"A horse never knows who may buy or drive him; it is all a matter of chance for us"--Black Beauty's mother once told him. And indeed, life is a journey of chance for Black Beauty as he passes from one owner to another, some of whom are kind and thoughtful, while others, cruel and indifferent.
One of the most popular animal stories of all time, Anna Sewell's Black Beauty was first published in 1877. Drawn from the original text and intended for even the youngest of horse lovers, Black Beauty's Early Days in the Meadow depicts the first few months of the horse's life as a foal frolicking in the meadow. Artist Jane Monroe Donovan renders the classic story in lush oil paintings that convey a pastoral world of green fields and shady trees, while tenderly capturing the special love between mare and foal. The perfect harmony of words and pictures proves once again that the simplest messages are often the strongest. Readers will relish the sweetness of life in the meadow and the companionship of family and friends.
Black Beauty is an 1877 novel by English author Anna Sewell. It was composed in the last years of her life, during which she remained in her house as an invalid.[1] The novel became an immediate best-seller, with Sewell dying just five months after its publication, but having lived long enough to see her only novel become a success. With fifty million copies sold, Black Beauty is one of the best-selling books of all time
As part of the wonderful Collector's Library Series, Black Beauty is one of the best is one of the best-loved classics of all time. This attractive volume contains the complete and unabridged story with 12 full color illustrations, plus numerous black & white illustrations throughout. The deluxe edition features a full piece cloth case, a four color illustrated onlay on the front cover, foil stamping on front and spine, stained edges on three sides, printed endpapers with book plate, and a satin ribbon marker. This book should have an honored place in any child's library.
Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.