In 1832, facing white expansion, the Sauk warrior Black Hawk attempted to forge a pan-Indian alliance to preserve the homelands of the confederated Sauk and Fox tribes on the eastern bank of the Mississippi. Here, Patrick J. Jung re-examines the causes, course, and consequences of the ensuing war with the United States, a conflict that decimated Black Hawk's band. Correcting mistakes that plagued previous histories, and drawing on recent ethnohistorical interpretations, Jung shows that the outcome can be understood only by discussing the complexity of intertribal rivalry, military ineptitude, and racial dynamics.
A retelling of the Black Hawk War that brings into focus the forces struggling for control over the American frontier. Until 1822, the Sauk Nation occupied one of North America's largest and most prosperous Indian settlements, the envy of white Americans who had already begun to encroach upon the rich Indian land. When the inevitable conflicts turned violent, the Sauks were forced into exile, banished forever from the east side of the Mississippi River. Black Hawk and his followers rose up in the spring of 1832 and defiantly crossed the Mississippi from Iowa to Illinois to reclaim their ancestral home. Though the war lasted only three months, no other violent encounter between white America and native peoples embodies so clearly the essence of the Republic's inner conflict between its belief in freedom and human rights and its insatiable appetite for new territory.--From publisher description.
In the spring of 1832, when the Indian warrior Black Hawk and a thousand followers marched into Illinois to reoccupy lands ceded to American settlers, the U.S. Army turned to rival tribes for military support. In order to grasp Indian motives, Hall explores their alliances in earlier wars with colonial powers and in intertribal conflicts.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The name Black Hawk permeates the built environment in the upper midwestern United States. It has been appropriated for everything from fitness clubs to used car dealerships. Makataimeshekiakiak, the Sauk Indian war leader whose name loosely translates to “Black Hawk,” surrendered in 1832 after hundreds of his fellow tribal members were slaughtered at the Bad Axe Massacre. Re-Collecting Black Hawk examines the phenomena of this appropriation in the physical landscape, and the deeply rooted sentiments it evokes among Native Americans and descendants of European settlers. Nearly 170 original photographs are presented and juxtaposed with texts that reveal and complicate the significance of the imagery. Contributors include tribal officials, scholars, activists, and others including George Thurman, the principal chief of the Sac and Fox Nation and a direct descendant of Black Hawk. These image-text encounters offer visions of both the past and present and the shaping of memory through landscapes that reach beyond their material presence into spaces of cultural and political power. As we witness, the evocation of Black Hawk serves as a painful reminder, a forced deference, and a veiled attempt to wipe away the guilt of past atrocities. Re-Collecting Black Hawk also points toward the future. By simultaneously unsettling and reconstructing the midwestern landscape, it envisions new modes of peaceful and just coexistence and suggests alternative ways of inhabiting the landscape.
