Fra Girolamo Savonarola had a profound effect on the political and moral life of Florence in the 1490s, and his legacy lived on during the century after his execution in 1498, not just in Florence but in Ferrara and beyond the Alps, as far as Paris, Munich, and London. This study reconstructscontexts and musical settings for the popular tradition of sacred laude that were sung during the Savonarolan carnivals in 1496, 1497, and 1498. It further examines a broad network of patronage for the courtly tradition of Latin motets that provided elaborate musical settings for Savonarola'smeditations on Psalms 30 and 50. The friar's success in Florence can be partially attributed to his adoption of sacred laude (and the tunes of bawdy carnival songs) that had been promoted by Lorenzo de' Medici. The texts of the old carnival songs were suppressed, but the music was adapted to laudewith texts that proclaim the friar's prophecy of castigation and renewal. The citizens could thus internalize Savonarola's message by singing it. Savonarola himself wrote several lauda texts, and their musical settings are reconstructed here, as well as those for an underground tradition of laudewritten to venerate him after his execution. Part II turns to the courtly tradition and the Latin motet. Several Catholic patrons, scattered from Ferrara to France to England, were drawn to the friar's prison meditation on Psalms 30 and 50, and they commissioned elaborate musical settings of the opening words of both. A dozen motets on thefriar's psalm meditations can be traced from composes such as Willaert, Rore, Le Jeune, Lassus, and Byrd. Savonarola's highly personal texts inspired some of the most moving musical setings of the sixteenth century, in spite of the Church's unfavourable attitude toward the friar's disruptiveexample, which had set a precedent for Protestant reformers such as Martin Luther.
(Ukulele). 30 favorites to sing as you roast marshmallows and strum your uke around the campfire. Includes: Blowin' in the Wind * Drift Away * Edelweiss * God Bless the U.S.A. * Hallelujah * The House of the Rising Sun * I Walk the Line * Lean on Me * Let It Be * The Lion Sleeps Tonight * On Top of Spaghetti * Puff the Magic Dragon * Take Me Home, Country Roads * Wagon Wheel * You Are My Sunshine * and many more.
Thomas Balinger 80 Campfire Songs for Tin Whistle 80 popular songs for Tin Whistle in D, arranged for the beginning to intermediate player. Standard notation with additional Tin Whistle tablature, lyrics and guitar chords. Plus fingering chart, the basic guitar chords and a selection of picking and strumming patterns.Songs: 1. Amazing Grace 2. America (My country 'tis of thee) 3. Auld lang syne 4. Aura Lee 5. Away in a manger 6. Banks of Allan Water 7. Banks of Sacramento 8. Banks of the Ohio 9. Barbara Allen 10. Billy Boy 11. Bound for the Rio Grande 12. Brahms' lullaby 13. Buffalo gals 14. Bury me beneath the willow 15. Camptown races 16. Cindy 17. Clementine 18. Cotton-eyed Joe 19. Down by the riverside 20. God rest ye merry, gentlemen 21. Good night, ladies 22. Go, tell it on the mountain 23. Greensleeves 24. Hard times come again no more 25. He's got the whole world 26. Home on the range 27. Home! Sweet home 28. House of the rising sun 29. I'm on my way 30. Jingle Bells 31. John Brown's body 32. Jolly good fellow 33. Joshua fit the battle 34. Kum ba yah 35. Little brown jug 36. Michael, row the boat ashore 37. Morning has broken 38. My Bonnie lies over the ocean 39. Nobody knows the trouble I've seen 40. Oh! Susannah 41. Old black Joe 42. Old folks at home 43. Old MacDonald 44. On top of Old Smokey 45. Over the river and through the woods 46. Polly put the kettle on 47. Poor Paddy works on the railway 48. Red river valley 49. Reilly's daughter 50. Roll in my sweet baby's arms 51. Sailor on the deep blue sea 52. Scarborough fair 53. She'll be comin' round the mountain 54. Shenandoah 55. Silent night 56. Skip to my lou 57. Softly and tenderly 58. Sweet Betsy from Pike 59. Swing low, sweet chariot 60. The ballad of John Henry 61. The battle hymn of the republic 62. The first noel 63. The John B. sails 64. The last rose of summer 65. The streets of Laredo 66. The Wabash Cannon Ball 67. The wild rover 68. Tom Dooley 69. Twinkle, twinkle, little star 70. Up on the housetop 71. Waltzing Matilda 72. Wayfaring stranger 73. We wish you a merry Christmas 74. What shall we do with the drunken sailor 75. When the saints 76. Whiskey in the jar 77. Whiskey Johnny 78. Will the circle be unbroken 79. Yankee Doodle 80. Yellow rose of Texas
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#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.