Black Magic Woman and Narrative Film examines the transformation of the stereotypical 'tragic mulatto' from tragic to empowered, as represented in independent and mainstream cinema. The author suggests that this transformation is through the character's journey towards African-based religions.
Occult investigator Quincey Morris and his “consultant,” white witch Libby Chastain, are hired to free a family from a deadly curse that appears to date back to the Salem witch trials. Fraught with danger, the trail finds them stalking the mysterious occult underworlds of Boston, San Francisco, New Orleans and New York, searching out the root of the curse. After surviving a series of terrifying attempts on their lives, the two find themselves drawn inexorably towards Salem itself – and the very heart of darkness.
Daphanie Carter is thrilled that her sister Danice finally found her Prince Charming—even though he's not quite, well, human. Daphanie is trying to keep an open mind. Which is why she jumps at the chance to enter the hidden world of The Others when a friendly imp invites her to a non-human nightclub. Daphanie's curious to see how the Other half lives—and parties—but soon, one handsome stranger has her bewitched, bothered, and beside herself... Enter Asher Grayson. As a Guardian, it's his job to protect humans who get mixed up in the affairs of Others. When he spots Daphanie in a club, going head to head with a notorious witch doctor, he steps in to cool things off. Now the heat is on. Daphanie becomes the target of strange magical attacks, and Asher's got to undo the voodoo before it's too, too late. But soon he starts to wonder if this beautiful, beguiling mortal has put a spell on him—because every little thing she does is magic...
Burdened by spring floods, malaria and yellow fever, citizens of New Orleans often turned to voodoo practitioners-African Rosalie, Sanite Dede, Bras Coupe-for protection. None was more powerful, or feared, than Doctor John or Marie Laveau. After P.I. Wyatt Thomas encounters a ghost during a hospital visit, he tells the story to his sometimes business partner, voodoo mambo Mama Mulate. She puts him in a trance and channels the ghost, soon learning a curse connects him and a long-dead French aristocrat. They are doomed to remain connected forever, unless Wyatt can return to old New Orleans and lift the curse before midnight on New Year's Eve.
Many writers in the recent past have acquainted the rest of India to the composite culture of this north-eastern state through their writings. Black Magic Women makes a similar attempt with a stark difference! Moushumi Kandal brings her characters out of Assam and places them in the mainstream, capturing their struggle to retain their inherent 'Assameseness' as they try to assimilate at the same time into a larger picture. The title story, Black Magic Women, is about how the mainstream India perceives the Assamese women, who powered with the art of seduction and black magic, are made to endure social discrimination that can range from racial slurs to physical abuse. Juxtaposing two different eras, it is a historic-fictional re-telling of gender bias chronicled in the early nineteenth century colonial reportage by a British officer. The stories make one pause, think and debate issues that range from racial discrimination to the politics in the entertainment industry to sexual harassment to the existential and ideological dilemma induced by the complex sociopolitical scenario of the late eighties. Using a generous sprinkle of fable, myth and various metaphors, they deliver a powerful punch to the reader.
A “daring, urgent, and transformative” (Brené Brown, New York Times bestselling author of Dare to Lead) exploration of Black achievement in a white world based on honest, provocative, and moving interviews with Black leaders, scientists, artists, activists, and champions. “I remember the day I realized I couldn’t play a white guy as well as a white guy. It felt like a death sentence for my career.” When Chad Sanders landed his first job in lily-white Silicon Valley, he quickly concluded that to be successful at work meant playing a certain social game. Each meeting was drenched in white slang and the privileged talk of international travel or folk concerts in San Francisco, which led Chad to believe he needed to emulate whiteness to be successful. So Chad changed. He changed his wardrobe, his behavior, his speech—everything that connected him with his Black identity. And while he finally felt included, he felt awful. So he decided to give up the charade. He reverted to the methods he learned at the dinner table, or at the Black Baptist church where he’d been raised, or at the concrete basketball courts, barbershops, and summertime cookouts. And it paid off. Chad began to land more exciting projects. He earned the respect of his colleagues. Accounting for this turnaround, Chad believes, was something he calls Black Magic, namely resilience, creativity, and confidence forged in his experience navigating America as a Black man. Black Magic has emboldened his every step since, leading him to wonder: Was he alone in this discovery? Were there others who felt the same? In “pulverizing, educational, and inspirational” (Shea Serrano, #1 New York Times bestselling author of Basketball (And Other Things)) essays, Chad dives into his formative experiences to see if they might offer the possibility of discovering or honing this skill. He tests his theory by interviewing Black leaders across industries to get their take on Black Magic. The result is a revelatory and essential book. Black Magic explores Black experiences in predominantly white environments and demonstrates the risks of self-betrayal and the value of being yourself.
Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.
"A Blade So Black is the fantasy book I've been waiting for my whole life." —Angie Thomas, #1 New York Times-bestselling author of The Hate U Give For fans of Marissa Meyer, L.L. McKinney's A Blade So Black delivers an irresistible urban fantasy retelling of Alice in Wonderland... but it's not the Wonderland you remember. The first time the Nightmares came, it nearly cost Alice her life. Now she's trained to battle monstrous creatures in the dark dream realm known as Wonderland with magic weapons and hardcore fighting skills. Yet even warriors have a curfew. Life in real-world Atlanta isn't always so simple, as Alice juggles an overprotective mom, a high-maintenance best friend, and a slipping GPA. Keeping the Nightmares at bay is turning into a full-time job. But when Alice's handsome and mysterious mentor is poisoned, she has to find the antidote by venturing deeper into Wonderland than she’s ever gone before. And she'll need to use everything she's learned in both worlds to keep from losing her head... literally. Debut author L.L. McKinney delivers an action-packed twist on an old classic, full of romance and otherworldly intrigue. And don't miss the thrilling sequel, A Dream So Dark! An Imprint Book "Mixing elements of Alice in Wonderland and Buffy the Vampire Slayer... Delectable." —Entertainment Weekly
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves. With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties. Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.