Follow the authors journey through life from a Central African childhood in the mid 1950s to boarding at a High School in Apartheid South Africa in the early 1960s. From joining the British Police in 1969 and various adventures in Uniform before progressing through to the CID by 1978 and international criminal investigations into Frauds against Airlines during the 1980s. Then explore the world of international criminal investigations with Interpol from 1991 through to the formation of the National Criminal Intelligence Service (NCIS) until its demise in 2006. Be introduced to the world of the Serious & Organized Crime Agency (SOCA) and the many trials and tribulations which followed. Finally retirement in 2011 followed by the revelations of a personal unforeseen bombshell that has changed the dynamics of the authors life. This autobiography provides a clear warts and all account of the authors professional and private life, so fasten your seatbelts and enjoy the trip.
When Zambia became Independent in 1964, the white colonial population did not suddenly evaporate. Some had supported Independence, others had virulently opposed it, but all had to reappraise their nationality, residence and careers. A few became Zambian citizens and many more chose to stay while without committing themselves. But most of the colonial population eventually trickled out of the country to start again elsewhere. Pamela Charmer-Smith has traced survivors of this population to discover how new lives where constructed and new perspectives generated. Her account draws on the power of postcolonial memory to understand the many ways that copper miners, district officers, school-children and housewives became the empires relics. Her work is not that of a dispassionate outsider but of one who grew up in Northern Rhodesia, knew its colonial population and has considerable affection for Zambia.
Over the course of the last 1400 years, Islam has grown from a small band of followers on the Arabian peninsula into a global religion of over a billion believers. How did this happen? The usual answer is that Islam spread by the sword-believers waged jihad against rival tribes and kingdoms and forced them to convert. Lamin Sanneh argues that this is far from the whole story. Beyond Jihad examines the origin and evolution of the African pacifist tradition in Islam, beginning with an inquiry into the faith's origins and expansion in North Africa and its transmission across trans-Saharan trade routes to West Africa. The book focuses on the ways in which, without jihad, the religion spread and took hold, and what that tells us about the nature of religious and social change. At the heart of this process were clerics who used religious and legal scholarship to promote Islam. Once this clerical class emerged, it offered continuity and stability in the midst of political changes and cultural shifts, helping to inhibit the spread of radicalism, and subduing the urge to wage jihad. With its policy of religious and inter-ethnic accommodation, this pacifist tradition took Islam beyond traditional trade routes and kingdoms into remote districts of the Mali Empire, instilling a patient, Sufi-inspired, and jihad-negating impulse into religious life and practice. Islam was successful in Africa, Sanneh argues, not because of military might but because it was made African by Africans who adapted it to a variety of contexts.
In Sierra Leone, a remote community crackles with racial tensions. Few white people live amongst the natives of Freetown, where life revolves around an iron mine with a man in charge who dictates peace and prosperity for everyone. But his leadership is a matter of life or death where every decision is like being snatched by the claws of mercy.
The Special Court for Sierra Leone was established through signature of a bilateral treaty between the United Nations and the Government of Sierra Leone in early 2002, making it the third modern ad hoc international criminal tribunal. The tribunal has tried various persons, including former Liberian President Charles Ghankay Taylor, for allegedly bearing "greatest responsibility" for serious violations of international humanitarian law committed during the latter half of the Sierra Leonean armed conflict. This volume, which consists of two books and a CD-ROM and is edited by two legal experts on the Sierra Leone court, presents, for the first time in a single place, a comprehensive collection of all the interlocutory decisions and final trial and appeals judgments issued by the court in the case Prosecutor v. Norman, Fofana and Kondewa (The CDF Case). It contains the full text of all substantive judicial decisions, including the majority, separate and concurring as well as dissenting opinions. It additionally provides relevant information for a better understanding of the case, such as the indictments, a list of admitted exhibits and a list of documents on the case file. The book, which is the second in a series of edited law reports that will capture the entire jurisprudential legacy of the tribunal, fills the gap for a single and authoritative reference source of the tribunal’s jurisprudence. It is intended for national and international judges, lawyers, academics, students and other researchers as well as transitional justice practitioners in courts, tribunals and truth commissions as well as anyone seeking an accurate record of the trials conducted by the Special Court for Sierra Leone. N.B.: The hardback copy of this title contains a CD-ROM with the scanned decisions that are reproduced in the book and the trial transcripts. The e-book version does not. Buy the complete set of 4 volumes (10 books in total) with a discount see isbn 978-90-04-22161-1. The complete set consists of: Volume 1 isbn 9789004189119 (2 books) Volume 2 isbn 9789004221635 (2 books) Volume 3 isbn 9789004221673 (3 books) Volume 4 isbn 9789004221659 (3 books)
Following the bestselling novels The Left Hand of God and The Last Four Things comes the final installment of Paul Hoffman’s stark, epic trilogy. Thomas Cale has been running from the truth…. Since discovering that his brutal military training has been for one purpose—to destroy God’s greatest mistake, mankind itself—Cale has been hunted by the very man who made him into the Angel of Death: Pope Redeemer Bosco. Cale is a paradox: arrogant and innocent, generous and pitiless. Feared and revered by those who created him, he has already used his breathtaking talent for violence and destruction to bring down the most powerful civilization in the world. But Thomas Cale’s soul is dying. As his body is racked with convulsions, he knows that the final judgment will not wait. As the day of reckoning draws close, Cale’s sense of vengeance leads him back to the heart of darkness—the Sanctuary—and to confront the person he hates most in the world….
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
