Written by a Mexican-American woman and her coauthor during the 1930s and 1940s, Caballero remained unprinted and unavailable to the public for over 50 years. The novel examines the impact of the 1846-48 war with Mexico on a tejano family and particularly on Mexican women. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever. As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s. Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.
In this collection, Caballero imagines how memory frames and reshapes the present, how memory illuminates and limits the stories of ourselves, and how, despite the passage of time, primal moments in the past are the ghosts and echoes of our present. These poems interweave an early childhood lived in another country and in another language with experiences of immigration and family histories in the United States. They create connections between a child's naïve perspective of dictatorship and an adult perspective informed by bodily illness and political knowledge. Ultimately, Caballero traces a lineage of memory, exploring how present moments unearth the past that ripples through them. This collection does not reconcile the past and the present. Instead, these poems remind us that how we ask questions about ourselves, our histories, and our bodies is what creates our identities, our traumas, and our future hopes and possibilities. Caballero bears unflinching witness to the emotional trauma inherited from war-ravaged Chile to the exiled plains of Oklahoma. As though to witness is to love. These poems negotiate the transitions of language, memory, country, her battle with cancer, counterbalancing the violence from which she fled with a transformative devotion to details.--Richard Blanco, fifth Presidential Inaugural Poet
The Book of the Knight Zifar (or Cifar), Spain's first novel of chivalry, is the tale of a virtuous but unfortunate knight who has fallen from grace and must seek redemption through suffering and good deeds. Because of a curse that repeatedly deprives him of that most important of knightly accoutrements—his horse—Zifar and his family must flee their native India and wander through distant lands seeking to regain their rank and fortune. A series of mishaps divides the family, and the novel follows their separate adventures—alternatively heroic, comic, and miraculous—until at length they are reunited and their honor restored. The anonymous author of Zifar based his early fourteenth-century novel on the medieval story of the life of St. Eustacius, but onto this trunk he grafted a surprising variety of narrative types: Oriental tales of romance and magic, biblical stories, moralizing fables popular since the Middle Ages, including several from Aesop, and instructions in the rules of proper knightly conduct. Humor in the form of puns, jokes, and old proverbs also runs through the novel. In particular, the foolish/wise Knave offers a comic contrast to the heroic Knight, whom he must continually rescue through the application of common sense. Zifar was to have an important influence on later Spanish literature, and perhaps on Cervantes' great tale of a knight and his squire, Don Quixote. All those with an interest in Spanish literature and medieval life will be grateful for Mr. Nelson's excellent translation, which brings to life this extraordinary early novel.
"La Gaviota" by Fernán Caballero is a Spanish novel set in Villamar, a Cadiz town. The book beautifully displays the customs of two different civilizations. The story reveals the character of Stein, a German doctor, who arrives at this seafaring place. He arrives to offer his services in the 1840s Spanish war. After the townspeople help Stein with the restoration of his health, he falls in love with the "Seagull", a local girl with an arrogant and stubborn nature. She grows into a beautiful opera singer trained under Stein and the two get married to live a happy life but a bullfighter from Seville falls for the young singer... Fernan Caballero is, indeed, but a pseudonym: the author of this novel, passing under that name, is understood to be a lady, partly of German descent. Her father was Don Juan Nicholas Böhl de Faber, to whose erudition Spain is indebted for a collection of ancient poetry. Excerpt: "Among them was the governor of an English colony, a tall, fine-looking fellow, accompanied by two of his staff officers. There were several who wore their mackintoshes, thrusting their hands into their pockets; some had flushed countenances, others blue, or very pale, and, generally, all were discontented. In fine, that beautiful vessel seemed to be converted into a palace of discontent."
