The Artist and His Critic Stripped Bare

The Artist and His Critic Stripped Bare

Author: Paul B. Franklin

Publisher: Getty Publications

Published: 2016-06-01

Total Pages: 422

ISBN-13: 1606064436

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Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.


Millet to Matisse

Millet to Matisse

Author: Kelvingrove Art Gallery and Museum

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 234

ISBN-13: 0300097808

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The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.