In July of 2019, Jeremy made the fortuitous decision to make the only bid on an abandoned storage unit. Initially disappointed by no apparent treasure, he instead discovered A trove of the most extensive documentation of seemingly unexplainable events he's ever seen. Join him on his journey of discovery through the horrific, paranormal, and downright unusual events ever documented and sink into the frightening reality that lurks just beneath the skin of our everyday lives.THIS VOLUME INCLUDES SOME OF THE BEST STORIES FROM THE STORAGE PAPERS SUCH AS "CAT LADY", "THE LICKER" AND "THE DUCT TAPE MAN".
"An edited version of a conversation that took place in 10 instalments over one year between April 2017 and May 2018 in the artist's studio in Los Angeles."--Page [035].
These documents provide a shocking inside account of the activities of one tobacco company, Brown & Williamson, and its multinational parent, British American Tobacco, over more than thirty years.
A “sneakily clever” (Kevin Kwan) novel of the lengths we’ll go for that thing called love, from the author of Like Mother, Like Mother “In her clever modern twist on the epistolary form, Rieger excavates the humor and humanity from a most bitter uncoupling.”—Emily Giffin, The New York Times Book Review (Editors’ Choice) “A witty first novel . . . providing all the voyeuristic pleasure of snooping through someone else’s inbox.”—People Sophie Diehl is happily toiling away at an old-line New England law firm when Mayflower descendant Mia Meiklejohn Durkheim strides through the door. While dining at the most chic eatery in town, Mia was handed a most unwanted substitute for the wine list: divorce papers. Sophie reluctantly steps away from her criminal law casework to conduct Mia’s intake interview and, to her dismay, Mia insists she take the case—Sophie is just who she needs to take on her soon-to-be-ex and his thuggish lawyers. For Sophie, the whole affair sparks a hard look at the relationships in her own life with parents, friends, and lovers. A rich, layered novel told entirely through personal correspondence, office memos, e-mails, articles, handwritten notes, and legal documents, The Divorce Papers offers a direct window into the lives of an entertaining cast of characters never shy about speaking their minds.
Gábor Lövei’s scientific communication course for students and scientists explores the intricacies involved in publishing primary scientific papers, and has been taught in more than twenty countries. Writing and Publishing Scientific Papers is the distillation of Lövei’s lecture notes and experience gathered over two decades; it is the coursebook many have been waiting for. The book’s three main sections correspond with the three main stages of a paper’s journey from idea to print: planning, writing, and publishing. Within the book’s chapters, complex questions such as ‘How to write the introduction?’ or ‘How to submit a manuscript?’ are broken down into smaller, more manageable problems that are then discussed in a straightforward, conversational manner, providing an easy and enjoyable reading experience. Writing and Publishing Scientific Papers stands out from its field by targeting scientists whose first language is not English. While also touching on matters of style and grammar, the book’s main goal is to advise on first principles of communication. This book is an excellent resource for any student or scientist wishing to learn more about the scientific publishing process and scientific communication. It will be especially useful to those coming from outside the English-speaking world and looking for a comprehensive guide for publishing their work in English.
A Washington Post Best Book of 2021 The #1 New York Times bestselling investigative story of how three successive presidents and their military commanders deceived the public year after year about America’s longest war, foreshadowing the Taliban’s recapture of Afghanistan, by Washington Post reporter and three-time Pulitzer Prize finalist Craig Whitlock. Unlike the wars in Vietnam and Iraq, the US invasion of Afghanistan in 2001 had near-unanimous public support. At first, the goals were straightforward and clear: defeat al-Qaeda and prevent a repeat of 9/11. Yet soon after the United States and its allies removed the Taliban from power, the mission veered off course and US officials lost sight of their original objectives. Distracted by the war in Iraq, the US military become mired in an unwinnable guerrilla conflict in a country it did not understand. But no president wanted to admit failure, especially in a war that began as a just cause. Instead, the Bush, Obama, and Trump administrations sent more and more troops to Afghanistan and repeatedly said they were making progress, even though they knew there was no realistic prospect for an outright victory. Just as the Pentagon Papers changed the public’s understanding of Vietnam, The Afghanistan Papers contains “fast-paced and vivid” (The New York Times Book Review) revelation after revelation from people who played a direct role in the war from leaders in the White House and the Pentagon to soldiers and aid workers on the front lines. In unvarnished language, they admit that the US government’s strategies were a mess, that the nation-building project was a colossal failure, and that drugs and corruption gained a stranglehold over their allies in the Afghan government. All told, the account is based on interviews with more than 1,000 people who knew that the US government was presenting a distorted, and sometimes entirely fabricated, version of the facts on the ground. Documents unearthed by The Washington Post reveal that President Bush didn’t know the name of his Afghanistan war commander—and didn’t want to meet with him. Secretary of Defense Donald Rumsfeld admitted that he had “no visibility into who the bad guys are.” His successor, Robert Gates, said: “We didn’t know jack shit about al-Qaeda.” The Afghanistan Papers is a “searing indictment of the deceit, blunders, and hubris of senior military and civilian officials” (Tom Bowman, NRP Pentagon Correspondent) that will supercharge a long-overdue reckoning over what went wrong and forever change the way the conflict is remembered.
When Jenna Edwards received a note in her locker that her ex-boyfriend, Marcus Elliot, will be dead in 48 hours, she did not take it seriously. But Jenna learned the note was very serious when Marcus wound up dead. Jenna makes it her mission to get justice for Marcus, and find out who killed him and the story behind these purple papers. Through the help of her best friend Anna, Anna's boyfriend Liam, and new people they meet along the way, Jenna is dedicated to discover the truth, But will they figure it out before it's too late?
Winner of The Restless Books Prize for New Immigrant Writing “Grace Talusan writes eloquently about the most unsayable things: the deep gravitational pull of family, the complexity of navigating identity as an immigrant, and the ways we move forward even as we carry our traumas with us. Equal parts compassion and confession, The Body Papers is a stunning work by a powerful new writer who—like the best memoirists—transcends the personal to speak on a universal level.” —Celeste Ng, author of Everything I Never Told You and Little Fires Everywhere Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns to build a protective wall of silence that maps onto the larger silence practiced by her Catholic Filipino family. Talusan learns as a teenager that her family’s legal status in the country has always hung by a thread—for a time, they were “illegal.” Family, she’s told, must be put first. The abuse and trauma Talusan suffers as a child affects all her relationships, her mental health, and her relationship with her own body. Later, she learns that her family history is threaded with violence and abuse. And she discovers another devastating family thread: cancer. In her thirties, Talusan must decide whether to undergo preventive surgeries to remove her breasts and ovaries. Despite all this, she finds love, and success as a teacher. On a fellowship, Talusan and her husband return to the Philippines, where she revisits her family’s ancestral home and tries to reclaim a lost piece of herself. Not every family legacy is destructive. From her parents, Talusan has learned to tell stories in order to continue. The generosity of spirit and literary acuity of this debut memoir are a testament to her determination and resilience. In excavating such abuse and trauma, and supplementing her story with government documents, medical records, and family photos, Talusan gives voice to unspeakable experience, and shines a light of hope into the darkness.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Of Love and Papers explores how immigration policies are fundamentally reshaping Latino families. Drawing on two waves of interviews with undocumented young adults, Enriquez investigates how immigration status creeps into the most personal aspects of everyday life, intersecting with gender to constrain family formation. The imprint of illegality remains, even upon obtaining DACA or permanent residency. Interweaving the perspectives of US citizen romantic partners and children, Enriquez illustrates the multigenerational punishment that limits the upward mobility of Latino families. Of Love and Papers sparks an intimate understanding of contemporary US immigration policies and their enduring consequences for immigrant families.
Create decorated paper as beautiful as any found in an art store and with more distinctive and personal patterns, too. Alisa Golden's methods of applying inks and paints to paper can dramatically alter the appearance of finished works. From artist books and journals to greeting cards, collages and more, these techniques work on any paper surface and give numerous new skills to the crafter. Create dramatic effects using gesso, acrylic inks, watercolour paints, stamps, stencils and more. From basic patterning to paste paper frottage, plus a selection of nine projects, this book is a treasury of ideas.
