With a radically changing world, cultural identity and images have emerged as one of the most challenging issues in the social and cultural sciences. These changes provide an occasion for a thorough reexamination of cultural, historical, political, and economic aspects of society. The INOR (Iceland and Images of the North) group is an interdisciplinary group of Icelandic and non-Icelandic scholars whose recent research on contemporary and historical images of Iceland and the North seeks to analyze the forms these images assume, as well as their function and dynamics. The 21 articles in this book allow readers to seize the variety and complexity of the issues related to images of Iceland.
In Vanishing Ireland II, the follow up to the bestselling Vanishing Ireland I, we take another journey down memory lane and, through a unique collection of portrait interviews, we look at the dying ways and traditions of Irish life. Illustrated with over a hundred evocative and stunning photographs, we meet the people and the customs that are fast becoming a distant memory. Through their own words and memories, men and women from every corner of Ireland transport us back to a simpler time when people lived off the land and the sea, and when music and storytelling were essential parts of life. Vanishing Ireland brings together the stories of those who lived through Ireland's formative years. These poignant interviews and photographs will make you laugh and cry but, above all, will provide a valuable chronicle that connects twenty-first century Ireland to a rapidly disappearing world.
The photographs in this book document some of the first European impressions of Central Australia's landscape and society, taking us behind the stereotypes to the reality of the frontier itself, long before tourism and colour photography transformed our view of the outback.
In this study of the relationship between men and their horses in seventeenth- and eighteenth-century England, Monica Mattfeld explores the experience of horsemanship and how it defined one’s gendered and political positions within society. Men of the period used horses to transform themselves, via the image of the centaur, into something other—something powerful, awe-inspiring, and mythical. Focusing on the manuals, memoirs, satires, images, and ephemera produced by some of the period’s most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life. She looks closely at the role of horses in the world of Thomas Hobbes and William Cavendish; the changes in human social behavior and horse handling ushered in by elite riding houses such as Angelo’s Academy and Mr. Carter’s; and the public perception of equestrian endeavors, from performances at places such as Astley’s Amphitheatre to the satire of Henry William Bunbury. Throughout, Mattfeld shows how horses aided the performance of idealized masculinity among communities of riders, in turn influencing how men were perceived in regard to status, reputation, and gender. Drawing on human-animal studies, gender studies, and historical studies, Becoming Centaur offers a new account of masculinity that reaches beyond anthropocentrism to consider the role of animals in shaping man.
From tragic generals to nuns on the run – the extraordinary stories of the Irish on the frontlines of the First World War that you've never heard before Based on first-hand accounts of the First World War, The Glorious Madness is a collection of character portraits and stirring anecdotes that brings to life the hopes, fears and ambitions that defined the generation of Irish men and women lost to the catastrophe of the first great modern war. From the generals and field commanders through to the troopers and nurses on the front lines, from the trenches of the Somme to the beaches of Gallipoli, the Irish served at every turn in the Great War. Popular historian Turtle Bunbury is renowned for uncovering important forgotten stories from our past. Here he reveals many never-before-heard tales of the Irish heroes and heroines whose lives coincided with one of the most brutal conflicts our world has ever known – including nuns, artists, sportsmen, poets, aristocrats, nationalists, nurses, clergymen and film directors. From the dramatic story of the nuns of Ypres and their escape to Ireland to found Kylemore Abbey, to the multiple-escapist who became the one-legged nemesis of Michael Collins, and the five tragic, rugby-loving pals from the same Dublin team massacred at Gallipoli, the stories that Turtle Bunbury unearths about Irish men and women offer a new and timely perspective on Irish participation in the Great War. An important book, by turns poignant, enlightening, whimsical and darkly comic, this is history as it should – free-wheeling and finely tuned to the rhythms of the human heart. Reviews [In The Glorious Madness] Turtle continues the wonderful listening and yarn-spinning he has honed in the Vanishing Ireland series, applying it to veterans of the First World War. The stories he recreates are poignant, whimsical and bleakly funny, bringing back into the light the lives of people who found themselves on the wrong side of history after the struggle for Irish independence. This is my kind of micro-history. John Grenham, The Irish Times A wonderful book packed with great individual stories and pictures which bring the Irish participation in the Great War vividly alive. Sean Farrell, Irish Independent Based on first-hand accounts of the conflict, this collection of character portraits and stirring anecdotes brings to life the hopes, fears and ambitions that defined Ireland's 'lost generation'. Peter Costello, The Irish Catholic Turtle Bunbury's book about the Great War is a great read, a dramatic confection of remarkable stories about remarkable events and individuals slapped together with great dexterity and professionalism. ... This is military history as entertainment on a scale we have not seen since, well, the First World War ... This is one book that can be judged by its cover. Pádraig Yeates, Dublin Review of Books The impressively versatile Turtle Bunbury is known for his sensitively written, well-observed Vanishing Ireland series of books and his appearance on RTE's Genealogy Roadshow. He also toured this year as one of the lecturers in the Great War Roadshow, headed by Myles Dungan. Now, also marking the centenary of the outbreak of the First World War, Bunbury marches into what once would have been a no-man's land for historians. There is much to enjoy here. Bunbury has an eye for irony and pathos and a fluid attractive writing style. It's packed with personalities and stories of courage under fire amid truly unimaginable slaughter, of mind-boggling military incompetence and of individuals emotionally afflicted by reports of courage in another cause at home. Emmanuel Kehoe, Sunday Business Post
Bobs, beards, blondes and beyond, Hair takes us on a lavishly illustrated journey into the world of this remarkable substance and our complicated and fascinating relationship with it. Taking the key things we do to it in turn, this book captures its importance in the past and into the present: to individuals and society, for health and hygiene, in social and political challenge, in creating ideals of masculinity and womanliness, in being a vehicle for gossip, secrets and sex. Using art, film, personal diaries, newspapers, texts and images, Susan J. Vincent unearths the stories we have told about hair and why they are important. From ginger jibes in the seventeenth century to bobbed-hair suicides in the 1920s, from hippies to Roundheads, from bearded women to smooth metrosexuals, Hair shows the significance of the stuff we nurture, remove, style and tend. You will never take it for granted again.
Articulate Images was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Twenty-five years ago, Jean Hagstrum published a pioneering study, The Sister Arts,showing how the visual arts influenced the imagination of seventeenth- and eighteenth-century English poets. Hagstrum's book suggested the intimate (and sometimes troubled) relationship between poetry and painting, and, more than any other on the subject, provided a basis for subsequent development and refinement within this field of comparative studies. The nine original essays in Articulate Images address the central issues Hagstrum raised; they serve as an introduction to current approaches to the sister arts. Fully illustrated, Articulate Images will be enjoyed by readers entering the field as well as by seasoned votaries of the sister arts.
