The Full Flight series of reading books are for children and young adults aged 8 to 14 and over who are struggling to read. Each book has been carefully written for those with a reading age of approximately 7 to 8, but are packed full of adventure and brilliant illustrations to really grab the reader interest.Camp Terror- Amy and her class are on a school camping trip. The coach driver tried to warn them about staying at the campsite over night and they are about to find out exactly why!
After decades closed, the doors to Camp Dream Haven have reopened to the next generation of kids looking for the best summer of their lives. After a rafting trip goes horribly wrong, two polar-opposite campers, Maddy and TJ, are forced to team up in order to survive the night in the forest and make their way back to camp. But the deeper they go into the woods, the more a terrifying "local legend" seems like it might be reality. Camp Terror is from Survive, an EPIC Press series.
Amy and her class are on a school camping trip. The coach driver tried to warn them about staying at the campsite over night and they are about to find out exactly why! Each title in Full Flight Adventure is only 32 pages, and the text is broken down into bite-sized chunks to make it manageable for struggling and reluctant readers. The target reading age is 7.5-8 and the interest age is 8-14. Readers will find an array of adventurous stories to catch their interest, including hypnotic plants, living robots, white water rafting, the Wild West, lurking monsters, space travel and aliens on earth.
The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe
During 1938 and 1939, Paul Neurath was a Jewish political prisoner in the concentration camps at Dachau and Buchenwald. He owed his survival to a temporary Nazi policy allowing release of prisoners who were willing to go into exile and the help of friends on the outside who helped him obtain a visa. He fled to Sweden before coming to the United States in 1941. In 1943, he completed The Society of Terror, based on his experiences in Dachau and Buchenwald. He embarked on a long career teaching sociology and statistics at universities in the United States and later in Vienna until his death in September 2001. After liberation, the horrific images of the extermination camps abounded from Dachau, Buchenwald, and other places. Neurath's chillingly factual discussion of his experience as an inmate and his astute observations of the conditions and the social structures in Dachau and Buchenwald captivate the reader, not only because of their authenticity, but also because of the work's proximity to the events and the absence of influence of later interpretations. His account is unique also because of the exceptional links Neurath establishes between personal experience and theoretical reflection, the persistent oscillation between the distanced and sober view of the scientist and that of the prisoner.
During the twelve years from 1933 until 1945, the concentration camp operated as a terror society. In this pioneering book, the renowned German sociologist Wolfgang Sofsky looks at the concentration camp from the inside as a laboratory of cruelty and a system of absolute power built on extreme violence, starvation, "terror labor," and the business-like extermination of human beings. Based on historical documents and the reports of survivors, the book details how the resistance of prisoners was broken down. Arbitrary terror and routine violence destroyed personal identity and social solidarity, disrupted the very ideas of time and space, perverted human work into torture, and unleashed innumerable atrocities. As a result, daily life was reduced to a permanent struggle for survival, even as the meaning of self-preservation was extinguished. Sofsky takes us from the searing, unforgettable image of the Muselmann--Auschwitz jargon for the "walking dead"--to chronicles of epidemics, terror punishments, selections, and torture. The society of the camp was dominated by the S.S. and a system of graduated and forced collaboration which turned selected victims into accomplices of terror. Sofsky shows that the S.S. was not a rigid bureaucracy, but a system with ample room for autonomy. The S.S. demanded individual initiative of its members. Consequently, although they were not required to torment or murder prisoners, officers and guards often exploited their freedom to do so--in passing or on a whim, with cause, or without. The order of terror described by Sofsky culminated in the organized murder of millions of European Jews and Gypsies in the death-factories of Auschwitz and Treblinka. By the end of this book, Sofsky shows that the German concentration camp system cannot be seen as a temporary lapse into barbarism. Instead, it must be conceived as a product of modern civilization, where institutionalized, state-run human cruelty became possible with or without the mobilizing feelings of hatred.
Since ancient times, explorers and adventurers have captured popular imagination with their frightening narratives of travels gone wrong. Usually, these stories heavily feature the exotic or unknown, and can transform any journey into a nightmare. Stories of such horrific happenings have a long and rich history that stretches from folktales to contemporary media narratives. This work presents eighteen essays that explore the ways in which these texts reflect and shape our fear and fascination surrounding travel, posing new questions about the "geographies of evil" and how our notions of "terrible places" and their inhabitants change over time. The volume's five thematic sections offer new insights into how power, privilege, uncanny landscapes, misbegotten quests, hellish commutes and deadly vacations can turn our travels into terror.
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.
