National Treasures explores the fate of French art and heritage during the Nazi occupation of France, revealing the roots of contemporary cultural policy in the Vichy era and exposing a hidden convergence of resistance and collaboration in French museology.
A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange reasserts the role of French photobooks in the history of modern art.
Catalogs the Hilprecht collection of bronzes at the museum. Entries on individual pieces include physical descriptions and notes on ancient symbolism and the piece's relationship with similar items in this and other collections. Bandw photos of pieces are all grouped at the end of the volume. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Danger stalks the city of steam and shadows. Janus Mikani and Celeste Ritsuko work all hours in the Criminal Investigation Division, keeping citizens safe. He’s a charming rogue with an uncanny sixth sense; she’s all logic—and the division’s first female inspector. Between his instincts and her brains, they collar more criminals than any other partnership in the CID. Then they’re assigned a potentially volatile case in which one misstep could end their careers. At first, the search for a missing heiress seems straightforward, but when the girl is found murdered—her body charred to cinders—Mikani and Ritsuko’s modus operandi is challenged as never before. It soon becomes clear the bogeyman has stepped out of nightmares to stalk gaslit streets, and it’s up to them to hunt him down. There’s a madman on the loose, weaving blood and magic in an intricate, lethal ritual that could mean the end of everything…
Firearms, the Law, and Forensic Ballistics, Second Edition offers a comprehensive reference on the forensic science of firearms. It describes what happens when a weapon is fired in terms of internal, external, and terminal/ wound ballistics, and discusses the consequences for the forensic scientist both at the scene of the shooting and in the labor
Written by the nation's foremost authority on gunshot wounds and forensic techniques as they relate to firearm injuries, Gunshot Wounds: Practical Aspects of Firearms, Ballistics, and Forensic Techniques, Second Edition provides critical information on gunshot wounds and the weapons and ammunition used to inflict them. The book describes practical aspects of ballistics, wound ballistics, and the classification of various wounds caused by handguns, bang guns, rifles, and shotguns. The final chapters explain autopsy technique and procedure and laboratory analysis relating to weapons and gunshot evidence.