This study examines the life and work of a rural nineteenth-century Ontario cabinetmaker, Francis Jones. An appreciation of his work is gained through illustrations and discussions of his shop and furniture-making techniques. This story is typical of many nineteenth-century crafts when industrialization resulted in mass production and the disappearance of traditional trades.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Patterns of the Past has been published to commemorate the one hundredth anniversary of the founding of the Ontario Historical Society. Organized on 4 Sept 1888 as the Pioneer Association of Ontario, the Society adopted its current name in 1898. Its objectives, for a century, have been to promote and develop the study of Ontario’s past. The purpose of this book is both to commemorate and to carry on that worthy tradition. Introduced by Ian Wilson, Archivist of Ontario, and edited by Roger Hall, William Westfall and Laurel Sefton MacDowell, this distinctive volume is a landmark not only in the Society’s history but in the prince’s historiography. Eighteen scholars have pooled their talents to fashion a volume of fresh interpretive essays that chronicle and analyze the whole scope of Ontario’s rich and varied past. New light is thrown on our understanding of early native peoples, rural life in Upper Canada, the opening of the North, the impact of railways, and the growth of businesses and institutions. And there is much social study here too, especially of the new roles for women in industrial society, of working class experience, of ethnic groups, and of children in our society’s past. As well, there are innovative treatments of the conservation movement, of science’s role in provincial society, and of the relationship between society and culture in small towns. Anyone with an interest in the history of Canada’s most populous province will find much in this comprehensive collection.
This volume examines glass manufacturing in Canada through individual company histories and includes a survey of pressed glass patterns in the National Museum of Man collections.
Authors associated with seven leading museums from Atlantic Canada have contributed chapters for this volume. Each explains how history has been interpreted in his particular institution, describing the themes which are stressed and outlining the reasons for adopting the interpretive approaches which are used. The text and accompanying photographs provide a glimpse of the contents of the museums and place the exhibits in their operational and intellectual context.
Reprinted by popular demand, this study of Canadian spinning wheels in the collection of the Canadian Museum of Civilization, demonstrates their broad variation by period, region and manufacturer. The discussion focuses on the wheel-driven spindle but also includes the very popular hand-driven spindle. Both Aboriginal and European spinning traditions are described.
