Blue In Black and White, by Sgt. Pete Thoshinsky, is a dramatic new photographic collection, with narratives, featuring members of the San Francisco Police Department; a chronicle of life and law enforcement on the streets of San Francisco. Sgt. Pete Thoshinsky, a 22-year veteran of the SFPD, is well-known for his dramatic photographic images of San Francisco law enforcement, with a permanent display at the Hall of Justice, 4th Floor. This gorgeous, 10 x 10"" hardbound volume contains nearly 200 pages of clear, easy-to-read text and detailed black and white images ? the perfect gift for all SFPD members, retirees and law enforcement collectors. ""
Ruth Tucker recounts a harrowing story of abuse at the hands of her husband—a well-educated, charming preacher no less—in hope that her story would help other women caught in a cycle of domestic violence and offer a balanced biblical approach to counter such abuse for pastors and counselors. Weaving together her shocking story, stories of other women, and powerful stories of husbands who truly have demonstrated Christ’s love to their wives, with reflection on biblical, theological, historical, and contemporary issues surrounding domestic violence, she makes a compelling case for mutuality in marriage and helps women and men become more aware of potential dangers in a doctrine of male headship.
Until now, there was no modern history of the pornographic movie available - Black and White and Blue fills that void, with exlusive interviews and confrontational style.
Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves—both black and Native American—made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories—uncovered for the first time during her research—of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.
Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. John Coltrane, one hand behind his neck and a finger held pensively to his lips. These iconic images have captivated jazz fans nearly as much as the music has. Jazz photographs are visual landmarks in American history, acting as both a reflection and a vital part of African American culture in a time of immense upheaval, conflict, and celebration. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the ’60s, Blue Notes in Black and White is the first of its kind: a fascinating account of the partnership between two of the twentieth century’s most innovative art forms. Benjamin Cawthra introduces us to the great jazz photographers—including Gjon Mili, William Gottlieb, Herman Leonard, Francis Wolff, Roy DeCarava, and William Claxton—and their struggles, hustles, styles, and creative visions. We also meet their legendary subjects, such as Duke Ellington, sweating through a late-night jam session for the troops during World War II, and Dizzy Gillespie, stylish in beret, glasses, and goatee. Cawthra shows us the connections between the photographers, art directors, editors, and record producers who crafted a look for jazz that would sell magazines and albums. And on the other side of the lens, he explores how the musicians shaped their public images to further their own financial and political goals. This mixture of art, commerce, and racial politics resulted in a rich visual legacy that is vividly on display in Blue Notes in Black and White. Beyond illuminating the aesthetic power of these images, Cawthra ultimately shows how jazz and its imagery served a crucial function in the struggle for civil rights, making African Americans proudly, powerfully visible.
During his 28-year career, Matthew Horace rose through the ranks from a police officer working the beat to a federal agent working criminal cases in some of the toughest communities in America to a highly decorated federal law enforcement executive managing high-profile investigations nationwide. Yet it was not until seven years into his service- when Horace found himself face down on the ground with a gun pointed at his head by a white fellow officer-that he fully understood the racism seething within America's police departments. Through gut-wrenching reportage, on-the-ground research, and personal accounts from interviews with police and government officials around the country, Horace presents an insider's examination of archaic police tactics. He dissects some of the nation's most highly publicized police shootings and communities to explain how these systems and tactics have hurt the people they serve, revealing the mistakes that have stoked racist policing, sky-high incarceration rates, and an epidemic of violence. "Horace's authority as an experienced officer, as well as his obvious integrity and courage, provides the book with a gravitas." -- The Washington Post "The Black and the Blue is an affirmation of the critical need for criminal justice reform, all the more urgent because it/DIVDIVcomes from an insider who respects his profession yet is willing to reveal its flaws." -- USA Today
Discover the joys of a wild rainstorm in this poetic picture book, illustrated by a Caldecott Medalist. Join a farming family as they experience the full range of a thrilling seaside thunderstorm—from the wild wind and the very first drops; to the pouring, pouring rain; to the wonderful messy mud after the sun returns! With gentle, rhyming text and vivid artwork from a Caldecott Medal–winning illustrator, this sublime depiction of nature’s patterns turns a storm into a celebration.
We have been promising this book for ten years. The first eight years the only thing we wrote was the title. Black White and Carolina Blue seemed to us and others like a pretty good name for some type of book but there was widespread doubt we would write the rest of it. We have now finished a story we can share. We want to tell it to our personal family members, our friends, our amazing scholarship students, and to all the people in the Carolina Family. There is a long history here dating back to the university founding in 1789. There is a short story of our time there in the 1960's. If you, the reader, do not share part of that history, I hope you will also find the narrative interesting and entertaining. If you do, come spend a spring time day on the campus in Chapel Hill; see a fall football game against our biggest rivals; watch a Carolina/Duke basketball game in the Dean Dome-you will have to plan in your budget to purchase that ticket. Enjoy a lecture, a concert, or a Play-makers production. Enjoy our book and thanks for your support of the University of North Carolina.
Black Anger and White Ignorance in Obama's America. This much-needed account examines contemporary expressions of subtle racism and looks at how the present political climate affects issues of lingering racist inequality. Van Gorder and Tait provide a historical and theoretical context for their analysis of America's present intercultural tensions - and offer concrete steps forward in addressing what they feel are society's seemingly entrenched polarities: black anger and white ignorance.
