A California doctoral dissertation examining the bronze statues of non-royal figures. The catalogue includes 289 located examples and a further 50 from published sources. The author considers the changes in the figures over time, their changing types, stance, iconography, size, composition, and their inscriptions.
Throughout Egyptian history, high-ranking Egyptian priests were the scholars responsible for the creation of the very material that constituted the core of Egyptian intellectual culture. During the first millennium BCE, and particularly in the Graeco-Roman period (late fourth century BCE-fourth century CE), they were the social group in charge of mediating and negotiating the terms of the relationship between traditional Egyptian culture and the new foreign rulers of the country. As such, they are fundamental figures for our understanding of the greater Mediterranean and Near Eastern world of the time. Marina Escolano-Poveda offers for the first time a detailed analysis of the most relevant Egyptian priestly characters from Egyptian and Graeco-Roman literary and paraliterary sources. The examination of these sources contrasts the self-presentation of Egyptian priests in texts created and circulated within the temple environment with images presented by outside sources, providing a solid base to analyze how these figures were seen in their historical milieu. In the second part of the book, the results of the previous analysis are contrasted with a series of widely-used models employed to understand the historical and intellectual context of Egyptian religion and the Egyptian priesthood in the Graeco-Roman period, questioning the usefulness and applicability of such models. Escolano-Poveda proposes new ways of understanding the role of the Egyptian priests in this context as fundamental actors in the development of the philosophical, scientific, and literary culture of the Hellenistic, Roman, and Late Antique worlds.
Throughout Egyptian history, high-ranking Egyptian priests were the scholars responsible for the creation of the very material that constituted the core of Egyptian intellectual culture. During the first millennium BCE, and particularly in the Graeco-Roman period (late fourth century BCE - fourth century CE), they were the social group in charge of mediating and negotiating the terms of the relationship between traditional Egyptian culture and the new foreign rulers of the country. As such, they are fundamental figures for our understanding of the greater Mediterranean and Near Eastern world of the time.00Marina Escolano-Poveda offers for the first time a detailed analysis of the most relevant Egyptian priestly characters from Egyptian and Graeco-Roman literary and paraliterary sources. The examination of these sources contrasts the self-presentation of Egyptian priests in texts created and circulated within the temple environment with images presented by outside sources, providing a solid base to analyze how these figures were seen in their historical milieu. In the second part of the book, the results of the previous analysis are contrasted with a series of widely-used models employed to understand the historical and intellectual context of Egyptian religion and the Egyptian priesthood in the Graeco-Roman period, questioning the usefulness and applicability of such models. Escolano-Poveda proposes new ways of understanding the role of the Egyptian priests in this context as fundamental actors in the development of the philosophical, scientific, and literary culture of the Hellenistic, Roman, and Late Antique worlds.00This Second Revised Edition corrects and updates the previous one, incorporating new discussions of recent developments in the analysis of each section of the book.
Using as his sources the Egyptian texts and the testimony of classical authors, Serge Sauneron illuminates the role of the priesthood in Ancient Egypt.
This companion provides the very latest accounts of the major and current aspects of Egyptology by leading scholars. Delivered in a highly readable style and extensively illustrated, it offers unprecedented breadth and depth of coverage, giving full scope to the discussion of this incredible civilization. Provides the very latest and, where relevant, well-illustrated accounts of the major aspects of Egypt?s ancient history and culture Covers a broad scope of topics including physical context, history, economic and social mechanisms, language, literature, and the visual arts Delivered in a highly readable style with students and scholars of both Egyptology and Graeco-Roman studies in mind Provides a chronological table at the start of each volume to help readers orient chapters within the wider historical context
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
In this compelling guide and sourcebook, renowned author and scholar Michael Rice introduces us to the inhabitants of ancient Egypt, allowing us to encounter their world through their own eyes. Here are the great and the famous, from Cleopatra to Tutankhamun, but here also are the grave-robber Amenwah, Nakht the gardener and Sebaster the hairdresser. The whole arena of Egyptian life is expressed in these pages. Not only are there nearly a thousand biographies, there is also a chapter on 'Encountering Ancient Egyptians', sections on kingship and on religion, a chronology, a glossary and maps. A combination of erudite scholarship and a clear and accessible style, this volume opens up the world of the ancient Egyptians to all those with an interest in the subject in a way that has never been done before.
First Published in 1998. This volume brings together for the first time in a single volume the highly significant works on ancient Egyptian religion by Aylward Manley Blackman (1883-1956). Blackman's knowledge of Egyptian religion was unrivalled. He was best known for his series of studies on Egyptian religion which have long been regarded as essential reading in the subject, and which forms the content of the present collection. Unusually, Blackman did not publish his writings in book form, but preferred to place them in a wide range of publications that are extremely difficult to obtain. Blackman's studies on Egyptian religious belief and particularly religious practice focus on areas of fundamental concern and are models of meticulous, sympathetic and penetrating scholarship. They should remain required reading for all students of Egyptian religion well into the next century. All those with an interest in the subject should welcome this volume which makes Blackman's writings accessible in a convenient form. A select bibliography provides an update and key to more recent work on topics discussed by Blackman.
From Berlin to Boston, and St Petersburg to Sydney, ancient Egyptian art fills the galleries of some of the world's greatest museums, while the architecture of Egyptian temples and pyramids has attracted tourists to Egypt for centuries. But what did Egyptian art and architecture mean to the people who first made and used it - and why has it had such an enduring appeal? In this Very Short Introduction, Christina Riggs explores the visual arts produced in Egypt over a span of some 4,000 years. The stories behind these objects and buildings have much to tell us about how people in ancient Egypt lived their lives in relation to each other, the natural environment, and the world of the gods. Demonstrating how ancient Egypt has fascinated Western audiences over the centuries with its impressive pyramids, eerie mummies, and distinctive visual style, Riggs considers the relationship between ancient Egypt and the modern world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
