Carta de Manuel Catalina a su amigo Torayo [Manuel Castellano]
Author: Manuel Catalina
Publisher:
Published: 1861
Total Pages:
ISBN-13:
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Author: Manuel Catalina
Publisher:
Published: 1861
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Manuel Catalina
Publisher:
Published: 1861
Total Pages:
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DOWNLOAD EBOOKAuthor: Quevedo Villegas De (Francisco)
Publisher:
Published: 2004
Total Pages: 73
ISBN-13:
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Author: Museo del Prado
Publisher: T.F. Editores, S.L.C.
Published: 2008
Total Pages: 458
ISBN-13:
DOWNLOAD EBOOKThis is effectively a historical journey through the works of the great 19th century Spanish masters from Goya through to Sorolla.
Author: Nicholas Turner
Publisher:
Published: 2008
Total Pages: 476
ISBN-13:
DOWNLOAD EBOOKHelping to delight in the drawings of Caravaggio, Carracci, Michelangelo, Urbino, Tavarone, Vasari, Veronese, and others, this book looks at this key period in the development of drawing in Europe.
Author: Mariano Catalina
Publisher:
Published: 1874
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Muther
Publisher:
Published: 1907
Total Pages: 514
ISBN-13:
DOWNLOAD EBOOKAuthor: Oscar E. Vázquez
Publisher: Penn State Press
Published: 2010-11-01
Total Pages: 350
ISBN-13: 9780271043951
DOWNLOAD EBOOKThe pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.
Author: Carolyn P. Boyd
Publisher: Princeton University Press
Published: 1997-07-27
Total Pages: 379
ISBN-13: 0691026564
DOWNLOAD EBOOKBased on a broad range of archival and published sources, including parliamentary and ministerial records, pedagogical treatises and journals, teachers' manuals, memoirs, and a sample of over 200 primary and secondary school textbooks, the study examines ideological and political conflict among groups of elites seeking to shape popular understanding of national history and identity through the schools, both public and private.
Author: Francisco Goya
Publisher:
Published: 2008
Total Pages: 316
ISBN-13:
DOWNLOAD EBOOKAround 1770 or 1771, Francisco Goya went to Italy for roughly one year. Although it is not known whether he was actually fleeing the Spanish Inquisition, as an artist of his time he was certainly undertaking a pilgrimage to a country in which many (non-Italian) artists had completed their apprenticeships. Myths proliferate about Goya's Italian period. There are tales of his working as an acrobat, romancing a nun and being offering a job as court painter to Catherine the Great. Whatever the truth of these, he certainly came face to face with much inspirational art: Raphael and Michelangelo at the Vatican, Tiepolo, Correggio's frescoes in Parma, plus the Belvedere Torso of Apollonius and the Farnese Hercules of Glykon (both of which he sketched). During this stint, Goya also entered a painting in the Parma Academy competition, winning second prize. But upon his return to Spain, Goya was an artist transformed, liberated from Neoclassicism and free to pursue his own wilder painterly imaginings. By 1774, Goya had gone from anonymity to become Saragossa's most prosperous artist. What was he doing during this murky Italian jaunt? Goya and Italy is the first book to consider this question at length. In its pages, historians have collaborated to recreate the climate of eighteenth-century Rome, to postulate Goya's place in it and to assess the legacy of this shrouded episode in his biography. It will prove an invaluable document for Goya fans.