In Boomerang, a novel told in vignettes both real and fictive, a father attempting to cope with the tragic murder of his son learns that actions return to haunt or reward. He becomes the embodiment of Hannah's ideal of forbearance, dignity, and decency in the face of incomprehensible death. In Never Die Hannah mingles hilarity and horror as the frontier West is killed off by the onset of automobiles, biplanes, and nitroglycerine bombs. A gallery of grotesque characters - a judges' evil dwarf henchman, a nymphomaniacal schoolteacher, and a homosexual doctor named Fingo - populate this rollicking postmodern novel in which Old West myths collide with the anarchy of the twentieth century.
Contributions by Melanie R. Benson, Thomas Ærvold, Bjerre, Martyn Bone, Mark S. Graybill, Richard E. Lee, Kenneth Millard, James B. Potts III, Scott Romine, Matthew Shipe, and Daniel E. Williams Perspectives on Barry Hannah is a collection of essays devoted to the work of the award-winning fiction writer Barry Hannah (1942–2010). The anthology features a broad range of critical approaches and covers the span of Hannah's career from Geronimo Rex (1972) to Yonder Stands Your Orphan (2001). The book also includes a previously unpublished interview with Hannah. The ten essays cover all of Hannah’s thirteen published books. The contributors give fresh perspectives on Hannah’s classic works (Airships and Ray), provide illuminating readings of important fiction that has received less critical attention (Night–Watchmen, Hey Jack!, and Never Die), and offer the first sustained criticism of Hannah’s acclaimed later fiction (Bats Out of Hell, High Lonesome, and Yonder Stands Your Orphan). As Martyn Bone explains in his introduction, the essays—though varied in approach and style—consistently hone in on the recurrent themes that characterize Hannah’s career: his relationship to postmodernism; his interrogation of traditional ideas of masculinity and heroism; his complex engagement with southern history, literature, and culture; and his growing concern with spirituality and morality. The essays in Perspectives on Barry Hannah make connections between Hannah’s work and that of several prominent modern and postmodern authors, including William Faulkner, Ernest Hemingway, James Joyce, Allen Tate, John Irving, J. M. Coetzee, and Cormac McCarthy. Contributors also consider Hannah’s fiction in relation to non-literary cultural forms such as sports, film, and popular music. Ultimately, Perspectives on Barry Hannah affirms Hannah’s status as a leading figure in contemporary American literature.
In this stimulating study, Scott Romine explores the impact of globalization on contemporary southern culture and the South's persistence in an age of media and what he terms "cultural reproduction." Rather than being compromised, Romine asserts, southern cultures are both complicated and reconfigured as they increasingly detach from tradition in its conventional sense. In considering Souths that might appear fake -- the Souths of the theme restaurant, commercial television, and popular regional magazines, for example -- Romine contends that authenticity and reality emerge as central concepts that allow groups and individuals to imagine and navigate social worlds. Romine addresses a major critical problem -- "authenticity" -- in a fundamentally new manner. Less concerned with what actually constitutes an "authentic" or "real" South than in how these concepts are used today, The Real South explores a wide range of southern narratives that describe and travel through virtual, simulated, and commodified Souths. Where earlier critics have tended to assume a real or authentic South, Romine questions such assumptions and whether the "authentic South" ever truly existed. From Gone with the Wind, Civil War reenactments, and a tennis community outside Atlanta called Tara, to the work of Josephine Humphreys, the travel narrative of V. S. Naipaul, and the historical fiction of Lewis Nordan, Romine examines how narratives (and spaces) are used to fashion social solidarity and cultural continuity in a time of fragmentation and change. Far from deteriorating or disappearing in a global economy, Romine shows, the South continues to be reproduced and used by diverse groups engaged in diverse cultural projects.
This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.
In this collection, 11 important male fiction writers in America in 2001 discuss the origin, process and achievement of their own fiction. Interviewees include Robert Olen Butler, Charles Johnson, Thom Jones, Barry Hannah, Stephen Dixon, Russell Banks, Rick Moody and Chris Offutt.
Essential reading for anyone interested in the most famous American crime of the twentieth century Since its original publication in 2004, The Case That Never Dies has become the standard account of the Lindbergh Kidnapping. Now, in a new afterword, historian Lloyd C. Gardner presents a surprise conclusion based on recently uncovered pieces of evidence that were missing from the initial investigation as well as an evaluation of Charles Lindbergh’s role in the search for the kidnappers. Out of the controversies surrounding the actions of Colonel Lindbergh, Norman Schwarzkopf, commander of the New Jersey State Police, and FBI director J. Edgar Hoover, Gardner presents a well-reasoned argument for what happened on the night of March 1, 1932. The Case That NeverDies places the Lindbergh kidnapping, investigation, and trial in the context of the Depression, when many feared the country was on the edge of anarchy. Gardner delves deeply into the aspects of the case that remain confusing to this day, including Lindbergh’s dealings with crime baron Owney Madden, Al Capone’s New York counterpart, as well as the inexplicable exploits of John Condon, a retired schoolteacher who became the prosecution’s best witness. The initial investigation was hampered by Colonel Lindbergh, who insisted that the police not attempt to find the perpetrator because he feared the investigation would endanger his son’s life. He relented only when the child was found dead. After two years of fruitless searching, Bruno Richard Hauptmann, a German immigrant, was discovered to have some of the ransom money in his possession. Hauptmann was arrested, tried, and sentenced to death. Throughout the book, Gardner pays special attention to the evidence of the case and how it was used and misused in the trial. Whether Hauptmann was guilty or not, Gardner concludes that there was insufficient evidence to convict him of first-degree murder. Set in historical context, the book offers not only a compelling read, but a powerful vantage point from which to observe the United States in the 1930s as well as contemporary arguments over capital punishment.
Contemporary American Fiction provides an introduction to American fiction since 1970. Offering substantial and detailed interpretations of more than thirty texts by thirty different writers, Millard combines them in an innovative critical structure designed to promote debates on cultural politics and aesthetic value. The book is the first of its kind to offer a wide-ranging survey of recent developments in the fiction of the United States. Recent novels by established writers such as John Updike and Philip Roth are analysed alongside the fiction of younger writers such as Gish Jen and Sherman Alexie. The books innovative structure encourages new ways of thinking about how American writers might be configured in relation to each other, while providing an analysis of how contemporary fiction has responded to changes in central areas of American life such as the family, the media, technology, and consumerism. Contemporary American Fiction is a substantial critical introduction to some of the most exciting fiction of the last thirty years, an eclectic and thorough advertisement for the extraordinary vitality of American fiction at the end of the twentieth century. This is an excellent introduction to the subject for undergraduate students of modern American literature.
Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.
Offering a comprehensive view of the South's literary landscape, past and present, this volume of The New Encyclopedia of Southern Culture celebrates the region's ever-flourishing literary culture and recognizes the ongoing evolution of the southern literary canon. As new writers draw upon and reshape previous traditions, southern literature has broadened and deepened its connections not just to the American literary mainstream but also to world literatures--a development thoughtfully explored in the essays here. Greatly expanding the content of the literature section in the original Encyclopedia, this volume includes 31 thematic essays addressing major genres of literature; theoretical categories, such as regionalism, the southern gothic, and agrarianism; and themes in southern writing, such as food, religion, and sexuality. Most striking is the fivefold increase in the number of biographical entries, which introduce southern novelists, playwrights, poets, and critics. Special attention is given to contemporary writers and other individuals who have not been widely covered in previous scholarship.
