String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
HOME TITLES GENRES AUTHORS LANGUAGES NEW TITLES RECOMMENDED POPULAR Dracula Cover image for Download download author: Bram Stoker published: 1897 language: English wordcount: 160,098 / 423 pg flesch-kincaid reading ease: 73.3 loc category: PR series: World's Best Reading audiobook: librivox.org downloads: 117,966 mnybks.net#: 6694 origin: gutenberg.org more info: litsum.com genres: Horror, Gothic, Fiction and Literature, Audiobook Read Online in Browser Here The world's best-known vampire story begins by following a naive young Englishman as he visits Transylvania to meet a client, the mysterious Count Dracula. Upon revealing his true nature, Dracula boards a ship for England, where chilling and gruesome disasters begin to befall the people of London... Show Excerpt ll and opened up the lofty, snow-covered peak of a mountain, which seemed, as we wound on our serpentine way, to be right before us. "Look! Isten szek!"--"God's seat!"--and he crossed himself reverently. As we wound on our endless way, and the sun sank lower and lower behind us, the shadows of the evening began to creep round us. This was emphasized by the fact that the snowy mountain-top still held the sunset, and seemed to glow out with a delicate cool pink. Here and there we passed Cszeks and slovaks, all in picturesque attire, but I noticed that goitre was painfully prevalent. By the roadside were many crosses, and as we swept by, my companions all crossed themselves. Here and there was a peasant man or woman kneeling before a shrine, who did not even turn round as we approached, but seemed in the self-surrender of devotion to have neither eyes nor ears for the outer world. There were many things new to me. For instance, hay-ricks in the trees, and here and there very beautiful masses of wee
"What a splendid subject to sink one's teeth into," raved the Washington Post. Here was a six-foot-two Irishman with a red beard—a Victorian family man, a spirited debater, and the author of novels and short stories largely forgotten today. All, of course, except for Dracula, which has enjoyed countless stage and screen incarnations and haunted the dreams of many generations. Bram Stoker lived at the very center of late-Victorian social and artistic life and numbered among his friends Oscar Wilde, Walt Whitman, Mark Twain, Sir Arthur Conan Doyle, James Whistler, William Gladstone, and Alfred Lord Tennyson. But it was his relationship with the mesmerizing, domineering actor Henry Irving that may have played the most crucial role in Stoker's life—a real-life monster who ultimately led to Stoker's most famous creation. In this book that the Baltimore Sun called "superb," Barbara Belford draws on unpublished archival material to reveal the links between the reticent author's life, his vampire tale, and the political, occult, cultural, and sexual background of the 1890s.
Shortlisted for the Edgar Award (Critical/Biographical) Finalist for the Bram Stoker Award (Nonfiction) Finalist for the Anthony Award (Critical Nonfiction) A revelatory biography exhumes the haunted origins of the man behind the immortal myth, bringing us "the closest we can get to understanding [Bram Stoker] and his iconic tale" (The New Yorker). In this groundbreaking portrait of the man who birthed an undying cultural icon, David J. Skal "pulls back the curtain to reveal the author who dreamed up this vampire" (TIME magazine). Examining the myriad anxieties plaguing the Victorian fin de siecle, Skal stages Bram Stoker’s infirm childhood against a grisly tableau of medical mysteries and horrors: cholera and famine fever, childhood opium abuse, frantic bloodletting, mesmeric quack cures, and the gnawing obsession with "bad blood" that pervades Dracula. In later years, Stoker’s ambiguous sexuality is explored through his passionate youthful correspondence with Walt Whitman, his adoration of the actor Sir Henry Irving, and his romantic rivalry with lifelong acquaintance Oscar Wilde—here portrayed as a stranger-than-fiction doppelgänger. Recalling the psychosexual contours of Stoker’s life and art in splendidly gothic detail, Something in the Blood is the definitive biography for years to come.
Recently a long-lost journal belonging to Dracula author Bram Stoker was discovered in his great-grandson Noel's dusty attic. Published now to coincide with the centenary of Stoker's death, the text of this stunning find, written between 1871 and 1881, mostly in his native Dublin, will captivate scholars of Gothic literature and Dracula fans alike. Painstakingly transcribed and researched, the journal offers intriguing new insights into the complex nature of the man who wrote Dracula more than one hundred years ago. Assisted by a team of scholars and Stoker historians, Dacre Stoker and Professor Elizabeth Miller neatly connect the dots between the contents of the journal and Bram Stoker's later work, most significantly Dracula. Until now, discussion of the very private Bram Stoker has, by necessity, been largely speculative. Other than names and dates provided by biographers, and Bram Stoker's own sparse self-revelation in his non-fiction, little has been available to support character studies of this fascinating Victorian gentleman. This personal journal shows Stoker's private thoughts and his developing style, and is a veritable treasure trove of oddities, musings and anecdotes.
In 1897, Bram Stoker published what has now become one of the most revered horror stories of its time. Dracula has inspired the gothic genre for generations, continuing to this day to frighten and delight its readers for anyone brave enough to face the world of blood thirsty vampires in search of their next mortal victim. In a gripping and sensational work of classic Gothic fiction we discover the infamous Count Dracula. When English lawyer Jonathan Harker travels to an obscure town called Transylvania, the goal of his visit was most certainly not to do business with a vampire. As he makes his way through the village square, Harker is overcome with an eerie sensation that the Count is not who he says he is. Strewn with various charms and trinkets thrown at him from the local village people, Harker comes to find that the weird looks, whispers, and pointed fingers directed at him are not done so in jest at him being a tourist. Rather, they are a clear warning that the Count is perhaps more dangerous than he imagined. Brimming with observations on the eventual paradigmatic shifts of society, Stoker’s intent with Dracula extends much further than the plot of quarreling vampires. With references to the sexual politics of women in the Victorian era to the astute observations following the modernization of society, Stoker’s ideas and writings were insightfully ahead of the times. Dracula has continued to play an influential role in the canon of literature, and for a blood-curdling and frighteningly good reason.
Previously unpublished research sheds new light on how Bram Stoker researched and wrote Dracula and the people who inspired his characters. Bram Stoker: Author of Dracula is an affectionate and revealing biography of the man who created the vampire novel that would define the genre and lead to a new age in Gothic horror literature. Based on decades of painstaking research in libraries, museums, and university archives and privileged access to private collections on both sides of the Atlantic, the private letters of Bram and the reminiscences of those who knew him not only shed new light on Stoker's ancestry, his life, loves and friendships they also reveal more about the places and people who inspired him and how he researched and wrote his books. Bram wrote numerous articles, short stories and poetry for newspapers and magazines, he had a total of eleven novels and two collections of short stories published in his lifetime, but he would only become known for one of them – Dracula. Tragically, he did not live long enough to see it as a huge success. In his heyday as Acting Manager for Sir Henry Irving at the Lyceum Theatre in the West End of London, Bram was a well-known figure in a golden age of British theater. He was a big-framed, ebullient, genial, gentleman, with red hair and beard, who never lost his soft Irish brogue, was blessed with wit, and a host of entertaining stories fit for every occasion. Described as having the paw of Hercules and the smile of Machiavelli, above all he knew what it meant to be a loyal friend.
