"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way. Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong.
Chicago Stars quarterback Dean Robillard is the luckiest man in the world: a bona-fide sports superstar and the pride of the NFL with a profitable side career as a buff billboard model for End Zone underwear. But life in the glory lane has started to pale, and Dean has set off on a cross-country trip to figure out what's gone wrong. When he hits a lonely stretch of Colorado highway, he spies something that will shake up his gilded life in ways he can't imagine. A young woman . . . dressed in a beaver suit. Blue Bailey is on a mission to murder her ex. Or at least inflict serious damage. As for the beaver suit she's wearing . . . Is it her fault that life keeps throwing her curveballs? Witness the expensive black sports car pulling up next to her on the highway and the Greek god stepping out of it. Blue's career as a portrait painter is the perfect job for someone who refuses to stay in one place for very long. She needs a ride, and America's most famous football player has an imposing set of wheels. Now, all she has to do is keep him entertained, off guard, and fully clothed before he figures out exactly how desperate she is. But Dean isn't the brainless jock she imagines, and Blue—despite her petite stature—is just about the toughest woman Dean has ever met. They're soon heading for his summer home where their already complicated lives and inconvenient attraction to each other will become entangled with a charismatic but aging rock star; a beautiful fifty-two-year-old woman trying to make peace with her rock and roll past; an eleven-year-old who desperately needs a family; and a bitter old woman who hates them all. As the summer progresses, the wandering portrait artist and the charming football star play a high-stakes game, fighting themselves and each other for a chance to have it all. Natural Born Charmer is for everyone who's ever thought about leaving their old life in the dust and never looking back. New York Times bestselling author Susan Elizabeth Phillips takes us home again . . . and shows us where love truly lives
A gritty insight into the city, clubs and lifestyle of the early Chicago Punk scene of the late 1970s and '80s. This narrative follows the author's introduction to punk rock via the notorious Chicago night clubs -- O'Banion's and OZ. The hedonism of the lifestyle and her harrowing exploits stand in stunning contrast to her accidental role as the primary caregiver for her mother, who was disabled by Multiple Sclerosis. Story recounts the rise of the teenage hardcore scene over the bar based punk scene, to the later decline that began with the emergence of a skinhead jock era, along with the author's personal evolution as a photographer and zine producer. In 2006, she discovered a thriving underground scene in the Pilsen/La Villita neighborhoods. Today she is happy to declare that punk is not dead, and neither is she. Includes the author's photographs of the 1980s and 2006 bands, the crowds, her BS Detector fanzine, and other memorabilia. A visual delight that truly paints a picture of the era!
Jeffrey Dahmer. Ted Bundy. John Wayne Gacy. Over the past thirty years, serial killers have become iconic figures in America, the subject of made-for-TV movies and mass-market paperbacks alike. But why do we find such luridly transgressive and horrific individuals so fascinating? What compels us to look more closely at these figures when we really want to look away? Natural Born Celebrities considers how serial killers have become lionized in American culture and explores the consequences of their fame. David Schmid provides a historical account of how serial killers became famous and how that fame has been used in popular media and the corridors of the FBI alike. Ranging from H. H. Holmes, whose killing spree during the 1893 Chicago World's Fair inspired The Devil in the White City, right up to Aileen Wuornos, the lesbian prostitute whose vicious murder of seven men would serve as the basis for the hit film Monster, Schmid unveils a new understanding of serial killers by emphasizing both the social dimensions of their crimes and their susceptibility to multiple interpretations and uses. He also explores why serial killers have become endemic in popular culture, from their depiction in The Silence of the Lambs and The X-Files to their becoming the stuff of trading cards and even Web sites where you can buy their hair and nail clippings. Bringing his fascinating history right up to the present, Schmid ultimately argues that America needs the perversely familiar figure of the serial killer now more than ever to manage the fear posed by Osama bin Laden since September 11. "This is a persuasively argued, meticulously researched, and compelling examination of the media phenomenon of the 'celebrity criminal' in American culture. It is highly readable as well."—Joyce Carol Oates
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the South Asian region, a vast body of research on this important, and yet silenced, subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India, as well as two standalone volumes) comprising over 50 research papers and two book-length studies, detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to ensure that impunity for perpetrators is more or less inbuilt. As many of the authors argue, the very nature and conditions of sexual violence in the South Asian region lend themselves to a silencing process, or, at a minimum, a reluctance to address it head on, something that may at least partially explain why accountability for sexual violence remains such a distant horizon. This volume focuses on Bangladesh, a nation born in 1971, in a birth that was as marked by bloodshed as it was by sexual violence. The history of widespread sexual violence, and incidents of sexual slavery, as well as the absence of accountability for the perpetrators, is by now well known. The essays here address the structural dynamics of impunity at the individual and societal levels, looking not only at the conditions that go into its creation, but also the elements that fuel it. They ask what helps it to become so embedded and point to its human, global and national costs. Together they explore the ways in which the women's movement and feminist practice have worked to demand accountability and recognition for the victims and survivors of sexual violence, challenging the impunities embedded in the patriarchal structures of Bangladeshi society. In doing so, they bear witness to the continuing efforts of women's groups in Bangladesh to give this crucial issue the attention that it deserves, for without that, justice for victims and survivors will remain elusive.
Rooted in the initial struggle of community members who staged a successful hunger strike to secure a high school in their Chicago neighborhood, David Omotoso Stovall's Born Out of Struggle focuses on his first-hand participation in the process to help design the school. Offering important lessons about how to remain accountable to communities while designing a curriculum with a social justice agenda, Stovall explores the use of critical race theory to encourage its practitioners to spend less time with abstract theories and engage more with communities that make a concerted effort to change their conditions. Stovall provides concrete examples of how to navigate the constraints of working with centralized bureaucracies in education and apply them to real-world situations.
“A wonderfully readable account of Chicago’s early history” and the inspiration behind PBS’s American Experience (Michiko Kakutani, The New York Times). Depicting its turbulent beginnings to its current status as one of the world’s most dynamic cities, City of the Century tells the story of Chicago—and the story of America, writ small. From its many natural disasters, including the Great Fire of 1871 and several cholera epidemics, to its winner-take-all politics, dynamic business empires, breathtaking architecture, its diverse cultures, and its multitude of writers, journalists, and artists, Chicago’s story is violent, inspiring, passionate, and fascinating from the first page to the last. The winner of the prestigious Great Lakes Book Award, given to the year’s most outstanding books highlighting the American heartland, City of the Century has received consistent rave reviews since its publication in 1996, and was made into a six-hour film airing on PBS’s American Experience series. Written with energetic prose and exacting detail, it brings Chicago’s history to vivid life. “With City of the Century, Miller has written what will be judged as the great Chicago history.” —John Barron, Chicago Sun-Times “Brims with life, with people, surprise, and with stories.” —David McCullough, Pulitzer Prize–winning author of John Adams and Truman “An invaluable companion in my journey through Old Chicago.” —Erik Larson, New York Times–bestselling author of The Devil in the White City
