The Purchase of the Past

The Purchase of the Past

Author: Tom Stammers

Publisher: Cambridge University Press

Published: 2020-06-25

Total Pages: 375

ISBN-13: 1108478840

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Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.


Salvator Rosa in French Literature

Salvator Rosa in French Literature

Author: James Patty

Publisher: University Press of Kentucky

Published: 2005-01-31

Total Pages: 282

ISBN-13: 0813171938

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" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.


The Annenberg Collection

The Annenberg Collection

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 354

ISBN-13: 1588393410

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The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.


The Private Collection of Edgar Degas

The Private Collection of Edgar Degas

Author: Julie A. Steiner

Publisher: Abrams

Published: 1997

Total Pages: 160

ISBN-13:

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This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.


Rembrandt, Reputation, and the Practice of Connoisseurship

Rembrandt, Reputation, and the Practice of Connoisseurship

Author: Catherine B. Scallen

Publisher: Amsterdam University Press

Published: 2004

Total Pages: 422

ISBN-13: 9789053566251

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Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.


Drawing

Drawing

Author: Harvard Art Museums

Publisher: Harvard Art Museums

Published: 2017-01-01

Total Pages:

ISBN-13: 9781891771712

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"This catalogue accompanies the exhibition Drawing: The Invention of a Modern Medium, on view at the Harvard Art Museums, Cambridge, Massachusetts, from January 21 through May 7, 2017."


"Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris "

Author: Ting Chang

Publisher: Routledge

Published: 2017-07-05

Total Pages: 210

ISBN-13: 1351538454

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Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.