Maria Pergay
Maria Pergay

Author: Suzanne Demisch

Publisher:

Published: 2006

Total Pages: 172

ISBN-13:

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At a recent auction, after two of Maria Pergay's 1970s steel chairs sold for seven times their high estimate, an observer told The New York Times that was "the most exciting bidding of the sale, because it was fashion." Over Pergay's 50-year-and-counting career, her sophisticated objects, furniture and decor have won her a following and an illustrious clientele that has included Salvador Dali, Pierre Cardin and King Fahd of Saudi Arabia, but they have only recently gained recognition among design collectors, curators and aficionados. Maria Pergay: Between Ideas and Design is the first in-depth survey of the designer's remarkable life and work. Beginning in the 1950s and continuing to the present, it features over 200 photographs of interiors and furniture, archival illustrations from her personal collection--most of which have never before been published--and a candid interview. The end product is equal parts authoritative reference, source of rare insight and aesthetic journey into the lifestyle of the cultural and social elite of the late 60s and early 70s.

À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries
À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries

Author: Francine Giese

Publisher: BRILL

Published: 2019-11-04

Total Pages: 240

ISBN-13: 9004412646

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The present volume offers a collection of essays that examines the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. Special attention is given to the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now preserved in the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western and Eastern Europe and beyond: Roger Nicholas Balsiger, Moya Carey, Valentina Colonna, Francine Giese, Hélène Guérin, Barbara Karl, Katrin Kaufmann, Sarah Keller, Agnieszka Kluczewska Wójcik, Inessa Kouteinikova, Axel Langer, Maria Medvedeva, Ágnes Sebestyén, Alban von Stockhausen, Ariane Varela Braga, Mercedes Volait. Les contributions de l’ouvrage examinent le mécanisme et les stratégies relatifs à la collection, la présentation et l’appropriation des arts de l’Islam au XIXe siècle et début du XXe siècle. Elles mettent l’accent sur des collections situées en Europe centrale et orientale, lesquelles ont été peu étudiées jusqu’à présent. Une attention particulière est dédiée à la figure du collectionneur Suisse Henri Moser Charlottenfels, dont les objets se trouvent aujourd’hui au Bernisches Historisches Museum (Suisse) et qui ont été de même peu étudiés. Les textes émanent de jeunes chercheurs comme de chercheurs confirmés, basés en Europe occidentale et orientale, et au-delà.