Why did the industrial revolution take place in 18th century Britain and not elsewhere in Europe or Asia? Robert Allen argues that the British industrial revolution was a successful response to the global economy of the 17th and 18th centuries.
This comprehensive and versatile reference source will be a most important tool for anyone wishing to seek out information on virtually any aspect of British affairs, life and culture. The resources of a detailed bibliography, directory and journals listing are combined in this single volume, forming a unique guide to a multitude of diverse topics - British politics, government, society, literature, thought, arts, economics, history and geography. Academic subjects as taught in British colleges and universities are covered, with extensive reading lists of books and journals and sources of information for each discipline, making this an invaluable manual.
Containing over 25,000 entries, this unique volume will be absolutely indispensable for all those with an interest in Britain in the twentieth century. Accessibly arranged by theme, with helpful introductions to each chapter, a huge range of topics is covered. There is a comprehensiveindex.
John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and - more importantly - religious doubt.
The Familiar Past surveys material culture from 1500 to the present day. Fourteen case studies, grouped under related topics, include discussion of issues such as: * the origins of modernity in urban contexts * the historical anthropology of food * the social and spatial construction of country houses * the social history of a workhouse site * changes in memorial forms and inscriptions * the archaeological treatment of gardens. The Familiar Past has been structured as a teaching text and will be useful to students of history and archaeology.
For the first time at the beginning of the twenty-first century, urban dwellers outnumber rural residents and this trend is set to continue. Consequently one of the most pressing issues of our time is how to square the social and economic development of cities with their environmental limits and those of the wider environment. The theme of the environment and city is topical at every level, from the politics of global trade to local community networks. Environment and the City looks at the evolution of cities in the developed and the developing world and the implications for resource consumption and environmental impacts. It takes a cross-cutting approach with new thinking on multiple geographies – the configuration of networks, exclusion, consumption, risk and ecological footprint. Urban environmental themes and their related social, economic and political agendas are outlined. In turn the environmental impacts and environmental agendas relating to key sectors of the urban economy are discussed. The global context to such issues is then explored before the practical tools and methods of urban environmental management are investigated. The theme of the sustainable city emerges from this – not so much as a standard menu, but as a learning process between all sections of society. This book, a valuable resource, provides a concise, accessible route map for all students interested in the environmental issues emanating from our urban society. Written to aid student understanding, the easily navigable text features boxed practical examples, discussion points, signposts to reading and websites, and a glossary.
It has taken Liverpool almost half a century to come to terms with the musical, cultural and now economic legacy of the Beatles and popular music. At times the group was negatively associated with sex and drugs images surrounding rock music: deemed unacceptable by the city fathers, and unworthy of their support. Liverpudlian musicians believe that the musical legacy of the Beatles can be a burden, especially when the British music industry continues to brand the latest (white) male group to emerge from Liverpool as ’the next Beatles’. Furthermore, Liverpudlians of perhaps differing ethnicities find images of ’four white boys with guitars and drums’ not only problematic in a ’musical roots’ sense, but for them culturally devoid of meaning and musically generic. The musical and cultural legacy of the Beatles remains complex. In a post-industrial setting in which both popular and traditional heritage tourism have emerged as providers of regular employment on Merseyside, major players in what might be described as a Beatles music tourism industry have constructed new interpretations of the past and placed these in such an order as to re-confirm, re-create and re-work the city as a symbolic place that both authentically and contextually represents the Beatles.