"By-Ways of Bombay" by S. M. Edwardes. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
All he needs is to find her. First, he must remember who she is. Jenny Ashcroft's "Meet Me in Bombay is a powerful, poignant and deeply emotional tale of love, mystery, loss and joy." –Kate Furnivall, New York Times bestselling author It's New Year's Eve in Bombay, 1913, and Madeline Bright, new to the sweltering heat of colonial India, is yearning for all she has left behind in England. Then, at the stroke of midnight, Maddy meets Luke Devereaux, and as the year changes so do both their lives. Bold and charismatic, Luke opens her eyes to the wonders of Bombay, while Maddy's beauty and vivacity captures his heart. Only her mother disapproves, preferring the devoted Guy Bowen as a match for her daughter. But while Maddy and Luke are falling in love, the world is falling apart. World War I is on the horizon, and Luke will be given no choice but to fight. They will be continents apart, separated by danger and devastating loss, but bound by Luke's promise that they will meet again in Bombay.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks. As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty years abroad. Candid, impassioned, funny, and heartrending, Maximum City is a revelation of an ancient and ever-changing world.
From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city. Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s–1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay’s spirit of “hustle,” gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production—finance, pre-production paperwork, casting, screenwriting, acting, stunts—to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a “cine-ecology” in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.
Nominated for an Edgar Award for Best First Novel! In 19th century Bombay, Captain Jim Agnihotri channels his idol, Sherlock Holmes, in Nev March’s Minotaur Books/Mystery Writers of America First Crime Novel Award-winning debut. In 1892, Bombay is the center of British India. Nearby, Captain Jim Agnihotri lies in Poona military hospital recovering from a skirmish on the wild northern frontier, with little to do but re-read the tales of his idol, Sherlock Holmes, and browse the daily papers. The case that catches Captain Jim's attention is being called the crime of the century: Two women fell from the busy university’s clock tower in broad daylight. Moved by Adi, the widower of one of the victims — his certainty that his wife and sister did not commit suicide — Captain Jim approaches the Parsee family and is hired to investigate what happened that terrible afternoon. But in a land of divided loyalties, asking questions is dangerous. Captain Jim's investigation disturbs the shadows that seem to follow the Framji family and triggers an ominous chain of events. And when lively Lady Diana Framji joins the hunt for her sisters’ attackers, Captain Jim’s heart isn’t safe, either. Based on a true story, and set against the vibrant backdrop of colonial India, Nev March's Minotaur Books/Mystery Writers of America First Crime Novel Award-winning lyrical debut, Murder in Old Bombay, brings this tumultuous historical age to life.
Tanuja Desai Hidier's fantastically acclaimed cross-cultural debut comes to PUSH! Dimple Lala doesn't know what to think. Her parents are from India, and she's spent her whole life resisting their traditions. Then suddenly she gets to high school and everything Indian is trendy. To make matters worse, her parents arrange for her to meet a "suitable boy." Of course it doesn't go well -- until Dimple goes to a club and finds him spinning a magical web. Suddenly the suitable boy is suitable because of his sheer unsuitability. Complications ensue. This is a funny, thoughtful story about finding your heart, finding your culture, and finding your place in America.
As the supernatural weaves into the narrative of family life, the Mittals must struggle to come to terms with the secrets that had been locked away behind a mysterious bolted door. Themes of hidden shame, forbidden love and a call for absolute sacrifice enrich this beautifully written novel. Agarwal unfolds the story against an intense portrait of Bombay, delving into the world of the slum-dwellers, prostitutes and hermaphrodites who survive on the peripheries of Indian society.
Bombay’s first female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay. November 1921. Edward VIII, Prince of Wales and future ruler of India, is arriving in Bombay to begin a fourmonth tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But she’s horrified by the death of Freny Cuttingmaster, an eighteen-year-old female Parsi student, who falls from a second-floor gallery just as the prince’s grand procession is passing by her college. Freny had come for a legal consultation just days before her death, and what she confided makes Perveen suspicious that her death was not an accident. Feeling guilty for failing to have helped Freny in life, Perveen steps forward to assist Freny’s family in the fraught dealings of the coroner’s inquest. When Freny’s death appears suspicious, Perveen knows she can’t rest until she sees justice done. But Bombay is erupting: as armed British secret service march the streets, rioters attack anyone with perceived British connections, and desperate shopkeepers destroy their own wares so they will not be targets of racial violence. Can Perveen help a suffering family when her own is in danger?
Bombay was the city everyone came to in the early decades of the nineteenth century: among them, the Goans and the Mangaloreans. Looking for safe harbour, livelihood, and a new place to call home. Communities congregated around churches and markets, sharing lord and land with the native East Indians. The young among them were nudged on to the path of marriage, procreation and godliness, though noble intentions were often ambushed by errant love and plain and simple lust. As in the story of Annette and Benji (and Joe) or Michael and Merlyn (and Ellena). Lovers and haters, friends and family, married men and determined singles, churchgoers and abstainers, Bombay Balchão is a tangled tale of ordinary lives - of a woman who loses her husband to a dockyard explosion and turns to bootlegging, a teen romance that drowns like a paper boat, a social misfit rescued by his addiction to crosswords, a wife who tries to exorcise the spirit of her dead mother-in-law from her husband, a rebellious young woman who spurns true love for the abandonment of dance. Ordinary, except when seen through their own eyes.
