A New York Times Notable Book. In this darkly funny story, Ray and Jewel Kaiser try (and push) their luck at the Paradise casino. Peopled with dazed denizens, body-pierced children, a lusty grocery-store manager, and hourly employees in full revolt, this is a novel about wising up sooner rather than later--"a wise and funny tale" (New York Times Book Review) that is "masterfully observed" (John Barth).
A memoir of growing up in mob-run Sin City from a casino heir-turned-governor who's seen two sides of every coin When Bob Miller arrived in Las Vegas as a boy, it was a small, dusty city, a far cry from the glamorous, exciting place it is today. Driving the family car was his father Ross Miller, a tough guy—though a good family man—who had operated on both sides of the law on some of the meaner streets of industrial Chicago. The Miller family was as close and as warm as "Ozzie and Harriet," as long as you knew that Ozzie was a bookmaker and a business acquaintance of some very dubious criminal types. As Bob grew up, so did Vegas, now a "town" of some two million. Ross Miller became a respectable businessman and partner in a major casino, though he was still capable of settling a score with his fists. And Bob went on to law school, entering law enforcement and eventually becoming a popular governor of Nevada, holding office longer than anybody in the state's history. And the Miller family's legacy continues. Bob's own son is presently serving as Secretary of State. A warm family memoir, the story of a city heir, with just a little bit of The Godfather and Casino thrown in for spice, Son of a Gambling Man is a unique and thoroughly memorable story.
"Bob woke up from his nap and looked in surprise the girl lying on his bed. Then he recalled everything and smiled. Gingerly approaching the bed he came and lay done beside her and held her in his arms. He resolved that he would save closer intimacies for later and felt amazement that he had found someone other than the loose women that he usually was with". In what could either be fate or pure circumstance, Bob and Sarah meet in a casino; Bob is a gambler and businessman and Sarah is a church-going lady. In the course of their relationship, they change each other's lives, Sarah becomes more care free and Bob becomes more responsible and caring. They discover what it really means to love.
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
“An exquisitely crafted memoir” by two brothers who lost their parents, lost their inheritance—and almost lost their freedom (The Wall Street Journal). Frederick Barthelme and his brother Steven were both accomplished, respected writers with stable adult lives when they lost both of their parents in rapid succession. They had already lost their other brother, just a few years earlier. Suddenly they were on their own, emotionally unmoored—and unprepared for what would happen next. Their late father had been a prominent architect, and the brothers were left with a healthy inheritance. Over the following several years, they would lose close to a quarter million dollars in the gambling boats off the Mississippi coast. Then, in a bizarre twist, they were charged with violating state gambling laws, fingerprinted, and thrown into the surreal world of felony prosecution. For two years these widely publicized charges hung over their heads, shadowing their every step. Double Down is the wry, often heartbreaking story of how Frederick and Steven Barthelme got into this predicament. It is also a reflection on the allure of casinos and the pull and power of illusions that can destroy our lives if we aren’t careful. “One of the best firsthand accounts ever written about organized gambling. Like Goodman Brown, taking a walk with a hooded stranger into the darkness of the New England woods, the Barthelme brothers suddenly find themselves inside the maw of the monster. The compulsion to control, to intuit the future, to be painted by magic, could not be better or more accurately described.” —James Lee Burke “Beautifully evoking the gamblers’ addiction, their mesmerizing account is best read as a novel Camus might have imagined, with the writer/protagonists as their own lost characters. A work of high art; enthusiastically recommended.” —Library Journal
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
We are a nation of gamblers: pari-mutuel wagering at horse tracks; blackjack in Las Vegas; the NCAA basketball office pool; even day trading on the internet. Gambling is both our national pastime and our predominant cultural metaphor—play the field; beat the odds; take a chance on love. Yet gambling poses serious risks to individuals and to society as a whole. Neil Isaacs—sports historian, licensed clinical social worker, English professor, and a gambler himself for more than fifty years—seeks to shatter the myths interfering with our understanding of gambling addiction, its causes, and its treatment. He begins by systematically debunking several commonly held beliefs, demonstrating that there is no such thing as the law of averages, that gambling is not inherently sinful, immoral, or criminal, and that money is not always the prime motivator for gamblers. Isaacs shows how habitual gambling can lead to compulsive gambling, but avoids oversimplifying this condition. Arguing against a undifferentiated interpretation of pathological gambling as a simple impulse control disorder, he draws examples from fiction, film, and his own practice to demonstrate additional ways gambling can be abused. A radical departure from established views, You Bet Your Life identifies the costs—in dollars, people, families, and credit ratings—of society's failure to address adequately the burdens of gambling.
The French New Wave: An Artistic School is a lively introduction to this critical moment in film history by one of the world's leading scholars on the New Wave. Provides a concise account of the French New Wave by one of the world's leading film scholars. Outlines the essential traits of the New Wave and defines it as a school that changed international film history forever. Includes a chronology of major political and cultural events of the New Wave, black-and-white images, and an extensive bibliography.
