More Than a Body

More Than a Body

Author: Lexie Kite

Publisher: Houghton Mifflin

Published: 2020-12-29

Total Pages: 361

ISBN-13: 0358229243

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Drs. Lindsay and Lexie Kite know firsthand how hard filtering out media influence is when it comes to self-image. Both struggled as young women to overcome the expectations of body size and shape, but were able to learn to love, appreciate, and reclaim their own bodies, eventually earning their PhDs in body image resilience. The twin sisters founded the nonprofit Beauty Redefined and have made it their mission to help other women see themselves without societal expectations distorting their self-perception. More than a Body is a self-help book focused on going beyond body positivity, showing how a mindset focused on appearance sets women up for insecurities and self-judgement. In this book, they offer an action plan for readers to combat that mindset, and instead learn how the body can be "an instrument, not an ornament," with practical, actionable steps to take when consuming media, exercising, practicing self-reflection and self-compassion, and finding a purpose in life.


Body as Instrument

Body as Instrument

Author: Mary Mainsbridge

Publisher: Bloomsbury Publishing USA

Published: 2022-02-10

Total Pages: 232

ISBN-13: 1501368567

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Body as Instrument explores how musicians interact with movement-controlled performance systems, producing sounds imbued with their individual physical signature. Using motion tracking technology, performers can translate physical actions into sonic processes, creating or adapting novel gestural systems that transcend the structures and constraints of conventional musical instruments. Interviews with influential artists in the field, Laetitia Sonami, Atau Tanaka, Pamela Z, Julie Wilson-Bokowiec, Lauren Sarah Hayes, Mark Coniglio, Garth Paine and The Bent Leather Band expose the transformational impact of motion sensors on musicians' body awareness and abilities. Coupled with reflection on author-composed works, the book analyses how the body as instrument metaphor informs relationships between performers, their bodies and self-designed instruments. It also examines the role of experiential design strategies in developing robust and nuanced gestural systems that mirror a performer's movement habits, preferences and skills, inspiring new physical forms of musical communication and diverse musical repertoire.


The Body as Object and Instrument of Knowledge

The Body as Object and Instrument of Knowledge

Author: Charles T. Wolfe

Publisher: Springer Science & Business Media

Published: 2010-04-07

Total Pages: 347

ISBN-13: 9048136865

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It was in 1660s England, according to the received view, in the Royal Society of London, that science acquired the form of empirical enquiry we recognize as our own: an open, collaborative experimental practice, mediated by specially-designed instruments, supported by civil discourse, stressing accuracy and replicability. Guided by the philosophy of Francis Bacon, by Protestant ideas of this worldly benevolence, by gentlemanly codes of decorum and by a dominant interest in mechanics and the mechanical structure of the universe, the members of the Royal Society created a novel experimental practice that superseded former modes of empirical inquiry, from Aristotelian observations to alchemical experimentation. This volume focuses on the development of empiricism as an interest in the body – as both the object of research and the subject of experience. Re-embodying empiricism shifts the focus of interest to the ‘life sciences’; medicine, physiology, natural history. In fact, many of the active members of the Royal Society were physicians, and a significant number of those, disciples of William Harvey and through him, inheritors of the empirical anatomy practices developed in Padua during the 16th century. Indeed, the primary research interests of the early Royal Society were concentrated on the body, human and animal, and its functions much more than on mechanics. Similarly, the Académie des Sciences directly contradicted its self-imposed mandate to investigate Nature in mechanistic fashion, devoting a significant portion of its Mémoires to questions concerning life, reproduction and monsters, consulting empirical botanists, apothecaries and chemists, and keeping closer to experience than to the Cartesian standards of well-founded knowledge. These highlighted empirical studies of the body, were central in a workshop in the beginning of 2009 organized by the unit for History and Philosophy of Science in Sydney. The papers that were presented by some of the leading figures in this area are presented in this volume.


The Oxford Handbook of Music and the Body

The Oxford Handbook of Music and the Body

Author: Youn Kim

Publisher:

Published: 2019

Total Pages: 473

ISBN-13: 0190636238

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The presence of the phenomenological body is central to music in all of its varieties. The Oxford Handbook of Music and the Body brings together scholars from across the humanities, social sciences, and biomedical sciences to provide an introduction into the rich, multidimensional world of music and the body.


Body and Soul -- the Evolution of a Tenor Saxophone Standard

Body and Soul -- the Evolution of a Tenor Saxophone Standard

Author: Eric Allen

Publisher: Alfred Music

Published: 2016-02

Total Pages: 168

ISBN-13: 9781562243029

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Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter.


The Tangible in Music

The Tangible in Music

Author: Marko Aho

Publisher: Routledge

Published: 2016-05-26

Total Pages: 194

ISBN-13: 1315526999

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In the age of digital music it seems striking that so many of us still want to produce music concretely with our bodies, through the movement of our limbs, lungs and fingers, in contact with those materials and objects which are capable of producing sounds. The huge sales figures of musical instruments in the global market, and the amount of time and effort people of all ages invest in mastering the tools of music, make it clear that playing musical instruments is an important phenomenon in human life. By combining the findings made in music psychology and performative ethnomusicology, Marko Aho shows how playing a musical instrument, and the pleasure musicians get from it, emerges from an intimate dialogue between the personally felt body and the sounding instrument. An introduction to the general aspects of the tactile resources of musical instruments, musical style and the musician is followed by an analysis of the learning process of the regional kantele style of the Perho river valley in Finnish Central Ostrobothnia.


Musical Haptics

Musical Haptics

Author: Stefano Papetti

Publisher: Springer

Published: 2018-05-02

Total Pages: 290

ISBN-13: 3319583166

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This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.


Expressive Conducting

Expressive Conducting

Author: Jerald Schwiebert

Publisher: Routledge

Published: 2017-10-04

Total Pages: 322

ISBN-13: 135179535X

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Expressive Conducting: Movement and Performance Theory for Conductors applies the insight of movement and performance theory to the practice of conducting, offering a groundbreaking new approach to conducting. Where traditional conducting pedagogies often place emphasis on training parts of the body in isolation, Expressive Conducting teaches conductors to understand their gestures as part of an interconnected system that incorporates the whole body. Rather than emphasizing learning specific patterns and gestures, this book enables student and professional conductors to develop a conducting technique that is centered around expressing the themes of the music. Drawing parallels to the worlds of acting, this text treats the body as the conductor’s instrument. Coaching notes derived from years of experience as a performance movement specialist offer readers approachable methods for eliminating communication barriers—both conscious and subconscious—to encourage optimal performance, highlighting acting theory, movement exercises and the significance of weight distribution. Unlike other conducting approaches, this text understands that conducting resonates throughout the entire body and is not conveyed by the hands or baton alone. With a comprehensive consideration of the conductor’s body and movements, featuring over 50 original illustrations, Expressive Conducting advances strategies for improving one’s conducting skills in rehearsal and performance. Jerald Schwiebert has developed a practical language for expressive conducting. Together, Schwiebert and Barr present a text that is suitable for conducting students, instructors, and professionals alike.


Talking to My Body

Talking to My Body

Author: Anna Świrszczyńska

Publisher:

Published: 1996

Total Pages: 182

ISBN-13:

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Anna Swir's poetry is featured in the best-selling anthologies Ten Poems to Set You Free and Risking Everything Anna Swir (1909-1984) famously said "A poet should be as sensitive as an aching tooth." Swir was one of Poland's most distinguished poets, and she was open in her feminism and eroticism, with poetry that explored the life of the female body--from the agonizing depths of wartime to delirious sensual delight. The New York Times wrote that Swir's poetry pointed toward a "ferocious internal life." A member of the Resistance during the Nazi occupation and a military nurse in a makeshift hospital during the Warsaw Uprising, Swir once waited an hour fully expecting to be executed. Affected deeply by her experience, she wrote a poetry which rejected the grand gestures of war in favor of a world cast in miniature, a world in which the body and individual survive. Co-translated by Nobel Laureate Czeslaw Milosz and Leonard Nathan, with an introduction by Milosz, who writes: "What is the central theme of these poems? Answer: Flesh. Flesh in love and ecstasy, in pain, in terror, flesh afraid of loneliness, giving birth, resting, feeling the flow of time or reducing time to one instant. By such a clear delineation of her subject matter, Anna Swir achieves in her sensual, fierce poetry a nearly calligraphic neatness." Reviews: "The poems delight in all things physical, painting a passionate picture of the soul as a reified, pulsating entity that argues with the body."--San Francisco Review "Talking to My Body is an extremely rewarding book... Her best poems are so original as to deliver that mild shock we've come to recognize as real poetry."--Boston Book Review