Bygraves, Max (singer)

Bygraves, Max (singer)

Author:

Publisher:

Published: 19??

Total Pages:

ISBN-13:

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Material in the Australian performing arts programs and ephemera (PROMPT) collection consists of programs and related items for Australian performing arts organisations, Australian artists performing overseas, professional productions performed in Australia (including those featuring overseas performers) and overseas performances of Australian plays, music, etc.


Desert Island Discs: Flotsam & Jetsam

Desert Island Discs: Flotsam & Jetsam

Author: Mitchell Symons

Publisher: Random House

Published: 2012-10-25

Total Pages: 350

ISBN-13: 1448127440

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Flotsam & Jetsam is the ultimate trivia book for fans of the popular BBC Radio 4 programme Desert Island Discs, and a fascinating introduction for all those who have yet to discover its delights. Taking the reader through seven decades of wonderful entertainment, here is an absorbing range of facts, figures and miscellany – including who chose what, and why. It also reveals much about the castaways' drives and motivations, their influences and, of course, their lives. Spanning the early years with the original presenter, Roy Plomley, and the present day, the Desert Island Discs programme has brought its own unique surprises to listeners, some very personal, some humorous, such as Eric Morecambe's choice of a deckchair as his luxury and Ernie Wise's of a deckchair ticket machine. From Beethoven to the Beatles, from chessboards and chocolate to Jane Austen and Zola, Flotsam & Jetsam is the perfect companion guide to the national treasure that is Desert Island Discs.


Popular Singers of the Twentieth Century

Popular Singers of the Twentieth Century

Author: Robert H. Cowden

Publisher: Greenwood

Published: 1999-07-30

Total Pages: 524

ISBN-13:

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This guide to the biographical literature available on popular 20th-century singers covers nearly 1000 artists. Much of the literature cited is also cross-referenced to major biographical dictionaries, encyclopedias, and relevant periodicals. Entries not only list known publications associated with popular singers but also incorporate elements of analytical and descriptive bibliography. The artists included in this volume increasingly cross musical boundaries. The popular singer category, therefore, encompasses Broadway, Hollywood, cabaret, and operetta performers as well as recording artists. Scholars of popular music and popular music enthusiasts will appreciate the extensive research this work embodies. Divided among three sections, citations are arranged alphabetically and include information about literature published through 1997. An appendix of additional artists and an index complete the volume.


Stars in My Eyes

Stars in My Eyes

Author: Max Bygraves

Publisher: Franz Steiner Verlag

Published: 2003

Total Pages: 242

ISBN-13: 9781861056726

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From the 1920s to the present day, Max Bygraves, one of our best-loved entertainers, shares his personal memories of a glittering life in show business, and the greats he has worked with along the way. These include Jack Benny, Judy Garland, Frankie Howerd, Eric Sykes, Danny La Rue, Shirley Bassey, The Goons, Gracie Burns, Laurence Olivier and Peter Sellers, who have all brightened a very full life, and Max has marvellous stories, both hilarious and poignant, to tell about them all. Stars in My Eyes celebrates a dazzling milestone in Bygraves' theatre, television, film and recording career.


Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975

Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975

Author: Gillian A. M. Mitchell

Publisher: Anthem Press

Published: 2019-02-28

Total Pages: 384

ISBN-13: 1783089024

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‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.


A Rocket in My Pocket

A Rocket in My Pocket

Author: Max Décharné

Publisher: Profile Books

Published: 2010-12-09

Total Pages: 353

ISBN-13: 1847652417

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Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music establishment in particular. Its pioneer exponent, Elvis, eventually become respectable in the eyes of straight society but he was the exception. 1950s rockabilly was a spontaneous outburst of spirited three-chord songs, tiny record labels, primitive studios, fiercely partisan audiences and wild-eyed, driven performers who weren't even sure that their musical careers would last the week. The book charts the rise (and fall) of the original 50s wave of rockabillies. It will also follow the progress of the music, in clubs, on radio, TV and film, pinpointing the key record labels and important regional centres, showing how fashions eventually changed and left rockabilly high and dry, far too wild and primitive in an era of smoother sounds. Décharné traces the music to its Memphis roots.


Musical AKAs

Musical AKAs

Author: Jeanette Marie Drone

Publisher:

Published: 2007

Total Pages: 672

ISBN-13:

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There are many reasons for musical artists to write or compose under an assumed name: be it hiding or drawing attention to their ethnicity or gender, pursuing an additional career or genre, or writing a parody or humorous music. Often, nicknames are assigned to composers and lyricists, whether they want them or not. Whatever the reasons for these artists to use assumed names instead of or in addition to their own, this comprehensive resource has amassed and cataloged them. Musical AKAs is a wide-ranging index of assumed names and sobriquets of approximately 9,800 composers, songwriters, lyricists, librettists, hymnists, and writers of music. More than 15,000 assumed names--whether legal name changes, pseudonyms, pen names, or nicknames--have been collected into one easy to reference listing. Author Jeanette Drone has assembled information from numerous music sources--including comprehensive and biographical dictionaries and encyclopedias, biographies, journals, Internet web sites, and print and online copyright sources--and organized them into this extensive four-part volume. Part I alphabetically lists the sources in which assumed names or sobriquets were found for three or more individuals. Part II lists alphabetically the original names of artists from both popular and classical music, detailing their assumed names and sobriquets, dates, occupations, source codes, and complete bibliographic citations for print and Internet sources. The pseudonyms are cataloged alphabetically in Part III, with references to the original names. Musical AKAs concludes with Part IV, offering additional explanatory information on both original and assumed names.