PMThat all Defoe's novels, with the exception of 'Robinson Crusoe,'' should have been covered with the dust of neglect for many generations, is a plain proof of how much fashions in taste affect the popularity of the British classics. It is true that three generations or so ago, Defoe's works were edited by both Sir Walter Scott and Hazliit, and that this masterly piece of realism, 'Captain Singleton,' was reprinted a few years back in 'The Camelot Classics,' but it is safe to say that out of every thousand readers of 'Robinson Crusoe' only one or two will have even heard of the 'Memoirs of a Cavalier,' 'Colonel Jack,' 'Moll Flanders,' or 'Captain Singleton'.
Following the success of Robinson Crusoe, Daniel Defoe wrote a new fiction, the story of an English pirate whose success eclipsed every buccaneer the Atlantic world had seen. Featuring a haunted, unreliable narrator, a daring trek across the continent of Africa, and mercantile adventures in the China Seas, Captain Singleton is a tale of loneliness, brotherhood, and the lust for profit. Appendices to this Broadview Edition include materials on pirate fiction, travel writing, and earlier pirate tales that may have provided models for Captain Singleton.
Yoga is so prevalent in the modern world--practiced by pop stars, taught in schools, and offered in yoga centers, health clubs, and even shopping malls--that we take its presence, and its meaning, for granted. But how did the current yoga boom happen? And is it really rooted in ancient Indian practices, as many of its adherents claim? In this groundbreaking book, Mark Singleton calls into question many commonly held beliefs about the nature and origins of postural yoga (asana) and suggests a radically new way of understanding the meaning of yoga as it is practiced by millions of people across the world today. Singleton shows that, contrary to popular belief, there is no evidence in the Indian tradition for the kind of health and fitness-oriented asana practice that dominates the global yoga scene of the twenty-first century. Singleton's surprising--and surely controversial--thesis is that yoga as it is popularly practiced today owes a greater debt to modern Indian nationalism and, even more surprisingly, to the spiritual aspirations of European bodybuilding and early 20th-century women's gymnastic movements of Europe and America, than it does to any ancient Indian yoga tradition. This discovery enables Singleton to explain, as no one has done before, how the most prevalent forms of postural yoga, like Ashtanga, Bikram and "Hatha" yoga, came to be the hugely popular phenomena they are today. Drawing on a wealth of rare documents from archives in India, the UK and the USA, as well as interviews with the few remaining, now very elderly figures in the 1930s Mysore asana revival, Yoga Body turns the conventional wisdom about yoga on its head.
Defoe and Fictional Time shows Defoe's relevance to issues now central to criticism of the novel; relationships between narrative time and clock time, the influence of time concepts shared by writers and their audience, and above all the questions of how fiction shapes the phenomenal time of reading. Paul K. Alkon offers first a study of time in Defoe's fiction, with glances at Richardson, Fielding, and Sterne; and second a theoretical discussion of time in fiction. Arguing that eighteenth-century views of history account for the strange chronologies in Captain Singleton, Colonel Jack, Moll Flanders, and Roxana, Alkon explores Defoe's innovative use of narrative sequences, frequency, spatial form, chronology, settings, tempo, and the reader's cumulative memories of a text. Defoe's Journal of the Plague Year is the first portrayal of a public duration—passing time shared by an entire population during a crisis—ranking Defoe among the most creative writers who have explored the way in which fictional time may influence reading time.
During the Civil War, John Singleton Mosby led the Forty-third Battalion, Virginia Cavalry, better known as Mosby’s Rangers, in bold and daring operations behind Union lines. Throughout the course of the war, more than 2000 men were members of Mosby’s command, some for only a short time. Mosby had few confidants (he was described by one acquaintance as “a disturbing companion”) but became close friends with one of his finest officers, Samuel Forrer Chapman. Chapman served with Mosby for more than two years, and their friendship continued in the decades after the war. Take Sides with the Truth is a collection of more than eighty letters, published for the first time in their entirety, written by Mosby to Chapman from 1880, when Mosby was made U.S. consul to Hong Kong, until his death in a Washington, D.C., hospital in 1916. These letters reveal much about Mosby’s character and present his innermost thoughts on many subjects. At times, Mosby’s letters show a man with a sensitive nature; however, he could also be sarcastic and freely derided individuals he did not like. His letters are critical of General Robert E. Lee’s staff officers (“there was a lying concert between them”) and trace his decades-long crusade to clear the name of his friend and mentor J. E. B. Stuart in the Gettysburg campaign. Mosby also continuously asserts his belief that slavery was the cause of the Civil War—a view completely contrary to a major portion of the Lost Cause ideology. For him, it was more important to “take sides with the Truth” than to hold popular opinions. Peter A. Brown has brought together a valuable collection of correspondence that adds a new dimension to our understanding of a significant Civil War figure.
