California Prune Industry
Author: Byron Martin Lelong
Publisher:
Published: 1892
Total Pages: 42
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Byron Martin Lelong
Publisher:
Published: 1892
Total Pages: 42
ISBN-13:
DOWNLOAD EBOOKAuthor: National Agricultural Library (U.S.)
Publisher:
Published: 1911
Total Pages: 488
ISBN-13:
DOWNLOAD EBOOKAuthor: United States. Department of Agriculture. Library
Publisher:
Published: 1911
Total Pages: 478
ISBN-13:
DOWNLOAD EBOOKContains the list of accessions to the library, formerly (1894-1909) issued quarterly in its series of "Bulletins."
Author: National Agricultural Library (U.S.)
Publisher:
Published: 1967
Total Pages: 788
ISBN-13:
DOWNLOAD EBOOKAuthor: University of California, Berkeley. Library
Publisher:
Published: 1963
Total Pages: 1014
ISBN-13:
DOWNLOAD EBOOKAuthor: National Agricultural Library (U.S.)
Publisher:
Published: 1958
Total Pages: 1058
ISBN-13:
DOWNLOAD EBOOKAuthor: National Agricultural Library (U.S.)
Publisher:
Published: 1967
Total Pages: 822
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress
Publisher:
Published: 1970
Total Pages: 712
ISBN-13:
DOWNLOAD EBOOKAuthor: University of California, Los Angeles. Library
Publisher:
Published: 1963
Total Pages: 1034
ISBN-13:
DOWNLOAD EBOOKAuthor: Linda M. Montano
Publisher: Univ of California Press
Published: 2023-09-01
Total Pages: 588
ISBN-13: 0520919661
DOWNLOAD EBOOKPerformance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.