Before settling down to a new life in Italy with her fiancé, Catriona decides to lay her past to rest by meeting up with her previous partners. But on the morning of her wedding, Cat is arrested for murder. Not just one murder, but three. All of the victims were her ex-boyfriends, and all of them were viciously mutilated. So now she's in jail, and the woman who is writing her biography has interviewed many people in Cat's life. But no one is telling the truth. This is an ingenious and compelling page-turner, full of twists and dark humour from an intriguing and stylish writer with a growing fanbase.
Bloody Woman is bloody good writing. It moves between academic, journalistic and personal essay. I love that Lana moves back and forward across these genres: weaving, weaving – spinning the web, weaving the sparkling threads under our hands, back and forward across a number of spaces, pulling and holding the tensions, holding up the baskets of knowledge. Tusiata Avia This wayfinding set of essays, by acclaimed writer and critic Lana Lopesi, explores the overlap of being a woman and Sāmoan. Writing on ancestral ideas of womanhood appears alongside contemporary reflections on women's experiences and the Pacific. These essays lead into the messy and the sticky, the whispered conversations and the unspoken. As Lopesi writes, 'Bloody Woman has been scary to write... In putting words to my years of thinking, following the blood and revealing the evidence board in my mind, I am breaking a silence to try to understand something. It feels terrifying, but right.' These acts of self-revelation ultimately seek to open up new spaces, to acknowledge the narratives not yet written, and the voices to come.
Bloody Women: Women Directors of Horror is the first book-length exploration of female creators at the cutting edge of contemporary horror, turning out some of its most inspired and twisted offerings.
‘A litany of fresh heroes to make the embattled heart sing’ Caitlin Moran ‘Newman is a brilliant writer’ Observer A fresh, opinionated history of all the brilliant women you should have learned about in school but didn’t.
Violence against women permeates our society at every level, in every setting. Murder, rape, intimidation, pornography, workplace harassment, incest are all part of a general belief built into the roots of patriarchal society: Women are proper targets of male violence. The chapters in this book, contributed by some of the most prolific contemporary writers on women's issues, explore this culture of violence and oppression, examining its ideological underpinnings and its structural supports in the social, political and legal systems that protect the violent by blaming the victim.
That Bloody Woman is the story of a discarded heroine. Now virtually forgotten, Emily Hobhouse was in her time one of the most controversial figures in the world, hailed as a second Joan of Arc or Florence Nightingale yet denounced as a traitor to her country. Lord Kitchener ordered her forcible deportation on a troopship and Joseph Chamberlain wondered if she posed a threat to the whole British Empire. But to her friend Mahatma Gandhi, one of a tiny minority who admired her pacifist campaigns through two wars, she was one of the noblest and bravest of women.
There has been a huge increase in violent deaths in Ireland in recent years. While men are more often the killers, there has been a rise in the number of murders committed by women. There is no single reason for this; some of the women featured in More Bloody Women killed for love gone wrong; some as revenge; some in the heat of the moment; some in cold blood. For some women, it was just business. Among the infamous cases in this book are the “Black Widow”, Catherine Nevin, who set up her husband’s murder in Jack White’s Inn; Linda and Charlotte Mulhall, the “Scissor Sisters”, who killed and dismembered their mother’s violent boyfriend before dumping the remains in a canal; Sharon Collins, who tried to hire a professional assassin to kill her partner; Kelly Noble, who stabbed a friend to death outside a supermarket, and whose own mother was already in prison for killing Kelly’s father; and Lynn Gibbs, who tragically drowned her daughter in a bath because she believed the girl was suffering from anorexia. David Kiely looks at all of these cases in forensic detail. He also delves into the fascination we have with women killers, and the media circus that surrounds every murder trial involving a woman. More Bloody Women is a chilling book that will shock and disturb.
As if she discovered a small army of silenced women captive in her pen, Megan Falley releases them in the spilled ink that is her most brilliant collection of poems, After the Witch Hunt. Demanding "if you really love a writer, bury her in all your awful and watch as she scrawls her way out," her book does exactly that. An incessant digging, a journey in building escape routes, armed with both humor and a brazen darkness, each poem in this book of bloodletting is another swing of the pick and axe in this young woman's labor, insistent upon light.
A REESE'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * BELLETRIST BOOK CLUB PICK * INDIE NEXT SELECTION * LIBRARY READS SELECTION * AMAZON EDITORS' CHOICE * WASHINGTON POST BEST OF THE YEAR The "terrifying, wise, tender, and thrilling" (R.O. Kwon) adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West. In the year of our Lord 1894, I became an outlaw. The day of her wedding, 17 year old Ada's life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all. Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.
Returning to Scotland to organize her wedding, Catriona is overcome with the jitters. She decides to tie up loose ends before settling permanently in Tuscany, and seeks out her ex-boyfriends. Only problem is, they all end up dead and Catriona is the prime suspect.
