BRITISH WAR FILMS, 1939 - 45

BRITISH WAR FILMS, 1939 - 45

Author: S. P. Mackenzie

Publisher: A&C Black

Published: 2001-01-01

Total Pages: 273

ISBN-13: 1852852585

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The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-45 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.


British War Films, 1939-1945

British War Films, 1939-1945

Author: S. P. MacKenzie

Publisher: Bloomsbury Publishing

Published: 2001-02-01

Total Pages: 273

ISBN-13: 0826446442

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The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-1945 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.


This is England

This is England

Author: Neil Rattigan

Publisher: Fairleigh Dickinson Univ Press

Published: 2001

Total Pages: 372

ISBN-13: 9780838638620

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Third, that the condition of total war in which Britain found itself a short time after the commencement of hostilities would mean that films, and indeed, all mass/popular culture, would respond to the urgency of the situation by taking a special interest in representations of British society. And fourth, following on from this, that British films of the Second World War would, one way or another, be agents of propaganda. From these propositions, the book examines just what these films had to say about social class in the images of Britain they were promulgating, with the corollaries of just how were they saying it, and why were they saying it. Alongside this is a concern with what propaganda purposes were being met by these films."--Jacket.


Britain Can Take it

Britain Can Take it

Author: Anthony Aldgate

Publisher:

Published: 1994

Total Pages: 382

ISBN-13:

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Charts Britain's reaction to World War II by examining 13 key films produced between 1939 and 1945. Illustrated with stills, the work analyzes each film, drawing from official documentation to explore film as a medium for propaganda. This edition features two new chapters and a filmography.


Cinemas and cinemagoing in wartime Britain, 1939–45

Cinemas and cinemagoing in wartime Britain, 1939–45

Author: Richard Farmer

Publisher: Manchester University Press

Published: 2016-06-24

Total Pages: 391

ISBN-13: 1784997803

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In this groundbreaking book, Richard Farmer provides a social and cultural history of cinemas and cinemagoing in Britain between 1939 and 1945, and explores the impact that the war had on the places in which British people watched films.


Historical Dictionary of British Cinema

Historical Dictionary of British Cinema

Author: Alan Burton

Publisher: Scarecrow Press

Published: 2013-07-11

Total Pages: 586

ISBN-13: 0810880261

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British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter. So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.


The British at War

The British at War

Author: James Chapman

Publisher: I.B.Tauris

Published: 1998-12-31

Total Pages: 344

ISBN-13:

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British film propaganda efforts during the Second World War have tended to be presented as a shambles. James Chapman argues that this is not so in this first comprehensive history of wartime film propaganda policy in Britain. He examines the role of the cinema as a vehicle of propaganda, set within its institutional, political and cultural contexts, revealing the complex relationships between the Ministry of Information and the different sectors of the film industry. The author identifies the themes and ideologies presented to audiences through analysis of key wartime films, including Forty-Ninth Parallel, In Which We Serve and The Life and Death of Colonel Blimp. He also corrects a previous misunderstanding of the role in official propaganda of short films and documentaries, demonstrating how these films were as successful as commercial feature films at carrying propaganda to the nation's cinema-goers.


Gender, Labour, War and Empire

Gender, Labour, War and Empire

Author: Philippa Levine

Publisher: Springer

Published: 2008-12-11

Total Pages: 291

ISBN-13: 0230582923

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A lively collection of essays on the cultures of nineteenth and twentieth-century Britain. Topics range from prostitution and slavery to the effect of war on fashion magazine reporting to inter-racial marriage in the postwar years. Particular areas of focus include the Second World War, its legacies and the reactions to postwar decolonization.


Which People's War?

Which People's War?

Author: Sonya O. Rose

Publisher: OUP Oxford

Published: 2004-07-01

Total Pages: 564

ISBN-13: 0191037532

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Which People's War? examines how national belonging, or British national identity, was envisaged in the public culture of the World War II home front. Using materials from newspapers, magazines, films, novels, diaries, letters, and all sorts of public documents, it explores such questions as: who was included as 'British' and what did it mean to be British? How did the British describe themselves as a singular people, and what were the consequences of those depictions? It also examines the several meanings of citizenship elaborated in various discussions concerning the British nation at war. This investigation of the powerful constructions of national identity and understandings of citizenship circulating in Britain during the Second World War exposes their multiple and contradictory consequences at the time. It reveals the fragility of any singular conception of 'Britishness' even during a war that involved the total mobilization of the country's citizenry and cost 400,000 British civilian lives.