Funny Money Man & Dirty Money Man A Modern Day Pulp By: Richard Beauregard Funny Money Man & Dirty Money Man: A Modern Day Pulp is a series of mystery/thriller short stories. The stories detail various characters’ attempts to overcome poor decisions with money, alcohol, and other vices. Ultimately what is inescapable in Beauregard’s short stories is that you pay for the bad things that you do.
Provide focused practice for sixth graders in areas such as comprehension, vocabulary, language, and reasoning. Grade-appropriate flash cards, completion chart, and skills matrix are also provided. Meets NCTE standards.
Wallace Stevens was not only one of America's outstanding modernist poets but also a successful insurance lawyer--a fact that continues to intrigue many readers. Though Stevens tried hard to separate his poetry from his profession, legal theorist Thomas Grey shows that he did not ultimately succeed. After stressing how little connection appears on the surface between the two parts of Stevens's life, Grey argues that in its pragmatic account of human reasoning, the poetry distinctively illuminates the workings of the law. In this important extension of the recent law-and-literature movement, Grey reveals Stevens as a philosophical poet and implicitly a pragmatist legal theorist, who illustrates how human thought proceeds through "assertion, qualification, and qualified reassertion," and how reason and passion fuse together in the act of interpretation. Above all, Stevens's poetry proves a liberating antidote to the binary logic that is characteristic of legal theory: one side of a case is right, the other wrong; conduct is either lawful or unlawful. At the same time as he discovers in Stevens a pragmatist philosopher of law, Grey offers a strikingly new perspective on the poetry itself. In the poems that develop Stevens's "reality-imagination complex"--poems often criticized as remote, apolitical, and hermetic--Grey finds a body of work that not only captivates the reader but also provides a unique instrument for scrutinizing the thought processes of lawyers and judges in their exercise of social power.
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.
Tony Valentine has a gift for grift: He can walk into a casino and spot a cheater across a crowded floor. A man who still uses pay phones and won’t spend more than a buck for coffee, Tony has protected Atlantic City gambling palaces for twenty years and learned every trick of the trade—until a new one blows him away. With his old partner murdered in a bomb blast, Tony returns to A.C. to retrace Doyle Flanagan’s last case. Investigating a six-million-dollar casino takedown, a square cop soon meets a whole lot of bent people, from a beautiful lady wrestler to some Manhattan mobsters; from a trio of beautiful casino “consultants” to a team of Eurotrash blackjack card counters. But while everyone around Tony Valentine (including Tony’s own son) is playing some kind of angle, Tony is determined to find a killer who is playing for keeps. . . .
The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.
When last we saw Tony Valentine -- former cop, lifelong misanthrope, and legendary catcher of casino cheats -- he was just coming up for air after a close brush with the afterlife in his first outing, the acclaimed Grift Sense. This time around, it's personal. Tony Valentine's ex-partner Doyle Flanagan has been blown to pieces by a car bomb. Shortly before his death, Doyle had been filling Valentine in on the details of his latest, most baffling case -- an impressive $6 million blackjack scam at Atlantic City's legendary Bombay casino. Valentine determines that the only way to bring his friend's killers to justice is to crack the Bombay heist himself. But standing between Valentine and his goal is a head-spinning assortment of ruthless gangsters, crooked croupiers, eccentric millionaires, and Croatians with bad haircuts. His only ally: an irresistibly enigmatic female wrestler. With diamond-hard prose, triple-crossing plot twists, and a deliciously noir-inflected atmosphere, Funny Money finds James Swain more than living up to his promise as a razor-sharp storyteller with unlimited surprises up his sleeve.