A history of Francois Boucher (1703-1770), an originator of the Rococo style and one of the major French artists of the period. A general introduction is followed by essays on Boucher's early career, his impact on European art, his tapestry designs and his designs for Sevres porcelain.
American author, editor, and critic William Parker White, better known to most as Anthony Boucher, made countless contributions to the fields of mystery and science fiction. After beginning his career as a mystery writer at 16, Boucher went on to become a New York Times mystery critic, a host for several radio programs, and the founding editor of The Magazine of Fantasy and Science Fiction. This comprehensive biobibliography places particular emphasis on the writings and edited publications that established his reputation among readers of science fiction. Several appendices include complete bibliographic citations for Boucher's novels, articles, short stories, unpublished works, reviews, radio plays, anthologies, translations, and other written works.
Have you ever wondered if social drinking has unintended consequences to your health, family, relationships, or your profession? Have you ever thought that losing control of your drinking couldn’t happen to you or someone you love? All the women you know are too smart. Too rich. Too kind. Too together. Too much fun. Pick one. We live in a boozy culture, and the idea of women and wine has become entrenched. Is your book club really a “wine club”? Do you crave the release a drink can bring to cope with anxiety, parenthood, the pressures of being a mom, a wife/partner, a professional? In Raising the Bottom, mothers, daughters, health professionals, and young women share their stories of why they drank, how they stopped, and the joys and rewards of being present in their lives once they kicked alcohol to the curb.
The middle school has a new locker room and these pubescent boys are about to discover the full effects of hormones and social hierarchy in this unrestrained microcosm.
When Mark Boucher played his first game of cricket for South Africa, a senior player took him aside and bluntly told him he was the worst wicket-keeper ever to play in the national side. Over a decade later, when Bouch finally retired with a plethora of records under his belt and to huge acclaim from the public, he took grim satisfaction in relating this piece of history. This is the story of a man with remarkable sporting prowess. Born into a sports-mad family in East London, he excelled in squash, tennis and rugby before choosing cricket as his preferred sport. His extraordinary achievements on the field are well-known -- he was voted SA player of the year in 1998, 2000 and 2006. What is not so well known, and makes up much of this book, are the behind-the-scenes stories and anecdotes. Stories of staring down the barrel of defeat and of celebrating victory; of developing strong bonds with team-mates Graeme Smith, Jacques Kallis and others that go way beyond mere friendship. What emerges is the image of a man who always fought for the underdog, whose never-say-die attitude inspires those around him. Bouchs career was brought to a dramatic end on a cricket pitch in England when the bail of a stump punctured his left eye. But, in his own words, "I lost sight but gained vision". True to his character of gritty determination, Bouch has rededicated his life to a new cause, that of the environment and particularly the critically endangered rhino.
"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.
For Christians, prayer is the main way we communicate with God - but what can we do when we struggle with the question of how to pray or feel our prayer lives are lacking? Seven Ways to Pray explores how by looking to ancient prayer practices of Christianity, we can find fresh ways to relate to God today. Discovering these tried and tested tools will not only strengthen our relationship with him but will bring us joy, contentment, growth and transformation. With warmth and encouragement, Amy Boucher Pye takes us through seven ways to pray to God: praying with the Bible, receiving and extending forgiveness, practicing God's presence, listening prayer, the prayer of lament, praying with the gospels imaginatively and the prayer of examen. Guiding us through their history, she shows us how easily we can make these prayer practices part of our lives and use them to grow closer to God. Along with prayer exercises to help us engage directly with God, there are questions for individual reflection or small-group discussion, making Seven Ways to Pray perfect to use as a family, in churches or with friends. This is a book for anyone who has ever wondered how to pray or is looking for ways to revitalise their prayer lives. It will give you an understanding of some of the oldest prayer practices of Christianity, and equip you with the tools you need to renew and refresh your relationship with God. Come along, and discover Seven Ways to Pray.
While earlier studies have focused predominantly on artist François Boucher’s artistic style and identity, this book presents the first full-length interdisciplinary study of Boucher’s prolific collection of around 13,500 objects including paintings, sculpture, prints, drawings, porcelain, shells, minerals, and other imported curios. It discusses the types of objects he collected, the networks through which he acquired them, and their spectacular display in his custom-designed studio at the Louvre, where he lived and worked for nearly two decades. This book explores the role his collection played in the development of his art, his studio, his friendships, and the burgeoning market for luxury goods in mid-eighteenth-century France. In doing so, it sheds new light on the relationship between Boucher’s artistic and collecting practices, which attracted both praise and criticism from period observers. The book will appeal to scholars working in art history, museum studies, and French history.
This first book in English to focus on Boucher for nearly twenty years is an invaluable contribution to the study of eighteenth-century art. Boucher has cried out for reassessment, and here, at last, his work is seen at its very best in numerous beautiful reproductions. Jo Hedley brings new insights into Boucher's art, explaining both his stylistic development and his cultural context; she also examines his legacy, both in a survey of the influence of his imagery in many media and in a deconstruction of the myth of his libidinous personality, based on his art, not his life. Boucher's artistic legacy is also analyzed, demonstrating how the mythology surrounding the painter's so-called libidinous private life have continued to undermine serious consideration of his ability. "Splendidly written and lavishly illustrated, Jo Hedley's book on Fran§ois Boucher is a pioneering publication . . . Hedley's book abounds in new information, fresh insights, and suggestive analysis."--Colin B. Bailey, The Burlington Magazine