Bouvard and Pécuchet: Bouvard and Pécuchet (concluded)
Author: Gustave Flaubert
Publisher:
Published: 1904
Total Pages: 318
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Gustave Flaubert
Publisher:
Published: 1904
Total Pages: 318
ISBN-13:
DOWNLOAD EBOOKAuthor: Gustave Flaubert
Publisher: Penguin
Published: 1976-06-24
Total Pages: 337
ISBN-13: 0140443207
DOWNLOAD EBOOKBouvard and Pécuchet are two Chaplinesque copy-clerks who meet on a park bench in Paris. Following an unexpected inheritance, they decide to give up their jobs and explore the world of ideas. In this, his last novel, unfinished on his death in 1880, Flaubert attempted to encompass his lifelong preoccupation with bourgeois stupidity and his disgust at the banalities of intellectual life in France. Into it he poured all his love of detail, his delight in the life of the mind, his despair of human nature, and his pleasure in passionate friendship. The result is “a kind of encyclopedia made into farce,” wholly grotesque and wholly original, in the spirit of Gargantua and Pantagruel, Don Quixote or Ulysses.
Author: Gustave Flaubert
Publisher:
Published: 1904
Total Pages: 326
ISBN-13:
DOWNLOAD EBOOKAuthor: Gustave Flaubert
Publisher:
Published: 1904
Total Pages: 324
ISBN-13:
DOWNLOAD EBOOKAuthor: Gustave Flaubert
Publisher:
Published: 1904
Total Pages: 338
ISBN-13:
DOWNLOAD EBOOKAuthor: Gustave Flaubert
Publisher:
Published: 1904
Total Pages: 326
ISBN-13:
DOWNLOAD EBOOKAuthor: GUSTAVE FLAUBERT
Publisher:
Published: 1904
Total Pages: 352
ISBN-13:
DOWNLOAD EBOOKAuthor: Ellen Spolsky
Publisher: Bucknell University Press
Published: 1990
Total Pages: 228
ISBN-13: 9780838751121
DOWNLOAD EBOOKThe essays in this volume contribute to the ongoing critical study of reader or audience responses to texts by focusing attention on the creative misunderstanding in the relationship. While demonstrating that response depends on the functioning of shared codes, it suggests that attempts to explain the communication of meaning will at the same time reveal the varieties of at least partial failure that will accompany it.
Author: Frederick Brown
Publisher: Random House
Published: 2007
Total Pages: 666
ISBN-13: 0712665897
DOWNLOAD EBOOKGustave Flaubert, whose Madame Bovary outraged France's right-thinking bourgeoisie when it was first published in 1836, is brought to life in Frederick Brown's new biography in all his singularity and brilliance. Frederick Brown's portrayal is of an artist fraught with contradictions - his wit and bravado coexisting with great vulnerability. A sedentary man by nature, Flaubert undertook epic voyages through Egypt and the Middle East. He could be flamboyantly uncouth, but was frantically devoted to a beautifully cadenced prose. While energized by his camaraderie with male friends, who included Turgenev, the Goncourt brothers, Zola and Maupassant, he depended for emotional nurturing upon maternal women, most notably George Sand. His mistresses - French, Egyptian, and English - fed his richly erotic imagination and found their way into his fictional characters.Nineteenth-century France literally put Flaubert on trial for portraying 'lewd behaviour' in Madame Bovary. But it also made him a celebrity and, indirectly, brought about his financial ruin, probably hastening his sudden death at the age of fifty-nine. Although writing was something like torture for him, it preoccupied his mind and dominated his life. He privately dreamed of popular success, which he achieved with Madame Bovary, but adamently refused to sacrifice to it his ideal of artistic integrity.Of Flaubert's life, his inner world, his times and his legacy, Frederick Brown's magisterial biography is a revelation.
Author: Eugenio Barba
Publisher: BRILL
Published: 2019-02-11
Total Pages: 420
ISBN-13: 9004392939
DOWNLOAD EBOOKThe Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.