Breaking Poetry Out of the Frame

Breaking Poetry Out of the Frame

Author: Tamara Kae

Publisher: iUniverse

Published: 2012-10

Total Pages: 129

ISBN-13: 1475941994

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Breaking Poetry Out of the Frame a collection of verse that offers a unique look at love and at a heart being broken into tiny pieces. Author Tamara Kae shares the emotional confusion experienced when we make the wrong choices for love. Her poems offer a stark reminder that inner strength can be strongest when love passes or skips a beat. Breaking Poetry Out of the Frameconsiders the need to understand life and the hidden secrets of love through poetic healing. Seeking to examine the reality of all types of love and lust, this collection offers a reminder that love comes in many different forms, some more controversial than others. Seems like almost every wedding band sparkles with diamonds and infidelity and forget the wedding bliss the first kiss hand to hand date to date Until you decide to make Her your mate. Now it's All too late. You say Forget wifey I'm going to explore The hottie from next door Lifelong vows you ready to diss to hit the skins of some two day three day whore.


Breaking Poetry out of the Frame

Breaking Poetry out of the Frame

Author: Tamara Kae

Publisher: iUniverse

Published: 2012-10-30

Total Pages: 128

ISBN-13: 9781475942002

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Breaking Poetry Out of the Frame a collection of verse that offers a unique look at love and at a heart being broken into tiny pieces. Author Tamara Kae shares the emotional confusion experienced when we make the wrong choices for love. Her poems offer a stark reminder that inner strength can be strongest when love passes or skips a beat. Breaking Poetry Out of the Frameconsiders the need to understand life and the hidden secrets of love through poetic healing. Seeking to examine the reality of all types of love and lust, this collection offers a reminder that love comes in many different forms, some more controversial than others. Seems like almost every wedding band sparkles with diamonds and infidelity and forget the wedding bliss the first kiss hand to hand date to date Until you decide to make Her your mate. Now it’s All too late. You say Forget wifey I’m going to explore The hottie from next door Lifelong vows you ready to diss to hit the skins of some two day three day whore.


On Poetry

On Poetry

Author: Glyn Maxwell

Publisher: Harvard University Press

Published: 2016-11-21

Total Pages: 116

ISBN-13: 0674265874

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“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.


Hotel Almighty

Hotel Almighty

Author: Sarah J. Sloat

Publisher: Sarabande Books

Published: 2020-09-15

Total Pages: 99

ISBN-13: 1946448656

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Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.


My Daily Actions, Or the Meteorites

My Daily Actions, Or the Meteorites

Author: S. Brook Corfman

Publisher:

Published: 2020-09

Total Pages: 88

ISBN-13: 9780823289493

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My Daily Actions, or The Meteorites is the result of a daily investigative writing practice, in which I was worried that a poem invested in the particulars of my life would be uninteresting--that the "ordinary" would be mundane. Instead memory, dreams, and the associative power of the imagination filled each moment with meaning, each tv show I watched or friend I spoke with, each outfit I wore or nail polish color I chose. In these poems, a combination of dread (for something approaching) and anxiety (for what might be approaching but isn't yet known) undid a sense of the present separate from climate change, global racial capitalism, whiteness, and gender-based violence, especially as I wrote as I tried to find out how my own gender fit into the world. The prose poem is the vehicle by which a recording practice ("journaling") meets the associative power of the poem.


Frames of War

Frames of War

Author: Judith Butler

Publisher: Verso Books

Published: 2016-02-23

Total Pages: 216

ISBN-13: 1784782491

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In Frames of War, Judith Butler explores the media’s portrayal of state violence, a process integral to the way in which the West wages modern war. This portrayal has saturated our understanding of human life, and has led to the exploitation and abandonment of whole peoples, who are cast as existential threats rather than as living populations in need of protection. These people are framed as already lost, to imprisonment, unemployment and starvation, and can easily be dismissed. In the twisted logic that rationalizes their deaths, the loss of such populations is deemed necessary to protect the lives of ‘the living.’ This disparity, Butler argues, has profound implications for why and when we feel horror, outrage, guilt, loss and righteous indifference, both in the context of war and, increasingly, everyday life. This book discerns the resistance to the frames of war in the context of the images from Abu Ghraib, the poetry from Guantanamo, recent European policy on immigration and Islam, and debates on normativity and non-violence. In this urgent response to ever more dominant methods of coercion, violence and racism, Butler calls for a re-conceptualization of the Left, one that brokers cultural difference and cultivates resistance to the illegitimate and arbitrary effects of state violence and its vicissitudes.


All the Flowers Kneeling

All the Flowers Kneeling

Author: Paul Tran

Publisher: Penguin

Published: 2022-02-15

Total Pages: 112

ISBN-13: 0525508341

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“Paul Tran’s debut collection of poems is indelible, this remarkable voice transforming itself as you read, eventually transforming you.” —Alexander Chee, author of How to Write an Autobiographical Novel “This powerful debut marshals narrative lyrics and stark beauty to address personal and political violence.” —New York Times Book Review A profound meditation on physical, emotional, and psychological transformation in the aftermath of imperial violence and interpersonal abuse, from a poet both “tender and unflinching” (Khadijah Queen) Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors. At once grand and intimate, commanding and deeply vulnerable, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacity for resilience, endurance, and love.


Shadow Evidence Intelligence

Shadow Evidence Intelligence

Author: Kristin Prevallet

Publisher:

Published: 2006

Total Pages: 92

ISBN-13:

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Poetry. "Prevallet's third (and boldest) book of poems, SHADOW EVIDENCE INTELLIGENCE, is a fierce and direct confrontation of political insanity and poetic form. Drawing inspiration from the news, these poems seek to create epiphany out of the fallacious, tormented, and violent logic that is currently being used to justify war, injustice, and torture. These poems bring together multiple frames of reference that logically cannot add up to a single thought; they restore to poetry the bold experimentation of form and content necessary to imagine a saner world."--Sandy Schmitz


Line Break

Line Break

Author: James Scully

Publisher:

Published: 2005

Total Pages: 0

ISBN-13: 9781931896184

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Line Break is the major work on poetry as social practice and a must-read for anyone interested in contemporary criticism or poetry. For many years, James Scully, along with others, quietly radicalized American poetry--in theory and in practice, in how it is lived as well as in how it is written. In eight provocative essays, James Scully argues provocatively for artistic and cultural practice that actively opposes structures of power too often reinforced by intellectual activities.


In The Break

In The Break

Author: Fred Moten

Publisher: U of Minnesota Press

Published: 2003-04-09

Total Pages: 383

ISBN-13: 1452906084

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Investigates the connections between jazz, sexual identity, and radical black politics In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on “The Burton Greene Affair,” exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten’s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition