Catalogue des objets d'art et de curiosité tabatières et bonbonnières des époques Louis XV et Louis XVI; Belles miniatures par Van Blarenberghe, Hall et autres Matières précieuses: cristaux de roche, agates, jades ... composant la précieuse collection de M. le vicomte Paul Daru et dont la vente aura lieu Hôtel Drouot, Salle no 8 les lundi 18 et mardi 19 février 1867 ... Me Charles Pillet, commissaire-priseur ... assisté de M. Charles Mannheim, expert

Catalogue des objets d'art et de curiosité tabatières et bonbonnières des époques Louis XV et Louis XVI; Belles miniatures par Van Blarenberghe, Hall et autres Matières précieuses: cristaux de roche, agates, jades ... composant la précieuse collection de M. le vicomte Paul Daru et dont la vente aura lieu Hôtel Drouot, Salle no 8 les lundi 18 et mardi 19 février 1867 ... Me Charles Pillet, commissaire-priseur ... assisté de M. Charles Mannheim, expert

Author:

Publisher:

Published: 1867

Total Pages: 0

ISBN-13:

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The Daguerreotype

The Daguerreotype

Author: Dominique de Font-Réaulx

Publisher: 5Continents

Published: 2008-09-01

Total Pages: 0

ISBN-13: 9788874394661

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Illustrates the development and rapid spread of Louis Daguerre's photographic invention in France by a variety of daguerreotypes drawn from the collection of the Musee d'Orsay.


The Flanders Road

The Flanders Road

Author: Claude Simon

Publisher: New York Review of Books

Published: 2022-07-12

Total Pages: 209

ISBN-13: 1681375958

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By the winner of the 1985 Nobel Prize in Literature, a riveting, stylistically audacious modernist epic about the French cavalry's bloody face-off against German Panzer tanks during WWII. On a sunny day in May 1940, the French army sent out the cavalry against the invading German army’s panzer tanks. Unsurprisingly, the French were routed. Twenty-six-year-old Claude Simon was among the French forces. As they retreated, he saw his captain shot off his horse by a German sniper. This is the primal scene to which Simon returns repeatedly in his fiction and nowhere so powerfully as in his most famous novel The Flanders Road. Here Simon’s own memories overlap with those of his central character, Georges, whose captain, a distant relative, dies a similar death. Georges reviews the circumstances and sense—or senselessness—of that death, first in the company of a fellow prisoner in a POW camp and then some years later in the course of an ever more erotically charged visit to the captain’s widow, Corinne. As he does, other stories emerge: Corinne’s prewar affair with the jockey Iglésia, who would become the captain’s orderly; the possible suicide of an eighteenth-century ancestor, whose grim portrait loomed large in Georges’s childhood home; Georges’s learned father, whose books are no help against barbarism. The great question throughout, the question that must be urgently asked even as it remains unanswerable, is whether fiction can confront and respond to the trauma of history.