Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. Examining a range of texts and creators, Berruezo-Sánchez opens up space for early modern black poets in the Spanish literary canon.
In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad range of texts and unearths new documents relating to black African poets, performers, and black confraternities. Her discoveries evince the broad yet largely disregarded literary and artistic impact of the African diaspora in early modern Spain, expanding the scope of linguistic practices beyond habla de negros and creating space for early modern black poets in the Spanish literary canon. These textual sources challenge established understandings of black Africans and black African history in early modern Spain. They show how black Africans exerted significant cultural agency by collectively contributing to and shaping the literary texts of the period, including those of the popular genre villancicos de negros, and by developing artistic traditions as musicians, dancers, and poets. As both creators and consumers of cultural forms, black African men and women navigated a restrictive, coercive slave society yet negotiated their own physical and cultural spaces.
In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad range of texts and unearths new documents relating to black African poets, performers, and black confraternities. Her discoveries evince the broad yet largely disregarded literary and artistic impact of the African diaspora in early modern Spain, expanding the scope of linguistic practices beyond habla de negros and creating space for early modern black poets in the Spanish literary canon. These textual sources challenge established understandings of black Africans and black African history in early modern Spain. They show how black Africans exerted significant cultural agency by collectively contributing to and shaping the literary texts of the period, including those of the popular genre villancicos de negros, and by developing artistic traditions as musicians, dancers, and poets. As both creators and consumers of cultural forms, black African men and women navigated a restrictive, coercive slave society yet negotiated their own physical and cultural spaces.
This is an original survey of the economic and social history of slavery of the Afro-American experience in Latin America and the Caribbean. The focus of the book is on the Portuguese, Spanish, and French-speaking regions of continental America and the Caribbean. It analyzes the latest research on urban and rural slavery and on the African and Afro-American experience under these regimes. It approaches these themes both historically and structurally. The historical section provides a detailed analysis of the evolution of slavery and forced labor systems in Europe, Africa, and America. The second half of the book looks at the type of life and culture which the salves experienced in these American regimes. The first part of the book describes the growth of the plantation and mining economies that absorbed African slave labor, how that labor was used, and how the changing international economic conditions affected the local use and distribution of the slave labor force. Particular emphasis is given to the evolution of the sugar plantation economy, which was the single largest user of African slave labor and which was established in almost all of the Latin American colonies. Once establishing the economic context in which slave labor was applied, the book shifts focus to the Africans and Afro-Americans themselves as they passed through this slave regime. The first part deals with the demographic history of the slaves, including their experience in the Atlantic slave trade and their expectations of life in the New World. The next part deals with the attempts of the African and American born slaves to create a viable and autonomous culture. This includes their adaptation of European languages, religions, and even kinship systems to their own needs. It also examines systems of cooptation and accommodation to the slave regime, as well as the type and intensity of slave resistances and rebellions. A separate chapter is devoted to the important and different role of the free colored under slavery in the various colonies. The unique importance of the Brazilian free labor class is stressed, just as is the very unusual mobility experienced by the free colored in the French West Indies. The final chapter deals with the differing history of total emancipation and how ex-slaves adjusted to free conditions in the post-abolition periods of their respective societies. The patterns of post-emancipation integration are studied along with the questions of the relative success of the ex-slaves in obtaining control over land and escape from the old plantation regimes.
The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced muck work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Book jacket.
