Boley: Oklahoma's Famous Black Town is a compelling introduction to the untold story of one of America's most influential Black towns. James Shaw retells the story in a way that even a novice of history can appreciate and embrace. It is a journey down memory lane, the details of which have been recorded with both precision and decorum.
From Appomattox to World War I, blacks continued their quest for a secure position in the American system. The problem was how to be both black and American -- how to find acceptance, or even toleration, in a society in which the boundaries of normative behavior, the values, and the very definition of what it meant to be an American were determined and enforced by whites. A few black leaders proposed self-segregation inside the United States within the protective confines of an all-black community as one possible solution. The black-town idea reached its peak in the fifty years after the Civil War; at least sixty black communities were settled between 1865 and 1915. Norman L. Crockett has focused on the formation, growth and failure of five such communities. These include Nicodemus, Kansas; Mound Bayou, Mississippi; Langston, Oklahoma; and Boley, Oklahoma. The last two offer opportunity to observe aspects of Indian-black relations in this area.
Some know Oklahoma's Black towns as historic communities that thrived during the Jim Crow era—this is only part of the story. In this book, Karla Slocum shows that the appeal of these towns is more than their past. Drawing on interviews and observations of town life spanning several years, Slocum reveals that people from diverse backgrounds are still attracted to the communities because of the towns' remarkable history as well as their racial identity and rurality. But that attraction cuts both ways. Tourists visit to see living examples of Black success in America, while informal predatory lenders flock to exploit the rural Black economies. In Black towns, there are developers, return migrants, rodeo spectators, and gentrifiers, too. Giving us a complex window into Black town and rural life, Slocum ultimately makes the case that these communities are places for affirming, building, and dreaming of Black community success even as they contend with the sometimes marginality of Black and rural America.
This publication offers a historical consideration of Black banking in the United States by focusing on some of the key individuals, banks and communities. While it is in no way a comprehensive history, it does include background that is essential to understanding each financial institution, its time, the events that led to its creation and the community of which it was not only a vital part, but very often a leader. Much of this history frames the world we find today.
Perhaps no other symbol has more resonance in African American history than that of "40 acres and a mule"—the lost promise of Black reparations for slavery after the Civil War. In I've Been Here All the While, we meet the Black people who actually received this mythic 40 acres, the American settlers who coveted this land, and the Native Americans whose holdings it originated from. In nineteenth-century Indian Territory (modern-day Oklahoma), a story unfolds that ties African American and Native American history tightly together, revealing a western theatre of Civil War and Reconstruction, in which Cherokee, Choctaw, Chickasaw, Creek, and Seminole Indians, their Black slaves, and African Americans and whites from the eastern United States fought military and rhetorical battles to lay claim to land that had been taken from others. Through chapters that chart cycles of dispossession, land seizure, and settlement in Indian Territory, Alaina E. Roberts draws on archival research and family history to upend the traditional story of Reconstruction. She connects debates about Black freedom and Native American citizenship to westward expansion onto Native land. As Black, white, and Native people constructed ideas of race, belonging, and national identity, this part of the West became, for a short time, the last place where Black people could escape Jim Crow, finding land and exercising political rights, until Oklahoma statehood in 1907.
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.
The binding persons of African descent and Native Americans trace back centuries. In Oklahoma, both free and enslaved Africans lived among the "Five Civilized Tribes" - the Cherokee, Muscogee (Creek), Chickasaw, Choctaw, and Seminole Nations. These tribes officially sided with the Confederacy during the Civil War. After that internecine conflict, the tribes-except for the Chickasaws-adopted their respective "Freedmen." The term Freedmen embraced both formerly-enslaved persons of African ancestry, and those free persons of African ancestry who lived among the tribes. In the modern era, the tribes who granted citizenship to hide their Freedmen have sought to disenfranchise them. Freedmen descendants-persons of African ancestry with blood, affinity, and/or treaty ties to the Five Civilized Tribes-still struggle for recognition and inclusion. The Freedmen debate rages in the Cherokee Nation of Oklahoma, where legal battles in tribal and federal courts have waged, and a confrontation with the Bureau of Indian Affairs over the issue threatens tribal sovereignty. The Cherokee controversy is both illustrative and emblematic of larger questions about the intersection of race, Indian identity, and Native American sovereignty, Johnson traces historical relations between African-American and Native Americans, particularly in Oklahoma, "Indian Country." He examines some legal, political, economic, social and moral issues surrounding the present controversy over the tribal citizenship of the Freedmen. Wrestling with the issues surrounding Freedmen identity and rights will illuminate and advance the American dialogue on race and culture.
In her debut poetry collection, Jasmine Elizabeth Smith takes inspiration from Oklahoma Black history. In the wake of the Tulsa Race Massacre of 1921, Jim Waters makes the difficult decision to leave behind his lover, Beatrice Vernadene Chapel, who as a Black woman must navigate the dangerous climate that produced the Jim Crow South and Red Summer. As Beatrice and Jim write letters to one another and hold imagined conversations with blues musicians Ida B. Cox, Robert Johnson, Charlie Patton, Ethel Waters, and the ghosts of Greenwood, the couple interrogates themes of blues epistemology, Black feminism, fraught attachments, and the way in which Black Americans have often changed their geographical regions with the hope of improving their conditions. The poetry collection South Flight is a eulogy, a blues, an unabashed love letter, and ragtime to the history of resistance, migration, and community in Black Oklahoma.
Reissued for the first time in over thirty years, Black New Orleans explores the twenty-year period in which the city’s black population more than doubled. Meticulously researched and replete with archival illustrations from newspapers and rare periodicals, John W. Blassingame’s groundbreaking history offers a unique look at the economic and social life of black people in New Orleans during Reconstruction. Not a conventional political treatment, Blassingame’s history instead emphasizes the educational, religious, cultural, and economic activities of African Americans during the late nineteenth century. “Blending historical and sociological perspectives, and drawing with skill and imagination upon a variety of sources, [Blassingame] offers fresh insights into an oft-studied period of Southern history. . . . In both time and place the author has chosen an extraordinarily revealing vantage point from which to view his subject. ”—Neil R. McMillen, American Historical Review