A Bridge Over Troubled Waters: Dispute Resolution in the Law of International Watercourses and the Law of the Sea offers novel comparative analysis from leading experts on the resolution of disputes concerning international watercourses and the oceans.
When Roman objects are discovered in rivers they are commonly interpreted as accidental losses or as rubbish deposits revealed by fluvial erosion; this is in contrast to prehistoric assemblages, which are often seen as ritual offerings. Our project challenges these assumptions by publishing for the first time an entire riverine artifact assemblage and comparing its composition to nearby excavated assemblages. The ca. 3,600 finds retrieved by two divers from the River Tees at Piercebridge are also related to the Roman bridges, settlement, and fort, and analyzed to better understand the people who used and deposited them.
This book is a compilation of papers by different authors, among them Vamik Volkan, Robi Friedman, John Schlapobersky, Haim Weinberg, and Michael Bucholz, with a foreword by Earl Hopper and an introduction by Gila Ofer, both editor and contributor. While most of the writers are group analysts, working in the tradition of Foulkes, several others come from different though complementary perspectives, enriching the theoretical basis of the research. So, there are perspectives, inter alia, from Bion and Cortesao. The writers represent different countries and cultures, focusing on problems that are endemic to their own localities that yet have a wider and deeper resonance. We are introduced to conflict and division in Bedouin society, the Roma people living in Greece, citizens' reflective communities in Serbia, continuing territorial and ideological differences in Israel and the middle-east, and tensions of difference in the psychoanalytic community itself.
A collection of papers written by the author over a span of forty-seven years (1971 - 2018) covering topics relative and relevant to the black experience in America.
Acclaimed music writer Robert Hilburn’s “epic” and “definitive” (Rolling Stone) biography of music icon Paul Simon, written with Simon’s full participation—but without his editorial control—that “reminds us how titanic this musician is” (The Washington Post). For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has said he will not write an autobiography or talk to biographers. Finally, however, he has opened up for Robert Hilburn—for more than one hundred hours of interviews—in this “brilliant and entertaining portrait of Simon that will likely be the definitive biography” (Publishers Weekly, starred review). Over the course of three years, Hilburn conducted in-depth interviews with scores of Paul Simon’s friends, family, colleagues, and others—including ex-wives Carrie Fisher and Peggy Harper, who spoke for the first time—and even penetrated the inner circle of Simon’s long-reclusive muse, Kathy Chitty. The result is a deeply human account of the challenges and sacrifices of a life in music at the highest level. In the process, Hilburn documents Simon’s search for artistry and his constant struggle to protect that artistry against distractions—fame, marriage, divorce, drugs, record company interference, rejection, and insecurity—that have derailed so many great pop figures. “As engaging as a lively American tune” (People), Paul Simon is a “straight-shooting tour de force…that does thorough justice to this American prophet and pop star” (USA TODAY, four out of four stars). “Read it if you like Simon; read it if you want to discover how talent unfolds itself” (Stephen King).
It's in the back of every officer's mind: the bullet that could end his or her life. They take the risk and are heroes for it-but can you imagine doing this at a time when bulletproof vests were not standard? In the early 80s Hawkins and his partner chased down a suspect in Atlantic City NJ only to end up in a shoot out. This is hardly out of the ordinary-except Hawkins wasn't wearing a vest because it was not yet part of operations policy. His partner was wearing a vest, but he died and Hawkins lived. This is an autobiography unlike any you've ever read before. The details of Wesley Hawkins's personal history channel emotions and reactions you can hardly anticipate. Read the inside story of real politics and police work as Hawkins shares the miracle of his survival that he knows only God is responsible for.
Refuge in a Moving World draws together more than thirty contributions from multiple disciplines and fields of research and practice to discuss different ways of engaging with, and responding to, migration and displacement. The volume combines critical reflections on the complexities of conceptualizing processes and experiences of (forced) migration, with detailed analyses of these experiences in contemporary and historical settings from around the world. Through interdisciplinary approaches and methodologies – including participatory research, poetic and spatial interventions, ethnography, theatre, discourse analysis and visual methods – the volume documents the complexities of refugees’ and migrants’ journeys. This includes a particular focus on how people inhabit and negotiate everyday life in cities, towns, camps and informal settlements across the Middle East and North Africa, Southern and Eastern Africa, and Europe.
Having been abandoned as a newborn and found and raised by Pastor Ezekiel Freeman in the small California town of Haven, Abra Matthews feels like she doesn't belong and at the age of seventeen runs off to Hollywood, becoming starlet Lena Scott.
Baptism has been a contested practice from the very beginning of the church. In this volume, Ben Witherington rethinks the theology of baptism and does so in constant conversation with the classic theological positions and central New Testament texts. By placing baptism in the context of the covenant, Witherington shows how advocates of both believer's baptism and infant baptism have added some water to both their theology and practice of baptism
"In this evocative memoir, Cassandra Lane deftly uses the act of imagination to reclaim her ancestors’ story as a backdrop for telling her own. The tradition of Black women’s storytelling leaps forward within these pages—into fresh, daring, and excitingly new territory." —Bridgett M. Davis, author of The World According to Fannie Davis When Cassandra Lane finds herself pregnant at thirty-five, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the twentieth-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt's lynching at the hands of vengeful white men in his southern town. We Are Bridges turns to creative nonfiction to reclaim a family history from violent erasure so that a mother can gift her child with an ancestral blueprint for their future. Haunting and poetic, this debut traces the strange fruit borne from the roots of personal loss in one Black family—and considers how to take back one’s American story.