Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1054
ISBN-13:
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1054
ISBN-13:
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Publisher:
Published: 1895
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Collectif
Publisher:
Published: 2020-09-16
Total Pages: 22
ISBN-13: 9782329488592
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Publisher:
Published: 1867
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Dominique de Font-Réaulx
Publisher: 5Continents
Published: 2008-09-01
Total Pages: 0
ISBN-13: 9788874394661
DOWNLOAD EBOOKIllustrates the development and rapid spread of Louis Daguerre's photographic invention in France by a variety of daguerreotypes drawn from the collection of the Musee d'Orsay.
Author: John Sturrock
Publisher: London ; New York [etc.] : Oxford U.P.
Published: 1969
Total Pages: 264
ISBN-13:
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Publisher:
Published: 1893
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Adam Abraham Mendilow
Publisher:
Published: 1972-03
Total Pages: 0
ISBN-13: 9780391002203
DOWNLOAD EBOOKAuthor: George Gordon Byron Byron
Publisher:
Published: 1823
Total Pages: 290
ISBN-13:
DOWNLOAD EBOOKAuthor: Claude Simon
Publisher: New York Review of Books
Published: 2022-07-12
Total Pages: 209
ISBN-13: 1681375958
DOWNLOAD EBOOKBy the winner of the 1985 Nobel Prize in Literature, a riveting, stylistically audacious modernist epic about the French cavalry's bloody face-off against German Panzer tanks during WWII. On a sunny day in May 1940, the French army sent out the cavalry against the invading German army’s panzer tanks. Unsurprisingly, the French were routed. Twenty-six-year-old Claude Simon was among the French forces. As they retreated, he saw his captain shot off his horse by a German sniper. This is the primal scene to which Simon returns repeatedly in his fiction and nowhere so powerfully as in his most famous novel The Flanders Road. Here Simon’s own memories overlap with those of his central character, Georges, whose captain, a distant relative, dies a similar death. Georges reviews the circumstances and sense—or senselessness—of that death, first in the company of a fellow prisoner in a POW camp and then some years later in the course of an ever more erotically charged visit to the captain’s widow, Corinne. As he does, other stories emerge: Corinne’s prewar affair with the jockey Iglésia, who would become the captain’s orderly; the possible suicide of an eighteenth-century ancestor, whose grim portrait loomed large in Georges’s childhood home; Georges’s learned father, whose books are no help against barbarism. The great question throughout, the question that must be urgently asked even as it remains unanswerable, is whether fiction can confront and respond to the trauma of history.