- to Seventeenth-century Drawings

Author: Anna Forlani Tempesti

Publisher: Metropolitan Museum of Art

Published: 1991

Total Pages: 401

ISBN-13: 0870996061

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Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.


John Smibert

John Smibert

Author: Richard H. Saunders

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 328

ISBN-13: 9780300042580

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Saunder's explores Smibert's early Scottish and London training as well as his travels in Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of "The Bermuda Group"; and the business of portrait painting in Boston.


Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters

Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2010

Total Pages: 370

ISBN-13: 1588393968

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"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.


Portraits by Ingres

Portraits by Ingres

Author: Jean-Auguste-Dominique Ingres

Publisher: Metropolitan Museum of Art

Published: 1999

Total Pages: 610

ISBN-13: 0870998919

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Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)


Master Drawings from the Smith College Museum of Art

Master Drawings from the Smith College Museum of Art

Author: Smith College. Museum of Art

Publisher: Hudson Hills

Published: 2000

Total Pages: 344

ISBN-13: 9781555951832

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This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.