This classic work of scholarship and empathy tells the story of the self-creation of the African-American people. It assesses the full impact of the Middle Passage -- "the most traumatizing mass human migration in modern history" -- and of North American slavery both on the enslaved and on those who enslaved them. It explores the ways in which a nominally free society perverted its own freedoms and denied the fact that an inhuman institution lies at the heart of the American experience. The authority and eloquence of this work make it essential reading for all who want to understand the American past and present.
In 1969, Martin Kilson became the first tenured African American professor at Harvard University, where he taught African and African American politics for over thirty years. In A Black Intellectual's Odyssey, Kilson takes readers on a fascinating journey from his upbringing in the small Pennsylvania milltown of Ambler to his experiences attending Lincoln University—the country's oldest HBCU—to pursuing graduate study at Harvard before spending his entire career there as a faculty member. This is as much a story of his travels from the racist margins of twentieth-century America to one of the nation's most prestigious institutions as it is a portrait of the places that shaped him. He gives a sweeping sociological tour of Ambler as a multiethnic, working-class company town while sketching the social, economic, and racial elements that marked everyday life. From narrating the area's history of persistent racism and the racial politics in the integrated schools to describing the Black church's role in buttressing the town's small Black community, Kilson vividly renders his experience of northern small-town life during the 1930s and 1940s. At Lincoln University, Kilson's liberal political views coalesced as he became active in the local NAACP chapter. While at Lincoln and during his graduate work at Harvard, Kilson observed how class, political, and racial dynamics influenced his peers' political engagement, diverse career paths, and relationships with white people. As a young professor, Kilson made a point of assisting Harvard's African American students in adapting to life at a white institution. Throughout his career, Kilson engaged in pioneering scholarship while mentoring countless students. A Black Intellectual's Odyssey features contributions from three of his students: a foreword by Cornel West and an afterword by Stefano Harney and Fred Moten.
"This book focuses on the career of a single individual--an ambitious, resourceful Black American--and his efforts to realize personal fulfillment in a racist world. No Black American was more determined to realize the promise of American life following the Civil War, nor more frustrated by his inability to do so than John Lewis Waller. Waller, whose first twelve years were spent in slavery, overcame his humble beginnings to become a politician, lawyer, journalist, and diplomat. Nevertheless, his life provides a case study of a middle class black caught between a desire to work within the existing political and economic framework and a need to reject a milieu that was becoming increasingly racist"--From University of Kansas Press website.
This book focuses on the career of a single individual—an ambitious, resourceful black American—and his efforts to realize personal fulfillment in a racist world. No black American was more determined to realize the promise of American life following the Civil War, nor more frustrated by his inability to do so than John Lewis Waller. Waller, whose first twelve years were spent in slavery, overcame his humble beginnings to become a politician, lawyer, journalist, and diplomat. Nevertheless, his life provides a case study of a middle class black caught between a desire to work within the existing political and economic framework and a need to reject a milieu that was becoming increasingly racist. Waller spent his childhood as a slave in Missouri, and his adolescence on a farm in Iowa. Circumstances and personal ambition combined to allow Waller to acquire a trade—barbering—and a profession—lawyering—in the 1870s. In 1878 he migrated to frontier Kansas, where he practiced law, edited a newspaper, rose to a position of leadership in the black community, and became an important figure in the state Republican party. His political career ended abruptly in 1890, however, when the Republicans rejected his bid to be nominated as the party’s candidate for state auditor. Convinced that his defeat was due to the rising tide of racism throughout the nation, he turned his attentions abroad. Waller was particularly susceptible to the lure of overseas empire because he had spent much of his adult life in the midst of a community of people who had succumbed to the myth of a “promised land,” who were convinced that the Negro would be best able to realize his potential in economically under-developed regions not yet exploited and controlled by the white man. In 1891 President Benjamin Harrison appointed Waller United States consul to the east African island of Madagascar. By 1894 Waller had obtained a huge land grant there for the founding of a black utopia. He hoped to establish a plantation-colony that would simultaneously advance his personal fortunes, serve as an investment opportunity for aspiring black capitalists, and constitute a refuge for oppressed Afro-Americans who wished to immigrate. He was thwarted once again by racism, however—this time in the guise of French imperialism. Viewing Waller and his plans as a threat to their hegemony in Madagascar, French authorities quashed the concession, arrested Waller on a charge of being a spy, and sentenced him to twenty years in prison. There followed a full-scale diplomatic confrontation between the United States and France. Waller was released after serving ten months in a French prison, but only after the Cleveland administration agreed to discredit him to the point where he would seem guilty as charged. In his early manhood John Lewis Waller had realized that because he was a Negro personal achievement could not be separated from racial advancement. Responding to that perception, he spent a lifetime searching for a frontier where blacks could enjoy the blessings of democracy and capitalism, and yet be free of the blight of racism. Unlike the vast majority of American blacks of his time, Waller was able to articulate his dreams, have an impact on the larger, white dominated environment, and realize his individual potential to a remarkable degree. Nevertheless, his dreams were ultimately dashed by racism. His sad but fascinating story deserves the careful attention of all students of politics and race relations during the complex post-Civil War year.
"Beyond the confines of our small world, far from the glow of our star, lies a galaxy and universe much larger and more varied than anyone on Earth can possibly imagine. For the new NAC spacecraft Odyssey and her crew, the unimaginable facets of this untouched world are about to become reality. The Odyssey's maiden voyage is an epic adventure destined to make history. Captain Eric Weston and his crew, pushing past the boundaries of security, encounter horrors, wonders, monsters, and people, all of which will test their resolve, challenge their abilities, and put in sharp relief what is necessary to be a hero. A first-rate military science fiction epic that combines old-school space opera and modern storytelling, Into the Black: Odyssey One is a riveting, exhilarating adventure with vivid details, rich mythology, and relentless pacing"--P. [4] of cover.
You may be the wealthiest colored woman in New Orleans, but you built this house on sand, lies and dead bodies.New Orleans, 1836. Following an era of French colonial rule and relative racial acceptance, Louisiana's 'free people of color' are prospering. Beatrice, a free woman of colour, has become one of the city's wealthiest women through her relationship with a rich white man. However, when her lover mysteriously dies, Beatrice imposes a six-month period of mourning on herself and her three daughters. But, as the summer heat intensifies, the foundations of freedom she has built for herself and their three unwed daughters begin to crumble. Society is changing, racial divides are growing and, as the members of the household turn on each other in their fight for survival, it could cost them everything. A bewitching new drama of desire, jealousy, murder and voodoo, The House That Will Not Stand received its world premiere at Berkeley Rep, US, in January 2014, and was subsequently produced at the Tricycle Theatre, London, on 9 October 2014.This edition features an introduction by Professor Ayanna Thompson, Columbian College of Arts and Sciences.
