Black Masculinity in the Obama Era provides an in-depth examination of the current state of black males and identifies the impact of living in the Obama era. In the era of the first black president, Barack H. Obama, this book gauges the status of black masculinity and provokes discourse to discover whether his election and presence has had an influential impact on black male achievement. A purposeful sample of black males was asked, what does it mean to be a black male in the 21st century? Throughout the interviews with black males, we learn that the 'Obama Effect' has not had the intended impact on black male achievement and black males continue to be plagued by structural and cultural forces that have historically burdened their plight and level of achievement.
Considers the impact of neo-racism during the Obama presidency. Neo-race Realities in the Obama Era expands the discourse about Barack Obama’s two terms as president by reflecting upon the impact of neo-racism during his tenure. Continually in conversation with Étienne Balibar’s conceptualization of neo-racism as being racism without race, the contributors examine how identities become the target of neo-racist discriminatory practices and policies in the United States. Individual chapters explore how President Obama’s multiple and intersecting identities beyond the racial binaries of Black and White were perceived, as well as how his presence impacted certain marginalized groups in our society as a result of his administration’s policies. Evidencing the hegemonic complexity of neo-racism in the United States, the contributors illustrate how the mythic post-race society that many wished for on election night in 2008 was deferred, in order to return to the uncomfortable comfort zone of the way America used to be. “Well organized and compelling, this book covers everything from perspectives on the AIDS epidemic to racial authenticity, yet the reader never forgets that he/she is on a journey through the Age of Obama and its many contested nuances.” — Ricky L. Jones, author of What’s Wrong with Obamamania? Black America, Black Leadership, and the Death of Political Imagination
Using the slave narratives of Henry Bibb and Frederick Douglass, as well as the work of W. E. B. Du Bois, James Baldwin, Walter Mosley, and Barack Obama, Ronda C. Henry Anthony examines how women's bodies are used in African American literature to fund the production of black masculine ideality and power. In tracing representations of ideal black masculinities and femininities, the author shows how black men's struggles for gendered agency are inextricably entwined with their complicated relation to white men and normative masculinity. The historical context in which this study couches these struggles highlights the extent to which shifting socioeconomic circumstances dictate the ideological, cultural, and emotional terms upon which black men conceptualize identity. Yet, Anthony quickly moves to texts that challenge traditional constructions of black masculinity. In these texts she traces how the emergence of collaboratively gendered discourses, or a blending of black female/male feminist consciousnesses, are reshaping black masculinities, femininities, and intraracial relations for a new century.
The first sweeping, legacy-defining history of the entire Obama presidency. Finalist of the PROSE Award for Best Book in Biography & Autobiography by the Association of American Publishers In The Black President, the first interpretative, grand-narrative history of Barack Obama's presidency in its entirety, Claude A. Clegg III situates the former president in his dynamic, inspirational, yet contentious political context. He captures the America that made Obama's White House years possible, while insightfully rendering the America that resolutely resisted the idea of a Black chief executive, thus making conceivable the ascent of the most unlikely of his successors. In elucidating the Obama moment in American politics and culture, this book is also, at its core, a sweeping exploration of the Obama presidency's historical environment, impact, and meaning for African Americans—the tens of millions of people from every walk of life who collectively were his staunchest group of supporters and who most starkly experienced both the euphoric triumphs and dispiriting shortcomings of his years in office. In Obama's own words, his White House years were "the best of times and worst of times" for Black America. Clegg is vitally concerned with the veracity of this claim, along with how Obama engaged the aspirations, struggles, and disappointments of his most loyal constituency and how representative segments of Black America engaged, experienced, and interpreted his historic presidency. Clegg draws on an expansive archive of materials, including government records and reports, interviews, speeches, memoirs, and insider accounts, in order to examine Obama's complicated upbringing and early political ambitions, his delicate navigation of matters of race, the nature and impacts of his administration's policies and politics, the inspired but also carefully choreographed symbolism of his presidency (and Michelle Obama's role), and the spectrum of allies and enemies that he made along the way. The successes and the aspirations of the Obama era, Clegg argues, are explicitly connected to our current racist, toxic political discourse. Combining lively prose with a balanced, nonpartisan portrait of Obama's successes and failures, The Black President will be required reading not only for historians, politics junkies, and Obama fans but also for anyone seeking to understand America's contemporary struggles with inequality, prejudice, and fear.
This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.
Fathers, Preachers, Rebels, Men: Black Masculinity in U.S. History and Literature, 1820-1945, edited by Timothy R. Buckner and Peter Caster, brings together scholars of history and literature focused on the lives and writing of black men during the nineteenth and twentieth centuries in the United States. The interdisciplinary study demonstrates the masculine character of cultural practices developed from slavery through segregation. Black masculinity embodies a set of contradictions, including an often mistaken threat of violence, the belief in its legitimacy, and the rhetorical union of truth and fiction surrounding slavery, segregation, resistance, and self-determination.
This book critically examines Obama’s presidency and legacy, especially in regard to race, inequality, education, and political power. Orelus depicts an “interest convergence factor” that led many White liberals and the corporate media to help Obama get elected in 2008 and 2012. He assesses Obama’s political accomplishments, including parts of his domestic policies that support gay rights and equal pay for women. Special attention is given to Obama’s educational policies, like Race to the Top, and the effects of such policies on both the learning and academic outcome of students, particularly linguistically and culturally diverse students. In a race and power framework, Orelus relates domestic policies to the effects of Obama’s foreign policies on the lives of people in poorer countries, especially where innocent children and women have been killed by war and drone strikes authorized by Obama’s administration. The author invites readers to question and transcend the historical symbolism of Obama’s political victory in an effort to carefully examine and critique his actions as reflected through both his domestic and foreign policies.
Written in the tradition of works by Joan Didion, bell hooks, Toni Morrison, and Eve Ensler, this “profoundly insightful and brilliantly inciting” (Dominique Morisseau, Obie Award-winning playwright) exploration of the soul of the United States—the past, the present, and the future Kevin Powell wants for us all, through the lens and lives of three major figures: his mother, Barack Obama, and Donald Trump. Ten short years ago, Barack Obama became president of the United States, and changed the course of history. Ten short years ago, our America was hailed globally as a breathtaking example of democracy, as a rainbow coalition of everyday people marching to the same drum beat. We had finally overcome. But had we? Both the presidencies of Obama and Donald Trump have produced some of the ugliest divides in history: horrific racial murders, non-stop mass shootings, the explosion of attacks on immigrants and on the LGBTQ community, the rise of anti-Semitism and Islamophobia, a massive gap between the haves and the have-nots, and legions of women stepping forth to challenge sexual violence—and men—in all forms. In this collection of thirteen powerful essays, “Kevin Powell thoughtfully weaves together the connective tissue between gender, race, sexuality, pop culture, and sports through a series of raw, incredibly personal essays” (Jemele Hill, writer and ESPN anchor). Be it politics, sports, pop culture, hip-hop music, mental health, racism, #MeToo, or his very complicated relationship with his mother, these impassioned essays are not merely a mirror of who we are, but also who and what Powell thinks we ought to be.
Over the last 100 years, perhaps no segment of the American population has been more analyzed than black males. The subject of myriad studies and dozens of government boards and commissions, black men have been variously depicted as the progenitors of pop culture and the menaces of society, their individuality often obscured by the narrow images that linger in the public mind. Ten years after the Million Man March, the largest gathering of black men in the nation's history, Washington Post staffers began meeting to discuss what had become of black men in the ensuing decade. How could their progress and failures be measured? Their questions resulted in a Post series which generated enormous public interest and inspired a succession of dynamic public meetings. It included the findings of an ambitious nationwide poll and offered an eye-opening window into questions of race and black male identity -- questions gaining increasing attention with the emergence of Senator Barack Obama as a serious presidential contender. At the end of the day, the project revealed that black men are deeply divided over how they view each other and their country. Now collected in one volume with several new essays as well as an introduction by Pulitzer Prizewinning novelist Edward P. Jones, these poignant and provocative articles let us see and hear black men like they've never been seen and heard before.
