This Book Gives A Comprehensive Account Of The History Of The Various Buddhist Synods (Councils) Which Were Held From Time To Time Ever Since The Time Of Buddha Through The Present Century, Due To The Changing Nature Of The Ideological, Philosophical And Practical Foundation Of Buddhism, So Well Laid By Lord Buddha Himself In The 6Th Century B.C. The Book Will Be Of Much Interest To The Students, Researchers And General Readers Of The History Of Buddhism.
Revisiting India’s Past is Commemoration Volume presented to Prof. Vijay Kumar Thakur, He was a renowned Historian in India, on his Eighty two birth anniversary (15th July 1941). These articles are in other way serve as garland of flowers to decor Prof. Vijay Kumar Thakur. A great scholar in History, Buddhism, Epigraphy and Culture. There are more than 30 articles shedding light on Indian Historical studies. This prestigious volume contains a wide spectrum of research articles covering History, feudalism, science and technology, Epigraphy and Numismatics, Buddhism, Historiography, Tourism, Modern History and Trade, Economic history, Folklore, literature and culture. This volume containing a good collection of research papers contributed by renowned authors will serve as an important source of information and reference book for research students and teachers as well. Incidentally, this volume also highlights the love and affection of Prof. Vijay Kumar Thakur enjoys in the intellectual world.
Daisetsu Teitar? ̄ Suzuki was a key figure in the introduction of Buddhism to the non-Asian world. Many outside Japan encountered Buddhism for the first time through his writings and teaching, and for nearly a century his work and legacy have contributed to the ongoing religious and cultural interchange between Japan and the rest of the world, particularly the United States and Europe. This fourth volume of Selected Works of D. T. Suzuki brings together a range of Suzuki’s writings in the area of Buddhist studies. Based on his text-critical work in the Chinese canon, these essays reflect his commitment to clarifying Mahayana Buddhist doctrines in Indian, Chinese, and Japanese historical contexts. Many of these innovative writings reflect Buddhological discourse in contemporary Japan and the West’s pre-war ignorance of Mahayana thought. Included is a translation into English for the first time of his "Mahayana Was Not Preached by Buddha." In addition to editing the essays and contributing the translation, Mark L. Blum presents an introduction that examines how Suzuki understood Mahayana discourse via Chinese sources and analyzes his problematic use of Sanskrit.
Thakur Vijayam: Spectrum of History, Culture and Archaeological Studies is a Commemoration Volume presented to Prof. Vijay Kumar Thakur was a renowned Historian in India, on his Eighty second birth anniversary (15th July 1941). These articles are in other way serve as garland of flowers to decor Prof. Vijay Kumar Thakur. A great scholar in History, Buddhism, Epigraphy, Archaeology, andCulture. There are more than 35 articles shedding light on History, Culture and Archaeological Studies. This prestigious volume contains a wide spectrum of research articles covering Archaeology, History, Art, Architecture, Epigraphy and Numismatics, Buddhism, Religion and Philosophy Tourism, Modern History and Economic history, Folklore, literature and culture, This volume was edited by Prof. Pedarapu Chenna Reddy who is already well-known for similar volumes in honour of Prof. B. Rama Raju, Dr. P. V. P. Sastry, Prof. R. Soma Reddy, Dr. I. K. Sarma, Dr. V. V. Krishna Sastry, Dr. Robert G. Bednarik, Prof. A. Sundara, Dr. Deme Raja Reddy, Dr. Annapareddy Venkateswara Reddy, Prof. K. V. Raman, Dr. Janumaddi Hanumath Sastry, Prof. K. Rajayyan, Prof. Alan Dundes, Prof. Bhakthavathsala Reddy, Prof. K. K. N. Kurup, Dr. A. K. V. S Reddy, Dr. Y. Gopala Reddy, Prof. M. L. K. Murty, Dr. M. D. Sampath, Prof. Katta Narasimha Reddy, Prof. Hampa Nagarajaiah etc.
"In the beginning was the Word, and the Word was with God, and the Word was God." So opens the Gospel of John, an ancient text translated into almost every language, at once a compelling and beguiling metaphor for the Christian story of the Beginning. To further complicate matters, the words we read now are in any number of languages that would have been unknown or unrecognizable at the time of their composition. The gospel may have been originally dictated or written in Aramaic, but our only written source for the story is in Greek. Today, as your average American reader of the New Testament picks up his or her Bible off the shelf, the phrase as it appears has been translated from various linguistic intermediaries before its current manifestation in modern English. How to understand these words then, when so many other translators, languages, and cultures have exercised some level of influence on them? Christian tradition is not unique in facing this problem. All religions--if they have global aspirations--have to change in order to spread their influence, and often language has been the most powerful agent thereof. Passwords to Paradise explores the effects that language difference and language conversion have wrought on the world's great faiths, spanning more than two thousand years. It is an original and intriguing perspective on the history of religion by a master linguistic historian.
An independent research opens a revolutionary perspective in the history of religions and sheds new light on the still unexplained emergence of the buddhist Great Vehicle in the 1st century CE, demonstrating the influence of the early Christians, in the strongly hellenized area of the Kushan Empire (China, Afghanistan, Pakistan, Kashmir, Northern India), heir of Alexander's conquests on the Silk Road, where Greek and Aramaïc were the two main languages currently spoken and written. Two millenia ago, the simultaneous spread of Christianity in the West and the Middle East, and Mahayana Buddhism in the East redrew the World map, but could it be only coincidence? Why did new sutras emphasizing compassion, devotion, voidness, sacrifice and universal salvation emerge in the first decades of our era in the Buddhism of the Origins? Why did, at the same time as Greek-Buddhist art, a 'Western triad' of buddhas appear in Gandhara, composed by a buddha of infinite light, Amitabha, a white bodhisattva of compassion, Avalokiteshvara, the Tibetan Chenrezig, emanated out of Infinite Compassion by the later, and a third one, bringer of power and inspiration, Mahasthamaprapta? Did Zoroastrism and Mithraism played a role in this spiritual revolution and why are some Gnostic texts of Nag-Hammadi so close to the Mahayanist cosmogonies, notions and terms? Furthermore, the sudden and abundant literature and iconography of the Great Vehicle, saw in the same years the appearance of a messianic buddha, Maitreya, of a feminine and salvific figure, embodiment of Wisdom, the Prajnaparamita, that would become Târâ, and of the Western Paradise of the Pure Land, making them very close. In this new turning of the wheel of Dharma, the bodhisattva renouncing Nirvana and sacrifying himelf to free the whole of Humanity kind became the ultimate value. Here are some of the interrogations, among many others, raised by this research and answered in a way never done before.
Suzuki is Japan's best-known director. He has been internationally acclaimed for his postmodern adaptations of classics by Nanboku, Euripides, Shakespeare and Chekhov since the 1970s, including The Trojan Women, King Lear and Three Sisters and, equally, for his powerful actor training system, which combines elements of Noh and Kabuki with Western realism. Inviting artists from around the world to perform at his Toga and Shizuoka International Festivals, Suzuki has fostered productive exchanges with Jean-Louis Barrault, Robert Wilson, Kanze Hisao, Ashikawa Yoko and numerous others. This 2004 book traces Suzuki's rise from Little Theatre director to international festival celebrity, links his unique Surrealist dramaturgy with his intercultural training system, and gives in-depth descriptions of his most acclaimed productions.
