Housing is increasingly unattainable in successful global cities, and Toronto is no exception -- in part because of zoning that protects “stable” residential neighborhoods with high property values. House Divided is a citizen’s guide for changing the way housing can work in big cities. Using Toronto as a case study, this anthology unpacks the affordability crisis and offers innovative ideas for creating housing for all ages and demographic groups. With charts, maps, data, and policy prescriptions, House Divided poses tough questions about the issue that will make or break the global city of the future.
By the time Abraham Lincoln asserted in 1858 that the nation could not “endure permanently half slave and half free,” the rift that would split the country in civil war was well defined. The origins and evolution of the coming conflict between North and South can in fact be traced back to the early years of the American Republic, as Stephen G. Hyslop demonstrates in Building a House Divided, an exploration of how the incipient fissure between the Union’s initial slave states and free states—or those where slaves were gradually being emancipated—lengthened and deepened as the nation advanced westward. Hyslop focuses on four prominent slaveholding expansionists who were intent on preserving the Union but nonetheless helped build what Lincoln called a house divided: Presidents Thomas Jefferson, Andrew Jackson, and James K. Polk and Senator Stephen A. Douglas of Illinois, who managed a plantation in Mississippi bequeathed by his father-in-law. Hyslop examines what these men did, collectively and individually, to further what Jefferson called an “empire of liberty,” though it kept millions of Black people in bondage. Along with these major figures, in all their conflicts and contradictions, he considers other American expansionists who engaged in and helped extend slavery—among them William Clark, Stephen Austin, and President John Tyler—as well as examples of principled opposition to the extension of slavery by northerners such as John Quincy Adams and southerners like Henry Clay and Thomas Hart Benton, who held slaves but placed preserving the Union above extending slavery across the continent. The long view of the path to the Civil War, as charted through the Jeffersonian and Jacksonian eras in this book, reveals the critical fault in the nation’s foundation, exacerbated by slaveholding expansionists like Jefferson, Jackson, Polk, and Douglas, until the house they built upon it could no longer stand for two opposite ideas at once.
A well-written, traditional, and brief narrative of the period from the end of the Mexican War to the conclusion of the Civil War... Shows the value of traditional political history which is too often ignored in our rush to reconstruct the social texture of society. -- Civil War History
Wanting to move a grand, old two-story clapboard house in Louisiana, a greedy building contractor decides to divide the house in half. He has no idea that by splitting the house, he'll be dividing a family--a long-dead family. Original.
In a world faced with terrorism and division, God's people are called to be Restorer's of Broken Walls and Repairers of Streets and Dwellings.Believers everywhere are challenged to set the example of love and unity and to bring healing to broken communities, families and individuals.In this nation, that has been founded on the principles of "Unity in Diversity", God's people must walk together in love and power if there is to be healing in the land.Collaboration is the key to such unity and restoration."A House Divided" calls for faith based collaboration in this great nation, celebrating and honoring our creed, "From Many… One, E Pluribus Unum." This book boldly proclaims that there can be "No Division" in the White House, in God's House, or in our House."
“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL “In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art
It's 2018 and Cape Town is wracked by its worst drought on record. The prospect of 'Day Zero' – when the taps will run dry – is driving citizens into a frenzy. Then the ruling Democratic Alliance removes control of the water issue from Mayor Patricia de Lille. While politicians turn on each other, revealing deep-lying faultlines and new enmities, it raises a critical question: who will lead the Mother City through the crisis? Against this fraught backdrop, author and academic Crispian Olver resolves to explore how the city of his childhood is run, and he sets his sights in particular on the relationship between local politicians and property developers. Interviewing numerous people – including many dropped from the City administration in often-questionable circumstances – he uncovers a Pandora's box of backstabbing, infighting and backroom deals. Olver explores dodgy property developments in the agriculturally sensitive area of Philippi, on the scenic West Coast and along the glorious – and lucrative – Atlantic Seaboard, delves into attempts to 'hijack' civic associations and exposes the close yet precarious relationship between the mayor and City Hall's 'laptop boys'. And in blistering detail he gets to grips with the political meltdown within the DA and the defection of De Lille to form her own party.
Houses Divided provides new insights into the significance of the nineteenth-century evangelical schisms that arose initially over the moral question of African American bondage. Volkman examines such fractures in the Baptist, Methodist, and Presbyterian churches of the slaveholding border state of Missouri. He maintains that congregational and local denominational ruptures before, during, and after the Civil War were central to the crisis of the Union in that state from 1837 to 1876. The schisms were interlinked religious, legal, constitutional, and political developments rife with implications for the transformation of evangelicalism and the United States from the late 1830s to the end of Reconstruction. The evangelical disruptions in Missouri were grounded in divergent moral and political understandings of slavery, abolitionism, secession, and disloyalty. Publicly articulated by factional litigation over church property and a combative evangelical print culture, the schisms were complicated by the race, class, and gender dynamics that marked the contending interests of white middle-class women and men, rural church-goers, and African American congregants. These ruptures forged antagonistic northern and southern evangelical worldviews that increased antebellum sectarian strife and violence, energized the notorious guerilla conflict that gripped Missouri through the Civil War, and fueled post-war vigilantism between opponents and proponents of emancipation. The schisms produced the interrelated religious, legal and constitutional controversies that shaped pro-and anti-slavery evangelical contention before 1861, wartime Radical rule, and the rise and fall of Reconstruction.
It is hardly noteworthy in contemporary discourse when the phrase, "We'll just have to agree to disagree" actually means, "We plan never to speak to each other again." For members of Episcopal and other Anglican churches, however, the Anglican tradition's identity as a via media demands forthright engagement with difficult topics by Christians committed to remaining in prayerful relationship with each other. In the spring of 2013, Duke Divinity School's Anglican Episcopal House of Studies began a series of "fierce conversations" designed to expose seminary students to the profound and painful reality of ecclesial divisions in North American Anglicanism (revolving around issues of human sexuality, scriptural authority and interpretive practices, and church leadership) while cultivating skills for leading congregations to worship, pray, and serve in ways that contribute over time to the full, visible reconciliation of Episcopalians and other Anglicans in North America. This book presents this year of conversations as a way of inviting congregations to take up the challenge and joy of "fierce conversations" in their own common life.
Slavery is one of the central, most enduringly significant facts of U.S. history. It loomed like a dark cloud over the country’s birth at the Constitutional Convention in 1787 and shaped the most important nodes of American history before the Civil War. Even today, the country continues to debate its past as it relates to slavery, and the political and geographic contours of human bondage endure into the twenty-first century. In a deeply researched, wide-ranging book, retired journalist Ben McNitt tells the story of how slavery shaped American politics—and indeed the American story—from the Founding until the Civil War. McNitt’s sharp narrative covers people and events that still resonate: Thomas Jefferson, John Calhoun, Andrew Jackson, the slave revolts of Denmark Vesey and Nat Turner, the Missouri Compromise and the Compromise of 1850, Harriet Tubman, Frederick Douglass, abolitionists like William Lloyd Garrison and Elizabeth Cady Stanton, John Brown and Harpers Ferry, fire-eating secessionists, and the rise of Abraham Lincoln to the presidency. No other single work covers this topic as comprehensively and accessibly.
