This study examines the small figures, mostly Buddhas, depicted in the aureole of Buddha images. This motif has appeared in various places in Central Asia and East Asia throughout the centuries. By contextualizing these images in local history and local Buddhism, this book sheds light on issues in Buddhist history and cultural transmission.
Buddhism in Central Asia is a saga of peaceful pursuit by Buddhist scholars from Kashmir and Kabul to propagate the message of the Buddha. This vast region between the Tien-Shan and the Kunlun ranges was the centre of activities of these Buddhist savants. Here people of different races and professions, speaking many languages, were finally blended into a cosmopolitan culture. This created an intellectual climate of high order. In this context, the famous silk trade route was helpful in adding to the material prosperity of the people in this region. The present study, therefore, is not one of Buddhism in isolation. It equally provides an account of the political forces confronting each other during the course of history of this region for well over a thousand years. For centuries the drifting desert sand of Central Asia enveloped this civilization and the religion connected with it. The late-nineteenth and early-twentieth century explorers and archaeologists successfully uncovered it at different centres along the old Silk Route. This has been helpful for a comprehensive study of Buddhism with its literature and art. The finds of hundreds of inscriptions have added to the cultural dimensions of the study.
This book breaks new ground in the perception of Central Asian history by a comparison of the archaeological evidence with Tibetan and Chinese historiographic sources as well as Sanskrit texts which have rarely been used. This work resurrects the resonances of culture, defence, sericulture, political doctrine of bhumiputra (alive to this day in Malaysia), painting, philosophy across the "deep sands" and thence to its flowering in the civilizations of China, Korea and Japan.
This book provides an insightful new study, drawn from the largely unpublished Buddhist paintings at Dunhuang, of medieval Chinese wall painting, workshop production, and artistic performance in theory and practice.
Intrepid author, traveller and researcher, Sunita Dwivedi set out on an exhaustive journey through Central Asia in search of ancient statutes of Buddha. Retracing the paths forged by great Buddhist monks over the centuries, she negotiated scorching deserts, lush meadows, dry steppe lands, snow-capped mountains and gushing river valleys to chronicle the life and times of the many Budh viharas in which these statues had been instated. Drawing upon her extensive sojourns, Sunita recreates in this volume the bygone eras in which these shrines were once great centres of learning and devotion. And, juxtaposing past grandeur with the dereliction of the present, Sunita brings back to vivid life the holy path of dharma these viharas once espoused.
This volume examines the major cultural, religious, political, and urban changes that took place in the Iranian world of Inner and Central Asia in the transition from the pre-Islamic to the Islamic periods. One of the major civilizations of the first millennium was that of the Iranian linguistic and cultural world, which stretched from today’s Iraq to what is now the Xinjiang Autonomous Region of China. No other region of the world underwent such radical transformation, which fundamentally altered the course of world history, as this area did during the centuries of transition from the pre-Islamic to the Islamic period. This transformation included the religious victory of Islam over Buddhism, Nestorian Christianity, and the other religions of the area; the military and political wresting of Inner Asia from the Chinese to the Islamic sphere of primary cultural influence; and the shifting of Central Asia from a culturally and demographically Iranian civilization to a Turkic one. This book contains essays by many of the preeminent scholars working in the fields of archeology, history, linguistics, and literature of both the pre-Islamic and the Islamic-era Iranian world, shedding light on some of the most significant aspects of the major changes that this important portion of the Asian continent underwent during this tumultuous era in its history. This collection of cutting-edge research will be read by scholars of Middle Eastern, Central Asian, Iranian, and Islamic studies and archaeology. Contributors: D. G. Tor, Frantz Grenet, Nicholas Sims-Williams, Etsuko Kageyama, Yutaka Yoshida, Michael Shenkar, Minoru Inaba, Rocco Rante, Arezou Azad, Sören Stark, Louise Marlow, Gabrielle van den Berg, and Dilnoza Duturaeva.
Presents a history of early Buddhism based solely on dateable artefacts and archaeology rather than received tradition, much of which data is provided by studying Pyrrho's history
"In this provocative book, Christopher I. Beckwith traces how the recursive argument method was first developed by Buddhist scholars and was spread by them throughout ancient Central Asia. He shows how the method was adopted by Islamic Central Asian natural philosphers - most importantly by Avicenna, one of the most brilliant of all medieval thinkers - and transmitted to the West when Avicenna's works were translated into Latin in Spain in the twelfth century by the Jewish philosopher Ibn Dā'ūd and others. -- Book jacket.
A comprehensive analysis of the earliest Buddhist art of China, Bactria, and the Southern Silk Road in Central Asia from ca. 1st - 4th century A.D., elucidating the inter-relationships, history, religious elements, sources, dating and chronology.
