The Cailleach - goddess of the ancestors, wisdom that comes with age, the weather, time, shape-shifting and winter. Within the pages of this book Rachel Patterson gives the reader an introduction to the mysteries, myths, legends and magic of the ancient hag goddess The Cailleach, drawing upon ancient legends, stories told and her own experiences.
This unique and ground-breaking work brings together for the first time the wealth of folklore, stories and legends surrounding the Cailleach, the pre-eminent Celtic Hag Goddess and the most significant of British supernatural figures, whose myths and wisdom are as relevant today as they have ever been.
This powerful analysis of the wise women healer from the oral traditions of Ireland's rural communities is unique in its depth and perspective. Stories, told and retold, embedded in the texture of culture and community, collected and studied for many decades, are here translated and made available to the general reader for the first time. The figure of the wise woman, the hag, the Cailleach, or the Red Woman are part of an oral tradition which has its roots in pre-Christian Ireland. In the hands of Gearoid O Crualaich, these figures are subtly explored to reveal how they offered a complex understanding of the world, of human psychology and its predicaments: the thematic structure of the book brings to the fore universal themes such as death, marriage, childbirth, and healing, and invites the reader to see the contemporary relevance of the stories for themselves.
For fans of Sarah Penner’s The Lost Apothecary and Alix E. Harrow’s The Once and Future Witches, this lush, atmospheric novel from the author of Where Ivy Dares to Grow blends witchcraft, queer love, a vibrant Edinburgh setting, and Scottish folklore for a propulsive and emotional story exploring what it means to resist the patriarchy and find your voice. “A lyrical and hauntingly beautiful new voice.” —Hester Fox, Author of A Lullaby for Witches In an alternate Edinburgh of 1824, every woman lives in fear that she will be the next one hanged for witchcraft. All it takes is invoking the anger, or the desire, of the wrong person. Nellie Duncan, beautiful and unwed, keeps to herself until she encounters the Rae Women’s Apothecary. There, fiery Jean Rae and the other women provide cures and teach others that they too can aid the winter deity, the Cailleach, embracing her characteristic independence, agency, and craft, in turn becoming witches themselves. Nellie finds a place and a purpose at the shop, and a blossoming romance with Jean, as she learns about nature-based craft and a witch’s ability to return to life after death. But the Cailleach has an ancient enemy intent on stripping the power of the deity and all her witches, leaving a wake of patriarchal violence and destruction. When heart-breaking disaster strikes, Nellie flees and spends the next two centuries hiding from the world—until love gives her the courage and the motivation to come back. Nellie’s past is waiting for her there, and hanging witches is no longer the only means of oppression. But this time, Nellie refuses to run—either from her foes, or from her resolve to awaken others to the unimaginable power that can come with fighting the patriarchy in its many forms—and finding one’s own magical inner-strength.
The ancient goddess Hekate offers her keys of magick and mystery in the revised second edition of the internationally bestselling introduction to Hekate’s Modern Witchcraft, Keeping Her Keys. Designed as a program of self-study for deepening knowledge, strengthening practice, and discovering your own unique power, chapters cover the fundamentals from Hekate’s history to self-initiation. Animals, green witchcraft, meditations, reflective writing and more fill the pages, empowering the reader with the skills for claiming, and keeping, these keys offered by Hekate. Written by Cyndi Brannen, PhD, this book abides at the crossroads of the deeper world of Hekate and contemporary life. Through the lessons, readers are guided through exercises, rituals, and practices merging personal development with spirituality and magick.
In Ancient Greece, sometimes death is only the beginning… Medusa’s human form, granted by the virgin goddess, has always been enough for her. Until now. No longer a virgin, Medusa now faces banishment from the temple and Athena’s legendary wrath. Perseus’s love for Medusa breeds poison when kept a secret from all who live on Mt. Olympus. To have a life together, the couple must air the truth, even if it shakes the foundation of the Parthenon. Medusa struggles to embrace her monstrous past, as Perseus is faced with a choice – to embrace a hero’s life, or to follow his heart’s desire. The collision of their destinies forces them into a world that neither imagined.
A new young adult fantasy trilogy about a young girl named Saoirse who must save everyone she loves by discovering the truth about the mysterious mark on her shoulder - and embracing her secret magical powers! YOU HAVE THE POWER. It's the one time of the year when the witch known as Cailleach hunts the children of the village - so Saoirse, a brave and reckless young girl, decides this is the perfect opportunity to defy her father and discover the secrets of the witch’s tower! But when the Cailleach captures Saoirse and her brother Brahm, their lives are forever changed in ways they never expected. Now, Saoirse will have to save everyone she loves by discovering the truth about the mysterious mark on her shoulder - and embracing her secret magical powers! Conor McCreery (Adventure Time/Regular Show) and V.V. Glass (Doctor Who) kick off a new young adult fantasy trilogy that shows the greatest magic of all lies inside of us! Collects The Last Witch #1-5.
An Cailleach Bhearra, or the Hag of Beara, is a wise woman figure embedded in the physical and mental landscape of western Ireland and Scotland, particularly in the Beara Peninsula in West Cork where Leanne O'Sullivan comes from. The Cailleach's roots lie in pre-Christian Ireland, and stories of her relationship with that rugged landscape and culture still abound. Central to these narratives is the story of her love affair with a sea god. A large stone rests on the ridge overlooking Ballycrovane Harbour, and it is said to be the petrified body of the Cailleach; she has had several lives, beginning each life with a birth from her stony form - and returning to stone at the end. The supernatural and superhuman feature strongly in traditional stories of the Cailleach (pronounced Ca-lock or Cay-luck) - feats such as her creating mountains or leaping vast distances that place the tales firmly into the world of myth. While still recognising the Cailleach as a figure of extraordinary power and influence, Leanne O'Sullivan's poems explore the human origins from which the legend grew. She still forms the landscape, yet at the same time is intrinsically part of it, close to it, rather than gigantically above it; and her husband is not the sea god of legend, but a fisherman. And for all her strength, she is vulnerable.
For centuries, the figure of the witch represented the hostile and feared “other” on the edge of human society, placed “in between” the world of people and the world of demons. Whether she stood for the untamed powers of nature, dark powers of knowledge or magic, or evil powers derived from the devil, she was always identified with fear as a disturbance, as a danger to the order of society and to the well-being of those who understood themselves as settled within the borders of the patriarchal order and its psychological and sexual corselet. In this role, the witch appeared in numerous literary works, including, among others, writings by Chaucer, Shakespeare and Middleton. However, since the 1840s, the image of the witch has undergone enormous transformations, mainly due to the influence of various matriarchate theories and of feminist ideas. The witch, reclaimed by women for women, became an identification figure and representative of their expectations, fears, hopes and claims. This study investigates examples of witches in publications by contemporary British women writers to see how this figure is perceived, related to, and utilised in their respective texts. Iris Murdoch, Jeanette Winterson, Angela Carter and Fay Weldon, among others, refer consistently to this witch figure, whom they interpret in various creative and surprising ways, adopting innovative approaches to this comparably ancient figure.
