Buddhist Art of East Asia
Author: Dietrich Seckel
Publisher:
Published: 1989
Total Pages: 432
ISBN-13:
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Author: Dietrich Seckel
Publisher:
Published: 1989
Total Pages: 432
ISBN-13:
DOWNLOAD EBOOKAuthor: Dorothy C. Wong
Publisher:
Published: 2018
Total Pages:
ISBN-13: 9789813250758
DOWNLOAD EBOOKAuthor: San San May
Publisher: University of Washington Press
Published: 2018-05-01
Total Pages: 352
ISBN-13: 0295744499
DOWNLOAD EBOOKBuddhist temples in Southeast Asia are centers for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology, and fortune-telling. Buddhism Illuminated includes over one hundred examples of Buddhist art from the Library’s collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic, and religious contexts of their production. It is the first book in English to showcase the beauty and variety of Buddhist manuscript art and reproduces many works that have never before been photographed.
Author: Dorothy C. Wong
Publisher: Vernon Press
Published: 2022-10-10
Total Pages: 342
ISBN-13: 1648895468
DOWNLOAD EBOOKThis volume examines the various patterns of trans-regional exchanges in Buddhist art within East Asia (China, Korea, and Japan) in the medieval period, from the fifth to the thirteenth centuries. A traditional approach to the study of East Asian Buddhist art revolves around the notion of an artistic relay: India was regarded as the source of inspiration for China, and China in turn influenced artistic production in the Korean peninsula and Japan. While this narrative holds some truth, it has the implicit baggage of assuming that art in the host country is only derivative and obscures a deep understanding of the complexity of transnational exchanges. The essays in this volume aim to go beyond the conventional query of tracing origins and mapping exchanges in order to investigate the agency of the “receivers” with contextual case studies that can expand our understanding of artistic dialogues across cultures. The volume is divided into three sections. In Section I, “Transmission and Local Interpretations,” the three chapters by Jinchao Zhao, Li-kuei Chien, and Hong Wu all address topics of transnational transmission of Buddhist imagery, their figural styles, and subsequent alterations or adaptations based on local preferences and interpretations. Buddhism had important impacts on East Asian countries in the political dimension, especially when the religion and certain Buddhist sutras and deities were believed to have state-protecting properties. The chapters by Dorothy C. Wong, Imann Lai, and Clara Ma in Section II, “Buddhism and the State,” attend to the political aspect of Buddhism in visual representation. Section III, “Iconography and Traditions,” includes chapters by Sakiko Takahashi, Suijun Ra, and Tamami Hamada that closely study the cross-border transmission of and subtle variations in iconography and style of specific Buddhist deities, notably deities of esoteric strands that include the Thousand-Armed Avalokiteśvara (Bodhisattva of Compassion).
Author: Wu Hung
Publisher:
Published: 2019
Total Pages:
ISBN-13: 9781588861511
DOWNLOAD EBOOK"Refiguring East Asian Religious Art consists of twelve chapters organized in four sections, titled "Death of the Buddha and Buddhist Icons," "Kinship and Commemoration," "Filial Piety and Politics," and "Constructing Ritual Space." Instead of designating self-contained entities, these subtitles point to four general themes of the volume, around which the authors address interrelated issues from different perspectives. Co-editors Paul Copp and Wu Hung have brought together these essays (richly illustrated with images and photos) by leading scholars to compose an outstanding text. This book reflects on the roles that the integration and interpenetration of Buddhist devotion and ancestor veneration played in creating images, objects, and architectural forms in premodern East Asia. These reflections are occasioned by specific historical cases, not motivated by abstract theoretical agendas. The case analyses, in turn, revolve in various degrees around the phenomenon and concept of death, whether the passing of the Buddha, the departure of family members, or the destruction of religious icons"--
Author: Guy, John
Publisher: Metropolitan Museum of Art
Published: 2014-04-07
Total Pages: 338
ISBN-13: 1588395243
DOWNLOAD EBOOKA fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
Author: Charles Orzech
Publisher: BRILL
Published: 2011
Total Pages: 1223
ISBN-13: 9004184910
DOWNLOAD EBOOKThis volume, the result of an international collaboration of forty scholars, provides a comprehensive resource on Esoteric Buddhism and the Tantras in their Chinese, Korean, and Japanese contexts from the first few centuries of the common era to the present.
Author: Museo d'arte e scienza (Milan, Italy)
Publisher: Museo d'Arte e Scienza
Published: 2010
Total Pages: 149
ISBN-13: 9788890118173
DOWNLOAD EBOOKAuthor: Steven Kossak
Publisher: Metropolitan Museum of Art
Published: 2001
Total Pages: 169
ISBN-13: 0870999923
DOWNLOAD EBOOKPresents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Author: Dorothy C. Wong
Publisher: NUS Press
Published: 2018-04-28
Total Pages: 377
ISBN-13: 9814722596
DOWNLOAD EBOOKThe period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century. This book argues that notions of Buddhist kingship and theory of the Buddhist state formed the underpinnings of Buddhist states experimented in China and Japan from the late seventh to the mid-eighth century, providing the religio-political ideals that were given visual expression in this International Buddhist Art Style. The volume also argues that Buddhist pilgrim-monks were among the key agents in the transmission of these ideals, the visual language of state Buddhism was spread, circulated, adopted and transformed in faraway lands, it transcended cultural and geographical boundaries and became cosmopolitan.