British Theatre Since the War

British Theatre Since the War

Author: Dominic Shellard

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 243

ISBN-13: 0300147910

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British theatre of the past fifty years has been brilliant, varied, and controversial, encompassing invigorating indigenous drama, politically didactic writing, the formation of such institutions as the National Theatre, the exporting of musicals worldwide from the West End, and much more. This entertaining and authoritative book is the first comprehensive account of British theatre in this period. Dominic Shellard moves chronologically through the half-century, discussing important plays, performers, directors, playwrights, critics, censors, and agents as well as the social, political, and financial developments that influenced the theatre world. Drawing on previously unseen material (such as the Kenneth Tynan archives), first-hand testimony, and detailed research, Shellard tackles several long-held assumptions about drama of the period. He questions the dominance of Look Back in Anger in the 1950s, arguing that much of the theatre of the ten years prior to its premiere in 1956 was vibrant and worthwhile. He suggests that theatre criticism, theatre producers, and such institutions as the National Theatre and the Royal Shakespeare Company have played key roles in the evolution of recent drama. And he takes a fresh look at the work of Terence Rattigan, Harold Pinter, Joe Orton, Alan Ayckbourn, Timberlake Wertenbaker, and other significant playwrights of the modern era. The book will be a valuable resource not only for students of theatre history but also for any theatre enthusiast.


Reverberations Across Small-scale British Theatre

Reverberations Across Small-scale British Theatre

Author: Patrick Duggan

Publisher: Intellect (UK)

Published: 2013

Total Pages: 0

ISBN-13: 9781783202973

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Between 1960 and 2010, a new generation of British avant-garde theater companies, directors, designers, and performers emerged. Some of these companies and individuals have endured to become part of theater history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theater companies and personalities in the scholarly spotlight. By questioning what "Britishness" meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos, and aesthetics of these companies.


Jacques Lecoq and the British Theatre

Jacques Lecoq and the British Theatre

Author: Franc Chamberlain

Publisher: Routledge

Published: 2013-07-04

Total Pages: 138

ISBN-13: 1136465014

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Jacques Lecoq and the British Theatre brings together the first collection of essays in English to focus on Lecoq's school of mime and physical theatre. For four decades, at his school in Paris, Jacques Lecoq trained performers from all over the world and effected a quiet evolution in the theatre. The work of such highly successful Lecoq graduates as Theatre de Complicite (The Winter's Tale with the Royal Shakespeare Company and The Visit, The Street of Crocodiles and The Causcasian Chalk Circle with the Royal National Theatre) has brought Lecoq's work to the attention of mainstream critics and audiences in Britain. Yet Complicte is just the tip of the Iceberg. The contributors to this volume, most of them engaged in applying Lecoq's work, chart some of the diverse ways in which it has had an impact on our conceptions of mime, physical theatre, actor training, devising street theatre and interculturalism. This lively - even provocative - collection of essays focuses academic debate and raises awareness of the impact of Lecoq's work in Britain today.


British Theatre of the 1990s

British Theatre of the 1990s

Author: M. Aragay

Publisher: Springer

Published: 2007-04-23

Total Pages: 215

ISBN-13: 0230210732

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This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on 'in-yer-face theatre', this volume will be essential reading for all students and scholars of contemporary British theatre.


British Theatre Design

British Theatre Design

Author: John Goodwin

Publisher: Phoenix

Published: 1998

Total Pages: 208

ISBN-13: 9780753801291

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With more than 300 photographs showcasing the work of over 130 designers -- each image accompanied by the artist's own notes -- this collection presents the best, most comprehensive overview of modern English theatrical style. These magnificent sketches, stage sets, and costumes come from drama, musicals, ballet, and opera. They include Alison Chitty's suspended, golden representation of the heavens for several Shakespeare plays; Patrick Robertson's and Rosemary Vercoe's modern-day conception of Rigoletto, and John Napier's elaborate, futuristic creation for Starlight Express.


The Cambridge Companion to British Theatre of the First World War

The Cambridge Companion to British Theatre of the First World War

Author: Helen E. M. Brooks

Publisher: Cambridge University Press

Published: 2023-09-30

Total Pages: 299

ISBN-13: 1108481507

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The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.


The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815

The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815

Author: Sarah Burdett

Publisher: Springer Nature

Published: 2023-05-20

Total Pages: 299

ISBN-13: 3031154746

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This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.


Heritage, Nostalgia and Modern British Theatre

Heritage, Nostalgia and Modern British Theatre

Author: Benjamin Poore

Publisher: Springer

Published: 2011-11-15

Total Pages: 242

ISBN-13: 0230360149

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The stage portrayal of the Victorians in recent times is a key reference point in understanding notions of Britishness, and the profound politicisation of that debate over the last four decades. This book throws new light on works by canonical playwrights like Bond, Edgar, and Churchill, linking theatre to the wider culture at large.