Occult investigator Quincey Morris and his “consultant,” white witch Libby Chastain, are hired to free a family from a deadly curse that appears to date back to the Salem witch trials. Fraught with danger, the trail finds them stalking the mysterious occult underworlds of Boston, San Francisco, New Orleans and New York, searching out the root of the curse. After surviving a series of terrifying attempts on their lives, the two find themselves drawn inexorably towards Salem itself – and the very heart of darkness.
Daphanie Carter is thrilled that her sister Danice finally found her Prince Charming—even though he's not quite, well, human. Daphanie is trying to keep an open mind. Which is why she jumps at the chance to enter the hidden world of The Others when a friendly imp invites her to a non-human nightclub. Daphanie's curious to see how the Other half lives—and parties—but soon, one handsome stranger has her bewitched, bothered, and beside herself... Enter Asher Grayson. As a Guardian, it's his job to protect humans who get mixed up in the affairs of Others. When he spots Daphanie in a club, going head to head with a notorious witch doctor, he steps in to cool things off. Now the heat is on. Daphanie becomes the target of strange magical attacks, and Asher's got to undo the voodoo before it's too, too late. But soon he starts to wonder if this beautiful, beguiling mortal has put a spell on him—because every little thing she does is magic...
Black Magic Woman and Narrative Film examines the transformation of the stereotypical 'tragic mulatto' from tragic to empowered, as represented in independent and mainstream cinema. The author suggests that this transformation is through the character's journey towards African-based religions.
Introduction: The occult woman as metaphor for Weimar's new woman -- The ghost -- The vampire and the monster double -- The witch and the gypsy -- The trance-dancer and medium.
"From 18 of the women profiled in 100 Black Women in Horror come 18 soul-scorching tales of terror that place black characters up front and center."--Page [4] of cover.
A “daring, urgent, and transformative” (Brené Brown, New York Times bestselling author of Dare to Lead) exploration of Black achievement in a white world based on honest, provocative, and moving interviews with Black leaders, scientists, artists, activists, and champions. “I remember the day I realized I couldn’t play a white guy as well as a white guy. It felt like a death sentence for my career.” When Chad Sanders landed his first job in lily-white Silicon Valley, he quickly concluded that to be successful at work meant playing a certain social game. Each meeting was drenched in white slang and the privileged talk of international travel or folk concerts in San Francisco, which led Chad to believe he needed to emulate whiteness to be successful. So Chad changed. He changed his wardrobe, his behavior, his speech—everything that connected him with his Black identity. And while he finally felt included, he felt awful. So he decided to give up the charade. He reverted to the methods he learned at the dinner table, or at the Black Baptist church where he’d been raised, or at the concrete basketball courts, barbershops, and summertime cookouts. And it paid off. Chad began to land more exciting projects. He earned the respect of his colleagues. Accounting for this turnaround, Chad believes, was something he calls Black Magic, namely resilience, creativity, and confidence forged in his experience navigating America as a Black man. Black Magic has emboldened his every step since, leading him to wonder: Was he alone in this discovery? Were there others who felt the same? In “pulverizing, educational, and inspirational” (Shea Serrano, #1 New York Times bestselling author of Basketball (And Other Things)) essays, Chad dives into his formative experiences to see if they might offer the possibility of discovering or honing this skill. He tests his theory by interviewing Black leaders across industries to get their take on Black Magic. The result is a revelatory and essential book. Black Magic explores Black experiences in predominantly white environments and demonstrates the risks of self-betrayal and the value of being yourself.
Burdened by spring floods, malaria and yellow fever, citizens of New Orleans often turned to voodoo practitioners-African Rosalie, Sanite Dede, Bras Coupe-for protection. None was more powerful, or feared, than Doctor John or Marie Laveau. After P.I. Wyatt Thomas encounters a ghost during a hospital visit, he tells the story to his sometimes business partner, voodoo mambo Mama Mulate. She puts him in a trance and channels the ghost, soon learning a curse connects him and a long-dead French aristocrat. They are doomed to remain connected forever, unless Wyatt can return to old New Orleans and lift the curse before midnight on New Year's Eve.
From the award-winning entrepreneur, culture leader, and creator of the BLACK GIRLS ROCK! movement comes an inspiring and beautifully designed book that pays tribute to the achievements and contributions of black women around the world. Fueled by the insights of women of diverse backgrounds, including Michelle Obama, Angela Davis, Shonda Rhimes, Misty Copeland Yara Shahidi, and Mary J. Blige, this book is a celebration of black women’s voices and experiences that will become a collector’s items for generations to come. Maxine Waters shares the personal fulfillment of service. Moguls Cathy Hughes, Suzanne Shank, and Serena Williams recount stories of steadfastness, determination, diligence, dedication and the will to win. Erykah Badu, Toshi Reagon, Mickalane Thomas, Solange Knowles-Ferguson, and Rihanna offer insights on creativity and how they use it to stay in tune with their magic. Pioneering writers Rebecca Walker, Melissa Harris-Perry, and Joan Morgan speak on modern-day black feminist thought. Lupita Nyong’o, Susan Taylor, and Bethann Hardison affirm the true essence of holistic beauty. And Iyanla Vanzant reinforces Black Girl Magic in her powerful pledge. Through these and dozens of other unforgettable testimonies, Black Girls Rock! is an ode to black girl ambition, self-love, empowerment, and healing. Pairing inspirational essays and affirmations with lush, newly commissioned and classic photography, Black Girls Rock!: Owning Our Magic and Rocking Our Truth is not only a one-of-a-kind celebration of the diversity, fortitude, and spirituality of black women but also a foundational text that will energize and empower every reader.
This fascinating volume delves into the history of witchcraft and demonology. Witchcraft and Black Magic gives an extensive history of what Montague Summers deems to be Satanic practises. First published in 1946, this handbook gathers vivid detail from a wealth of sources and references that enhance its overview of black magic. Montague Summers’ research explores numerous court records, personal accounts, and classic works of literature, as well as taking evidence from the Bible. A devout Catholic, Summers writes about witchcraft in great detail, examining historic events, such as the Salem witch trials, with a close eye. The chapters in this chilling volume include: - What is Witchcraft? How Does One Become a Witch? - The Familiar, in Human Shape and Animal - Witchcraft at Cambridge and Oxford - The Origins of Witchcraft - The Library of Witches - The Magus (1801) of Francis Barrett - Sympathetic Magic Complete with an introduction to the folklore and history of witchcraft, Read & Co. Books has republished this classic guide to black magic in a brand new edition. A must-read for conspiracy theorists and those with an interest in the historical background of witchcraft.
Many writers in the recent past have acquainted the rest of India to the composite culture of this north-eastern state through their writings. Black Magic Women makes a similar attempt with a stark difference! Moushumi Kandal brings her characters out of Assam and places them in the mainstream, capturing their struggle to retain their inherent 'Assameseness' as they try to assimilate at the same time into a larger picture. The title story, Black Magic Women, is about how the mainstream India perceives the Assamese women, who powered with the art of seduction and black magic, are made to endure social discrimination that can range from racial slurs to physical abuse. Juxtaposing two different eras, it is a historic-fictional re-telling of gender bias chronicled in the early nineteenth century colonial reportage by a British officer. The stories make one pause, think and debate issues that range from racial discrimination to the politics in the entertainment industry to sexual harassment to the existential and ideological dilemma induced by the complex sociopolitical scenario of the late eighties. Using a generous sprinkle of fable, myth and various metaphors, they deliver a powerful punch to the reader.
