Blues, How Do You Do?

Blues, How Do You Do?

Author: Christian O'Connell

Publisher: University of Michigan Press

Published: 2015-08-12

Total Pages: 261

ISBN-13: 0472052675

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Examines the role of black American music abroad in the post-WWII era through the lens of one of the period's most prolific and influential blues scholars, Paul Oliver


Blues You Can Use (Music Instruction)

Blues You Can Use (Music Instruction)

Author: John Ganapes

Publisher: Hal Leonard Corporation

Published: 1995-10-01

Total Pages: 136

ISBN-13: 1476857385

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(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.


I Ain't Studdin' Ya

I Ain't Studdin' Ya

Author: Bobby Rush

Publisher: Hachette UK

Published: 2021-06-22

Total Pages: 327

ISBN-13: 0306874792

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Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.


Frankie Finds the Blues

Frankie Finds the Blues

Author: Joel D. Harper

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9780971425477

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After attending a concert with his grandmother, Frankie finds his guitar, determined to learn to fingerpick and, with the help of a homeless man, begins to play the blues.


Blues Poems

Blues Poems

Author: Kevin Young

Publisher: Everyman's Library

Published: 2003-09-02

Total Pages: 258

ISBN-13: 0375414584

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Born in African American work songs, field hollers, and the powerful legacy of the spirituals, the blues traveled the country from the Mississippi delta to “Sweet Home Chicago,” forming the backbone of American music. In this anthology–the first devoted exclusively to blues poems–a wide array of poets pay tribute to the form and offer testimony to its lasting power. The blues have left an indelible mark on the work of a diverse range of poets: from “The Weary Blues” by Langston Hughes and “Funeral Blues” by W. H. Auden, to “Blues on Yellow” by Marilyn Chin and “Reservation Blues” by Sherman Alexie. Here are blues-influenced and blues-inflected poems from, among others, Gwendolyn Brooks, Allen Ginsberg, June Jordan, Richard Wright, Nikki Giovanni, Charles Wright, Yusef Komunyakaa, and Cornelius Eady. And here, too, are classic song lyrics–poems in their own right–from Bessie Smith, Robert Johnson, Ma Rainey, and Muddy Waters. The rich emotional palette of the blues is fully represented here in verse that pays tribute to the heart and humor of the music, and in poems that swing with its history and hard-bitten hope.


Jazz, Rags & Blues, Book 1

Jazz, Rags & Blues, Book 1

Author: Martha Mier

Publisher: Alfred Music

Published: 2005-05-03

Total Pages: 28

ISBN-13: 9781457444111

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Jazz, Rags & Blues, Book 1 contains original solos for late elementary to early intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.


Steppin' on the Blues

Steppin' on the Blues

Author: Jacqui Malone

Publisher: University of Illinois Press

Published: 1996

Total Pages: 316

ISBN-13: 9780252065088

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Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life.


Classic Ragtime Guitar

Classic Ragtime Guitar

Author: Stefan Grossman

Publisher: Grossman Guitar Workshop

Published: 2001-12

Total Pages: 32

ISBN-13: 9780786659197

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The study of classic ragtime guitar is very challenging. For this set of lessons for the intermediate and advanced guitarist we have picked four ever-popular rags. You have the advantage in this series of learning from three different teachers, each with his own individual approach. 32 page tab/music book with three compact discs. LESSON ONE: The classic rag that started the "ragtime revival" was The Entertainer. This was used in the soundtrack for the film The Sting. It is a lyrical four part classic rag written by Scott Joplin. This lesson is taught by Stefan Grossman. LESSON TWO: One of the most popular classic rags written by Scott Joplin was his Maple Leaf Rag. Duck Baker teaches his arrangement to this highly syncopated and energetic classic rag. This is followed by Silver Swan. Stefan Grossman is your teacher for this beautiful classic rag. LESSON THREE: Our last lesson is a tour de force in ragtime arranging and playing. It is James Scott's Hilarity Rag. This is a four part classic rag taught by Leo Wijnkamp Jr.


Play like Stevie Ray Vaughan

Play like Stevie Ray Vaughan

Author: Andy Aledort

Publisher: Hal Leonard Corporation

Published: 2015-09-01

Total Pages: 309

ISBN-13: 1495051714

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(Play Like). Study the trademark songs, licks, tones and techniques that made Stevie Ray Vaughan a legend. Each book comes with a unique code that will give you access to audio files of all the music in the book online. This pack looks at 15 of Vaughan's most influential songs including: Couldn't Stand the Weather * Honey Bee * Love Struck Baby * Pride and Joy * Scuttle Buttin' * Texas Flood * Tightrope * and more.


How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom

How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom

Author: Dr Roberta Freund Schwartz

Publisher: Ashgate Publishing, Ltd.

Published: 2013-01-28

Total Pages: 298

ISBN-13: 1409493768

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This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.