Catalogue of British Oil Paintings 1820-1860

Catalogue of British Oil Paintings 1820-1860

Author: Ronald Parkinson

Publisher:

Published: 1990

Total Pages: 376

ISBN-13:

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From luminaries such as J.M.W.Turner to the all but forgotten George Travers - and through the hierarchy of genres from high art to animals, fruit, flowers, sea and landscapes - the 500 pictures covered in this catalogue form about half of the V&A's collection of British oil paintings.


British and Irish Paintings in Public Collections

British and Irish Paintings in Public Collections

Author: Christopher Wright

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 950

ISBN-13: 9780300117301

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This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.


The Victoria and Albert Museum

The Victoria and Albert Museum

Author: Elizabeth James

Publisher: Routledge

Published: 2013-10-15

Total Pages: 841

ISBN-13: 1134271069

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A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.


Sources in Irish Art

Sources in Irish Art

Author: Fintan Cullen

Publisher: Cork University Press

Published: 2000

Total Pages: 342

ISBN-13: 9781859181546

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"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.


An Indolent and Blundering Art?

An Indolent and Blundering Art?

Author: Emma Chambers

Publisher: Routledge

Published: 2018-08-10

Total Pages: 270

ISBN-13: 0429852827

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First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching


Nineteenth Century British Painting

Nineteenth Century British Painting

Author: Luke Herrmann

Publisher: Giles de La Mare

Published: 2000

Total Pages: 490

ISBN-13:

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This illuminating volume explores a century in British painting that produced an enormous variety of work, ranging from the beginnings of Romanticism in the late 18th century to the British adoption of impressionism in the late 19th century. Dividing this prolific period into nine sections, the work of each artist is discussed, analyzed, and presented in biographical context. With longer sections devoted to such maior figures as Lawrence, Turner, Constable, Rossetti, Leighton, and Whistler, the artists are placed in the framework of their historical, social, and economic backgrounds. The majority of the paintings and drawings that are examined are handsomely reproduced in more than 300 plates, making this an excellent choice for students, connoisseurs, and collectors as well as anyone interested in British art. Among Luke Herrmann's books is "J.M.W. Turner Watercolours and Drawings."


Furniture-Makers and Consumers in England, 1754–1851

Furniture-Makers and Consumers in England, 1754–1851

Author: Akiko Shimbo

Publisher: Routledge

Published: 2016-04-15

Total Pages: 280

ISBN-13: 1317131290

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Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.


Picturing Animals in Britain, 1750-1850

Picturing Animals in Britain, 1750-1850

Author: Diana Donald

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 402

ISBN-13: 9780300126792

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From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.


Art and Modern Copyright

Art and Modern Copyright

Author: Elena Cooper

Publisher: Cambridge University Press

Published: 2018-08-16

Total Pages: 319

ISBN-13: 1107179726

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The first in-depth study of the history of copyright protecting the visual arts, uncovering long-forgotten narratives of copyright history and reflecting on how those sharpen the critical lens through which we view copyright today. It will appeal to copyright lawyers, scholars and policy-makers, as well as to art historians and curators.


Picturing Children

Picturing Children

Author: MarilynR. Brown

Publisher: Routledge

Published: 2017-07-05

Total Pages: 222

ISBN-13: 1351554166

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The representation of children in modern European visual culture has often been marginalized by Art History as sentimental and trivial. For this reason the subject of childhood in relation to art and its production has largely been ignored. Confronting this dismissal, this unique collection of essays raises new and unexpected issues about the formation of childhood identity in the nineteenth century and makes a significant contribution to the development of inter-disciplinary studies within this area. Through a range of stimulating and insightful case studies, the book charts the development of the Romantic ideal of childhood, starting with Rousseau?s Emile, and attends to its visual, social and psychological transformations during the historical period from which Freud?s psychoanalytic theories eventually emerged. Foremost scholars such as Anne Higonnet, Carol Mavor, Susan Casteras and Linda A. Pollock uncover the means by which children became an important conduit for prevailing social anxieties and demonstrate that the apparently ?timeless? images of them that proliferated at the time should be understood as complex cultural documents. Over 50 illustrations enhance this rich and fascinating volume.