The twelve-year-old tomboy Bitsy travels to Hilton Head Island, South Carolina, where she expects sun, fun, and a baseball trophy, but as usual, things never quite work out as she expects. It's bad enough that she has to move in with strangers and that her baseball glove is missing, but the problems don't end there—Bitsy and her new friends, Cole and Mallory, discover a loggerhead turtle thief is on the loose. The robber could be right under their noses. As Bitsy tracks down a criminal and tries to lead her team to victory, she begins to learn the truth about lies.
Bay Tanner's fledgling detective agency gets off the ground when she, the Judge, and Eric Whiteside look into the murder of an old college friend of Eric's. Right before he was killed, Grey Palmer Jr. contacted Eric to tell him that while working as an archeologist on the islands off of Beaufort, SC, he had found the remains of a man who was recently killed. The next day, Grey's body is found underwater, tied to his boat, his face mutilated by the boat's propeller. As Bay and Eric get closer to the truth, they find themselves uncovering secrets that have long been buried.
Towering live oaks guard old secrets and powerful forces that even the spirited Bay Tanner can't control. . . . A freak summer storm has Bay Tanner, sometime private investigator, cooped up with her ailing father at his antebellum mansion near Hilton Head. Desperate for a distraction, Bay recovers a cooler bobbing along on the incoming tide. What she discovers inside will plunge her into a world of ancient magic where the power of the "root" has held sway since the days of the slave row. Suddenly, mysterious people and strange incidents, including a near-fatal accident, force her to realize that she may have unleashed something she can neither understand nor escape. Meanwhile, her investigation into the simple case of a runaway wife turns deadly. The police are eager to nail the wealthy, prominent husband for murder, but Bay's instincts tell her there's more to the story. Sheriff's Sergeant Red Tanner, her late husband's brother, warns her off the case, but Bay's never been good at taking orders. Soon she's working full-time to defend her client, who may not be as innocent as Bay would like to believe. Time and again, every trail leads back to a mystical commune in the tangled backwoods of Beaufort County and to one of its leaders, a charismatic woman who believes in the real and malevolent power of the old ways. To find a killer, Bay must travel to the heart of this woman's world—and not everyone will escape the spell of Sanctuary Hill.
Set on Tybee Island, Georgia, the story is told by Bitsy, a twelve-year-old tomboy whose imagination and curiosity repeatedly get her into trouble as she searches for hidden treasure, discovers a skeleton, and faces a kidnapper. Local points of interest contribute to the story, including the Tybee Island Lighthouse and Museum, historic Fort Screven, and Chapel-By-The-Sea Baptist Church.
Twelve-year-old Bitsy Burroughs has vowed to cause no more calamities, but when a bully pushes her too far Bitsy's promise of peace comes to an end. With a deflated ego, the courageous heroine must stand up to a bully, a witch, and a ghost to discover the dark secrets of a nearby abandoned house.
What do women want? A voice. To be heard. Respect. To be believed. Justice. To be both safe and free. The women in these stories have daughters, sisters, friends. The minister worries about her parishioners. The banshee worries about the Hippocratic Oath. The microbiologist worries about her obligation to the dead. They will use any means to protect themselves and those they love: a childish jingle, a skillet full of cornbread, a candle, their own quick wits. We cannot ignore their voices.
The classic novel of a boy’s struggle for survival in WWII Poland, from the National Book Award–winning author of Steps and Being There. “In 1939, a six-year-old boy is sent by his anti-Nazi parents to a remote village in Poland where they believe he will be safe. Things happen, however, and the boy is left to roam the Polish countryside. . . . To the blond, blue-eyed peasants in this part of the country, the swarthy, dark-eyed boy who speaks the dialect of the educated class is either Jew, gypsy, vampire, or devil. They fear him and they fear what the Germans will do to them if he is found among them. So he must keep moving. In doing so, over a period of years, he observes every conceivable variation on the theme of horror” (Kirkus Reviews). Originally published in 1965, The Painted Bird established Jerzy Kosinski as a major literary figure. With sparse prose and vivid imagery, it is a story of mythic proportion and timeless human relevance. “One of the best . . . Written with deep sincerity and sensitivity.” —Elie Wiesel, The New York Times Book Review “Of all the remarkable fiction that emerged from World Wat II, nothing stands higher than Jerzy Kosinski’s The Painted Bird. A magnificent work of art, and a celebration of the individual will. No one who reads it will forget it; no one who reads it will be unmoved by it. The Painted Bird enriches our literature and our lives.” —Jonathan Yardley, The Miami Herald “Extraordinary . . . Literally staggering . . . One of the most powerful books I have ever read.” —Richard Kluger, Harper’s Magazine “One of our most significant writers.” —Newsweek
From Ann Packer, author of the New York Times best-selling novels The Dive from Clausen’s Pier and Songs Without Words, a collection of burnished, emotionally searing stories, framed by two unforgettable linked narratives that express the transformation of a single family over the course of a lifetime. A wife struggles to make sense of her husband’s sudden disappearance. A mother mourns her teenage son through the music collection he left behind. A woman shepherds her estranged parents through her brother’s wedding and reflects on the year her family collapsed. A young man comes to grips with the joy—and vulnerability—of fatherhood. And, in the masterly opening novella, two teenagers from very different families forge a sustaining friendship, only to discover the disruptive and unsettling power of sex. Ann Packer is one of our most talented archivists of family life, with its hidden crevasses and unforeseeable perils, and in these stories she explores the moral predicaments that define our social and emotional lives, the frailty of ordinary grace, and the ways in which we are shattered and remade by loss. With Swim Back to Me, she delivers shimmering psychological precision, unfailing intelligence, and page-turning drama: her most enticing work yet.
Winner of the Edgar Award for Best First Novel "Don't be fooled by the novel's apparent simplicity: What emerges from the surface is a tale of extraordinary emotional power, one of longstanding pain set against the pulsating drumbeat of social change." -Sarah Weinman, NPR.org For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve's death. But when the 1967 Detroit riots frighten him even more than his Kansas past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and the same small town where Eve mysteriously died. And then a local girl disappears, catapulting the family headlong into a dead man's curve. . . . On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt's clothes; a boy hefts his father's rifle in search of a target; and a mother realizes she no longer knows how to protect her children. It is a place where people learn: Sometimes killing is the kindest way. Bent Road has been optioned for film in 2012 by Cross Creek Pictures with Mark Mallouk to adapt and Benderspink to produce.
